Digital Commons Network^™

The Contemporary "White Trash" Memoir In Literary, Social And Political Contexts, Ursula Hansberry

Student Theses and Dissertations

This senior thesis is about class in the United States, as expressed and represented in three critically and popularly successful memoirs published by white working-class writers between 2005 and 2018. My thesis explores how these memoirs and their critical and commercial reception demonstrate a profound shift in cultural and social representations of white working-class upbringings in the United States, although not in any simple or obvious way. While readers intuitively grasp that a memoir is not the truth in a directly literal sense, but rather a document that is constructed, edited, framed, shaped, and dramatized, readers and critics at the …

The Structures Of Intra-National Class Divisions In Neoliberalism: The Women Of “Light” And “Dark” In The White Tiger, Sneha Madimi

Theses and Dissertations

Aravind Adiga’s novel, The White Tiger, represents gender hierarchies and the class struggle of India’s neoliberal present. Adiga uses elements of satire and allegory to teach us something about how women are differently positioned in the neoliberal system. David Harvey in A Brief History of Neoliberalism defines neoliberalism as “a theory of political economic practices that proposes that human well-being can best be advanced by liberating individual entrepreneurial freedoms and skills within an institutional framework characterized by strong private property rights, free markets, and free trade” (2). I will consider the novel, alongside Chandra Mohanty’s “Under Western Eyes” …

Bearing Il/Liberal Secondary Witness: Un/Disciplined Pedagogies Of Response To Testimonial Narratives, Queenie T. Sukhadia

Dissertations, Theses, and Capstone Projects

This dissertation is preoccupied with secondary witnessing—the process of readerly subjects receiving and responding to testimonial accounts of state-sponsored torture and genocide that they themselves have not experienced firsthand. It examines how certain secondary witnessing postures and practices have been made commonsense for readers—public readerly subjectivities as well as professionalized ones such as literary critics—by liberal discourses, technologies, and institutions, while others have been rendered imperceptible by being represented as too delayed, too quixotic, or too unfeasible. My dissertation understands ‘liberalism’ as a tripartite entity: first, the onto-epistemologies inaugurated and normalized by the Enlightenment, that also authorized the violent processes …

Women And Ventriloquism In Early Modern English Drama, Ja Young Jeon

Dissertations, Theses, and Capstone Projects

Bringing together feminist and theater-centered readings, this dissertation examines the status of female vessels that foreign voices inhabit and animate in early modern drama, arguing that the Greek model of ventriloquism represented by the Pythia exerted a powerful influence on the period’s ideas about women’s speech. In feminist work on ventriloquism, despite highlighting theatrical performance’s dependence on citationality, ventriloquism has been largely understood as an analogue for exploring male poets’ authorial power to appropriate women’s voices. In these readings, the term ‘ventriloquist’ is mainly identified with the person who throws his voice into human or nonhuman objects, reminding us of …

The Legend Of The Legion: Nihilism And The Restoration Of The Aristocracy In Ouida’S Under Two Flags, Laura Clarke

Publications and Research

Ouida’s Under Two Flags (1867) is not a widely read Victorian novel today, but it is offers important insight into the philosophical concerns of a novelist who was hugely popular in her time. In Under Two Flags, Ouida explores what she saw as the epistemological problem developing in the nineteenth century, a nihilistic view that promoted scepticism, aestheticism, and idleness, which is a perspective she believed was responsible for the demise of the aristocracy. Wishing to restore the power and position of the aristocracy, Ouida sends her protagonist Bertie Cecil, a dandy who embodies the aestheticism and ennui of the …

Queer Horror, Laura Westengard

Publications and Research

This chapter examines the queer Gothicism of American horror to consider the ways in which marginalized genders and sexualities have been either condemned or covertly endorsed through horror’s textual and visual mediums. In mainstream cis-heteronormative society, queer genders and sexualities have been an abjectified, “horrific” presence, and these mainstream investments represented via horror, as a mode of expression devoted to irruptions of the body, means that the presence of queerness is often registered as an a priori spoliation of bodily norms. Like the term “queer” itself, audiences have often reappropriated the Gothic figures that appear in horror, and some queer …

Collaborative Textbook On English Syntax (Version 1.0), Matt Garley, Karl Hagen, The Students Of Eng 270 At York College / Cuny

Open Educational Resources

No abstract provided.

“We Talk, I Believe, All Day Long”: Forms Of Communication In Charlotte Brontë’S Jane Eyre, Kara Vacalopoulos

Student Theses

Jane Eyre is a successful coming of age narrative where the title character’s development can be tracked through the way she communicates with other people. Dialogue and conversations constantly change as Jane herself changes and grows. This paper analyzes the different modes of communication that Jane experiences with the characters in the novel. As she gets older, Jane establishes her voice and seeks out a perfect conversational partner – someone who she could bear her soul to and have meaningful conversations with. This paper argues Rochester as Jane’s perfect conversational partner, even if he is not a perfect person. In …

Sexual Exploration Of The Pastoral: Analyzing Queer Desire In “Goblin Market” And In Memoriam, Amanda Rajnauth

Theses and Dissertations

The term “queer pastoral” was coined by Vin Nardizzi to refer to the use of the pastoral setting to normalize homosexuality. While the queer pastoral has primarily remained within Renaissance studies, I seek to expand the reach of this concept by applying it to Victorian literature. This thesis argues that Christina Rossetti’s “Goblin Market” and Alfred Tennyson’s In Memoriam both use the pastoral as a space to explore queer desire.

The Silent Holocaust And Other Myths: The Jewish Body And Intermarriage In The Fiction Of Saul Bellow And Philip Roth, Samuel Gold

Dissertations, Theses, and Capstone Projects

This dissertation concerns the legacy within the Jewish American imagination of two related ideas: the pseudoscientific belief in the Jewish body’s inherent physical difference, and the conviction, shared by rabbis, sociologists, and Jewish advocacy organizations in the second half of the 20th century, that Jewish-gentile intermarriage threatened Jewish survival in America. The Jew’s association with illness and debility is central to the Nazi race theories that undergird the Holocaust; the postwar American anxiety over intermarriage responds to that destruction. Fearing that intermarriage may yield a second, “silent” Holocaust through assimilation, American Jewish leaders metaphorically equate exogamy (out-marriage) with genocide.

I …

"You Can't Be Shakespeare And You Can't Be Joyce": Lou Reed, Modernism, And Mass Production, Daniel C. Jacobson

Dissertations, Theses, and Capstone Projects

This dissertation proposes a reevaluation of the overlooked connections between American popular music and modernist literature’s scope and formal experimentation which arose in the mid-20th century. Because Lou Reed’s ever-changing persona situates his work uncomfortably between high art and pop-culture, modernism and “post-modernity,” literature and music, and ethics and aesthetics, I intend to consider Reed as this dissertation’s empty, refracted center. One that will allow for a critique of several major intellectual movements, both inside and outside the academy, that continue to influence thinking about art, ethics, and material culture. Additionally, I hope to show that the work of a …

Narrative Side-Stepping: Disability Beyond The Narratology Of Normalcy, Christian Lewis

Dissertations, Theses, and Capstone Projects

This dissertation theorizes a new mode of reading, narrative side-stepping, that reveals how disabled characters provide a unique opportunity for non-normative narratives. In insisting on the narratological innovations that disability affords, I revise both Lennard Davis’s notion that the novel form valorizes normalcy and David Mitchell and Sharon Snyder’s theory of narrative prosthesis, which claims that disability is a crutch, and that disabled characters are merely metaphors and/or plot devices. I move beyond these theories to focus instead on the more complicated ways that authors represented disability and used disabled characters to critique societal and narrative norms. I think about …

Clowning With Identity: Embodied Selves And Others In Comedy's Gendered Character Performances, Allison Douglass

Dissertations, Theses, and Capstone Projects

Clowning with Identity examines the comedic performance of characters. The enjoyment of a character feels easy to accept uncritically, but these performances work because they deploy stereotypes and the cultural meanings surrounding them, often through acts of appropriation, as the performer makes the choice to embody an identity separate from their own. This project connects theory on drag and gender performance and its ideas about identity-remixing to rhetorical theory on comedy and clowning practices, sketching the ways American practices of drag, clown, and comedic character work are all deeply linked through their historical development. I theorize the productive ways that …

Dancing With The Devil: Carnival And The True Witch Of The Witch Of Edmonton, James B. Barone

Student Theses

The most obvious carnivalesque aspects in Dekker, Ford and Rowley’s The Witch of Edmonton—the Morris dancers and their leader Cuddy Banks, and the shapeshifting demon Dog—have received the bulk of scholarly attention. However, very little has been written about the cagey, pregnant servant girl Winifred, who as I argue in this thesis more fully embodies Carnival’s aspects of rebirth and renewal. Winifred endures the play’s turmoil by inventing and reinventing herself. Her powers of creation are antithetical to the downfalls of the play’s two main characters—Frank Thorney and Elizabeth Sawyer, the play’s eponymous witch—as well as the mischief created by …

The Ideal Elizabethan Marriage (Or Naught): How Fletcher’S Comedy, The Tamer Tamed Serves As A Sequel, Homage And Riposte To Shakespeare’S The Taming Of The Shrew, Katherine Brillante

Student Theses

In this thesis, I take my cue from Emma Smith, who observes that John Fletcher’s The Woman’s Prize, or The Tamer Tamed is “a sequel, an homage, and a riposte to Shakespeare’s own Taming of the Shrew” (xii). While demonstrating Smith’s point, I also explore the ideology of marriage in Renaissance England, considering what it means to be a rebellious woman with respect to that institution. While, as Ann Jennalie Cook observes, “a play is not an exact replica of the customs of the time” (83), these two plays nevertheless illuminate the ways in which marriage customs during this …

With Great Power Comes Great Responsibility: Examining The Power And Privilege Of Escapism In Young Adult Literature And Its Culture, Stacey Watson

Theses and Dissertations

This thesis will explore the systematic biases embedded within this genre, highlighting the ongoing battle between tokenism and inclusive storytelling. Thesis will also emphasize the importance of this genre, its tight grasp on popular culture, and showcase positive representations introduced by new creators over the years.

Claiming Ownership Of One’S Body Through Language: The Disability Memoir, Sarah Elizabeth Kaufman

Theses and Dissertations

This paper examines the ways in which the disability memoir creates pathways that generate new ways of thinking. Focusing primarily on the disability memoirs of Simi Linton, Ellen Forney, and Kenny Fries, this analysis will personalize the disability experience as these authors live it and redefine its social stereotypes.

My Favorite Thing Is Monster Theory: Horror Comics And Demonstrating Difference In Emil Ferris’S "My Favorite Thing Is Monsters", Jennifer Rossberg

Dissertations, Theses, and Capstone Projects

My Favorite Thing is Monsters (2017) by Emil Ferris opens with the same etymological analysis of the word monster as Rosemarie Garland Thomson’s landmark disability studies article, “From Wonder to Error: A Discourse on Freak Genealogy” (1991). The protagonist of Ferris’s swirling, sketchbook-style thriller, Karen Reyes, is a mixed-race queer adolescent growing up in noirish 1960’s Chicago who longs to be a werewolf so she can bite and save her cancer-afflicted mother. After fleeing an imaginary, pitchfork-wielding M.O.B.—an acronym for “mean, ordinary, & boring” people—Karen explains that, “The dictionary says the word monster comes from the Latin word ‘monstrum’ which …

Committed To The Fragment: Feminist Literature And The Promise Of Wellness, Lynne Beckenstein

Dissertations, Theses, and Capstone Projects

“I have never been able to blind myself” to the cruelty of a world that “destroys its own young in passing…out of not noticing or caring about the destruction,” Audre Lorde tells us in her 1980 “mythobiography” Zami: A New Spelling of My Name. This quality, Lorde says, “according to one popular definition of mental health, makes me mentally unhealthy.” In rejecting psychological self-possession as a sign of wellness, this passage also rejects it as one of sovereignty’s conditions. At the time of Lorde’s writing, this version of sovereignty already dominated the landscape of therapeutic culture in the United States, …

Historical Sisters: Black Feminist Actions Across History And Literary Studies, Jazz A. Milligan

Dissertations, Theses, and Capstone Projects

This thesis seeks to understand how the actions of Black women from the past have inspired the modern Black female literary movement. This thesis focuses on three historical women: Phillis Wheatley, Elizabeth Freeman, and Cathay Williams, and their literary sisters: bell hooks, Barbara Smith, and Patricia Hill Collins. By viewing the lives of these historical women through a modern-day lens, we can understand how their actions created a ripple effect that Black women are still discussing today. Black feminism did not start in a vacuum, and the actions of everyday Black women have pushed us forward to being more accepting …

The Visionary Mode In Anglophone Modernist Fiction, Wei Wu

Dissertations, Theses, and Capstone Projects

This study is a critical reexamination of descriptions of visionary experiences in the novels of Woolf and Lawrence. Its goal is twofold: first, to demonstrate that the visionary mode, when best practiced by the modernist novelists here discussed, can overcome the ideological liabilities that its supposed individualist stance seems to entail; secondly, based on an updated understanding of the visionary mode, to reconceptualize its relation with the ordinary. Through discussions of five important modernist novels, this study concludes that modernist practicing of the visionary mode, when contextualized and historicized, portrays the subject as situated in dynamic exchanges with otherness, subscribes …

Sound Minds: Women’S Novels, Vibrational Experience, And The Listening Imagination In Nineteenth-Century Britain, Elizabeth Weybright

Dissertations, Theses, and Capstone Projects

Sound Minds: Women’s Novels, Vibrational Experience, and the Listening Imagination in Nineteenth-Century Britain traces nineteenth-century evolutions of the concept of auditory subjecthood and brings narrative representations of audition and utterance in novels written by Jane Austen, Charlotte Brontë, and George Eliot to bear on sound studies, acoustic research, and adjacent philosophies of musical aesthetics. Between Ernst Chladni’s groundbreaking publications on acoustic science in 1787 and 1802 and Hermann von Helmholtz’s enormously influential study of sound waves and musical theory, On the Sensations of Tone: As a Physiological Basis for the Theory of Music (1862), continental Europe and Britain saw proliferating …

"Nothing ‘Personal’ To Lose": Alice Notley’S “I” And The Poetics Of Encounter In Disobedience, Christina T. Baulch

Theses and Dissertations

Though the lyric-I has often been perceived as an isolated ego, Alice Notley's "I" in her long poem Disobedience (2001) necessitates plurality through what I call a "poetics of encounter." In response to the 1978 Language poetry manifesto "Aesthetic Tendency and the Politics of Poetry," and to the larger well-rehearsed debate about vocal homogeneity and persona centrism in poetry, this paper argues that Notley's poetics of encounter brings the "I" of Disobedience into continual and complex conversation with material history, politics, and mass culture, thus situating it within, and not sequestered from, the world and its mediation.

Gloria Naylor’S Conversation With The Tempest, Kelly Mcavoy-Giarrusso

Theses and Dissertations

This thesis focuses on how Gloria Naylor used Caliban from Shakespeare's The Tempest as inspiration for her character George, and how her evolution of the character reveals issues within the literary and academic community at the time of her writing. George fulfills Caliban’s limitations in that he has more power and autonomy than Caliban, but the tragedy of his death reveals that he has lost part of himself in order to gain that power. This idea that education and society can cause a loss of self is personal for Naylor, who encountered only white male authors in school and struggled …

Feminine Performance In The Taming Of The Shrew: Final Speech And Missing Soliloquy, Laura Kolb

Publications and Research

No abstract provided.

"The Battle Trumpet Blown!": Whitman's Persian Imitations In Drum-Taps, Roger Sedarat

Publications and Research

While Walt Whitman’s thematic use of the Orient continues to receive critical attention based on his explicit foreign references, aside from observations of specific Persian signifiers in “A Persian Lesson,” his engagement with the poetry of Iran has remained especially speculative and therefore analogical, with studies like J. R. LeMaster and Sabahat Jahan’s Walt Whitman and the Persian Poets showing how his mystical relation to his own religious influences tends to resemble the Sufism of Rumi and Hafez. A new discovery emerging from an examination of his personal copy of William Alger’s The Poetry of the East along with his …

Remixing The Canon: Shakespeare, Popular Culture, And The Undergraduate Editor, Andie Silva

Publications and Research

This essay explores the benefits and challenges of using digital editing as a platform for social knowledge production. First, I discuss the underlying impetus for the project, my choice of Scalar as a digital platform, and a number of specific assignments designed to develop skills toward the final edition. Next, I analyze examples from student work, considering the larger implications of students’ annotation choices and the thematic focus each of them chose for their acts. Finally, I outline some of the potential pitfalls of this course. My aim is to privilege students’ discovery, negotiation, and ownership of ideas. As a …

Queer Gothic Literature And Culture, Laura Westengard

Publications and Research

No abstract provided.