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Reading Masculinity In Virginia Woolf's The Waves, David Michael Mraz
Reading Masculinity In Virginia Woolf's The Waves, David Michael Mraz
ETD Archive
The Waves subtly subverts traditional notions of gender, and creates a space for divergent expressions of masculinity, specifically, the masculinity referred to in this paper relates to norms established in England during the Edwardian and Post World War I periods. In The Waves, the three male voices, Bernard, Neville and Louis, are introduced at school to a pro-imperialist vision of masculinity which is further reinforced through their relationship with the silent Percival. However, unlike Percival, the three male voice characters are either barred from the homosocial (Nevill and Louis) or are ambivalent to its production (Bernard). By employing masculinity theory …
Sex, Gender, And Androgyny In Virginia Woolf's Mock-Biographies "Friendships Gallery" And Orlando, Sarah Hastings
Sex, Gender, And Androgyny In Virginia Woolf's Mock-Biographies "Friendships Gallery" And Orlando, Sarah Hastings
ETD Archive
This is an examination of sex, gender, and androgyny in Virginia Woolf́⁰₉s ́⁰₋Friendships Gallerý⁰₊ and Orlando. These texts, written twenty years apart, highlight Woolf́⁰₉s development as a feminist who seeks to obliterate the assumed sex and gender binary. She accomplishes this through a mock biography format. Her first attempt highlights the androgynous nature of the main character Violet, whereas in Orlando her message of the constrictive nature of an assumed link between sex and gender is far more emphatically proven though the utilization of the titular character undergoing a biological sex change that ultimately leaves his/her gender unaffected