Open Access. Powered by Scholars. Published by Universities.®
Articles 1 - 5 of 5
Full-Text Articles in Entire DC Network
You Can Go Home Again: The Misunderstood Memories Of Captain Charles Ryder, Monica M. Krason
You Can Go Home Again: The Misunderstood Memories Of Captain Charles Ryder, Monica M. Krason
ETD Archive
Critics have frequently commented on the nostalgic tone of Brideshead Revisited. Their assessment has been largely negative, with most considering Brideshead too sentimental about England’s aristocratic past. This current characterization fails to recognize Waugh’s critiques of such thinking in Brideshead, wherein he upends the nostalgic tropes of popular Oxford novels, illustrates the dangers of both insulated upper class living and thoughtless presentism through his depictions of various characters, and proposes a greater metaphysical drama through memory is at play in the novel. Brideshead offers nostalgia as an enlivening force which allows Charles Ryder to maintain a vibrant understanding for who …
“The Deepest Blush”: Bodily States Of Emotions In Jane Austen’S Novels, Nadya Abdelfattah
“The Deepest Blush”: Bodily States Of Emotions In Jane Austen’S Novels, Nadya Abdelfattah
ETD Archive
During the eighteenth-century, philosophers gave primacy to rationality specifying that reason could and should control emotions; they observed a friction between thought and feeling, rational and irrational, emotion and cognition, mind and body, which competed and united in a way that influenced the eighteenth-century and nineteenth-century thought and experience on many sides. As an early nineteenth-century novelist, Jane Austen explores the relationship between emotion and cognition. I argue that Austen shows the importance of bodily experience of emotion in moral development. Deploying affect theory will illuminate Austen’s depiction of emotions as a mode of understanding of how the body becomes …
I Hate It, But I Can't Stop: The Romanticization Of Intimate Partner Abuse In Young Adult Retellings Of Wuthering Heights, Brianna R. Zgodinski
I Hate It, But I Can't Stop: The Romanticization Of Intimate Partner Abuse In Young Adult Retellings Of Wuthering Heights, Brianna R. Zgodinski
ETD Archive
In recent years, there has been a trend in young adult adaptations of Wuthering Heights to amend the plot so that Catherine Earnshaw chooses to have a romantic relationship with Heathcliff, when in Bronte’s novel she decides against it. In the following study, I trace the factors that contribute to Catherine’s rejection of Heathcliff as a romantic partner in the original text. Many critics have argued that her motives are primarily Machiavellian since she chooses a suitor with more wealth and familial connections than Heathcliff. These are indeed factors; however, by engaging with contemporary research on adolescent development, I show …
Secret History In Contemporary America: Re-Reading All The King's Men And Primary Colors, Megan Nicole Petraska
Secret History In Contemporary America: Re-Reading All The King's Men And Primary Colors, Megan Nicole Petraska
ETD Archive
There exists a little known connection between the seventeenth-century genre of secret history and contemporary political novels. Secret histories such as Procopius’ The Secret History of the Court of Justinian, Sebastien Bremond’s Hattige or the Amours of the King of Tamaran, and Aphra Behn’s Love Letters Between a Nobleman and his Sister have in common three defining structural characteristics of the genre: active narrators, narrative layers, and unusual character names. Two contemporary texts which have long resisted categorizing, Robert Penn Warren’s All the King’s Men and Joe Klein’s Primary Colors, also contain these characteristics. Re-reading these texts …
Sexualizing The Body Politic: Narrative The Female Body And The Gender Divide In Secret History, Eileen A. Horansky
Sexualizing The Body Politic: Narrative The Female Body And The Gender Divide In Secret History, Eileen A. Horansky
ETD Archive
Recent studies of eighteenth-century women writers have focused on the role of women as developers and proponents of the secret history. The secret history, recently defined by scholars such as Rebecca Bullard, Melinda Alliker Rabb, Ros Ballaster, Marta Kvande, and Rachel Carnell, among others, occupies space within several genres, including political satire and historiography. The genre's secretive nature and reliance on gossip and anecdotal evidence creates a new space for women writers that allows them to enter political discourse and offer a distinctly gendered social commentary. As public became private and private became secret, secret historians sought to expose the …