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Across A Crowded Room, Adrian Rice
Feeling Into Words: Remembering Seamus Heaney, Geraldine Higgins
Feeling Into Words: Remembering Seamus Heaney, Geraldine Higgins
Irish Studies South
No abstract provided.
1939 And The Road Beyond Coleraine: An Introductory Meditation, Thomas D. Redshaw
1939 And The Road Beyond Coleraine: An Introductory Meditation, Thomas D. Redshaw
Irish Studies South
No abstract provided.
"Out Of The Marvellous," Into The Marvellous, In Memoriam: Seamus Heaney (1939-2013), Roslyn Blyn-Ladrew
"Out Of The Marvellous," Into The Marvellous, In Memoriam: Seamus Heaney (1939-2013), Roslyn Blyn-Ladrew
Irish Studies South
No abstract provided.
Crediting The Poet: What Seamus Heaney Means To Me, Eugene O’Brien
Crediting The Poet: What Seamus Heaney Means To Me, Eugene O’Brien
Irish Studies South
No abstract provided.
North And South: A Calling, Natasha Trethewey
North And South: A Calling, Natasha Trethewey
Irish Studies South
No abstract provided.
Eye For The Gap: Frenzy, Liberty, And The Nietszchean Chorus In Conor Mcpherson's The Weir And Shining City, Frances Krieg
Eye For The Gap: Frenzy, Liberty, And The Nietszchean Chorus In Conor Mcpherson's The Weir And Shining City, Frances Krieg
Electronic Theses and Dissertations
This study situates The Weir and Shining City by Conor McPherson as embodying elements of Dionysian aesthetics as elucidated by Friedrich Nietzsche. Working through the lenses of Samuel Beckett’s linguistic philosophy and the premium of theater as established by Nietzsche, Artaud, and Brecht, the aim of this paper is to demonstrate how McPherson pierces the boundaries of language in drama by establishing his audience as chorus. Background information on Nietzsche’s The Birth of Tragedy and McPherson’s own comments on the plays are included with the research on the plays themselves. This work articulates the chorus itself but also the choral, …