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Angels Of Many Houses: Reconciling Domesticity In 19th-Century Victorian Literature, Amanda Vierra
Angels Of Many Houses: Reconciling Domesticity In 19th-Century Victorian Literature, Amanda Vierra
College Honors Program
The rise of the Victorian middle class is known for solidifying a separation of gender roles, with women operating in the private, domestic sphere and men in the public sphere. This historical value placed on domesticity is reflected in the rise of domestic fiction, the dominant genre of Victorian literature, which commonly depicts young, middle-class women making their way in the world. The plot of these narratives revolves around women perfecting or contending with their place in the domestic sphere through courtship, marriage, and family. Scholars on domestic fiction have continued to argue over whether domestic fiction reflected the oppressive …
The Poetry Of History: Irish National Imagination Through Mythology And Materiality, Ryan Fay
The Poetry Of History: Irish National Imagination Through Mythology And Materiality, Ryan Fay
English Honors Theses
The thesis culminates in the twentieth century and yet it begins with the Ulster Cycle, a period of Irish mythological history that occurred around the first century common era. Indeed, since the time frame was before the arrival of the Gaels, Normans, or Christianity, the extent of this mythology’s relevance today is whatever extent it is conceptualized as “Irish.” As such, the first chapter locks onto an aspect that could feasibly transcend time and resonate with modern Irish society: gender. Of course, the epistemological dynamics of gender[1] in the first-century common era are vastly different than the twentieth century …
From Court To Collar: Post-Elizabethan Poetics And The Submissive Stance, Timothy J. Duffy
From Court To Collar: Post-Elizabethan Poetics And The Submissive Stance, Timothy J. Duffy
Fenwick Scholar Program
This project was created out of one key observation about the English Renaissance: that the poets of the sixteenth and seventeenth-centuries had to deal with social pressures, influences, and expectations far more directly than their eighteenth, nineteenth, twentieth-century, or contemporary counterparts. The struggle to establish an individual and innovative identity was as much a motivation for these poets as for any artists, yet the unique political circumstances that surrounded them called for a clever strategy, one inspired by continental models, the taking on of the submissive stance.
James Joyce And His Other Language: The "Abnihilization Of The Etym", Lisa J. Fluet '96
James Joyce And His Other Language: The "Abnihilization Of The Etym", Lisa J. Fluet '96
Fenwick Scholar Program
This thesis proposes to say something new about Joyce's female characters that would in a sense redeem Joyce from the sharp criticism his texts encounter from feminist theorists. To achieve this, I have worked to dismantle the notion of literal, primary-word meanings to expose the etymon's origin from nothing. By tracing points in various works of Joyce where the word, the basis for most patriarchal literary representation, is not revered, but instead is dismantled, proven inadequate, and ultimately "abnihilizated," I attempt to demonstrate that female characters kept outside active participation with the word warrant serious consideration, as harbingers of a …