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Hamilton: Publics Theory, The Rhetorical Impact Of Theater And Reimagining The American Founding, Anna Sanford Low
Hamilton: Publics Theory, The Rhetorical Impact Of Theater And Reimagining The American Founding, Anna Sanford Low
Theses and Dissertations
In a time when our nation is particularly divided and confused about its identity, Hamilton, the Broadway musical created by Lin-Manuel Miranda has become an example of art's ability to unify disparate ideological, socio-economic and racial groups. The play's reception deserves study to understand how both liberals and conservatives can agree upon an interpretation of a musical that celebrates diversity in race and representation. Celebration and interpretation of the play has been so widespread that a public has emerged, furthering the influence of the play's ideas. This public is unique in a time when most people cocoon themselves in …
A Lesson In Rhetoric: Finding God Through Language In “Batter My Heart”, Marc Daniel Giullian
A Lesson In Rhetoric: Finding God Through Language In “Batter My Heart”, Marc Daniel Giullian
Theses and Dissertations
A reexamination of John Donne's Holy Sonnet “Batter my heart,” especially one looking at the sonnet's relationship to Early Modern rhetoric, is long overdue. In this paper, I hope to show that a focus on Donne's relationship to Early Modern rhetoric yields several useful new insights. I argue specifically that Donne was probably exposed to Non-Ramist rhetorical methods and theory at many points in his education, from his childhood to his college years to his years at the Inns of Court. Furthermore, Non-Ramist rhetoric has moral implications, suggesting that aspects of an author's feelings, character, and desires can be analyzed …
Negotiating Identity: Culturally Situated Epideictic In The Victorian Travel Narratives Of Isabella Bird, Katherine Reilly Robinson
Negotiating Identity: Culturally Situated Epideictic In The Victorian Travel Narratives Of Isabella Bird, Katherine Reilly Robinson
Theses and Dissertations
Epideictic rhetoric, one of the classical modes of persuasion described by Aristotle, has faced some criticism concerning its value in the realm of rhetoric. Though attitudes have been shifting over the last several decades, there is still a tendency to undervalue epideictic, falling back on the Aristotelian system of ceremonial oratory. However, its “praise and blame” style of persuasion employs of the type of rhetor / audience identification described by Kenneth Burke. Epideictic rhetoric is a major component of virtually any communication, as the speaker or writer seeks to create a bond with that audience so as to persuade them …
An Irresistible Invitation: Enhancing Academic Publication In Rhetoric And Composition By Inviting Online Peer Commentary, Sarah L. Cutler
An Irresistible Invitation: Enhancing Academic Publication In Rhetoric And Composition By Inviting Online Peer Commentary, Sarah L. Cutler
Theses and Dissertations
In many ways the current publishing system in rhetoric and composition, which centers on the peer-reviewed journal, undermines core values we hold for ideal scholarly communication. These values include collaboration, dialogue, participation, and public engagement. Though the current system's methods of preserving, distributing, and maintaining quality control of scholarly work contradict our values, technological developments have made possible alternative publishing models that could better uphold our values. Developing a preprint archive where scholars develop and share ideas before submitting them for publication in traditional peer-reviewed journals would bring our publishing process closer to our ideals.
Theatrical Ideology: Toward A Rhetoric Theatricality, Jacob L. Robertson
Theatrical Ideology: Toward A Rhetoric Theatricality, Jacob L. Robertson
Theses and Dissertations
When used in common vernacular, the terminology of the medium of theatre—"theatricality," "drama," "performance," "acting," "scene," etc."”form a vocabulary of "ideographs" as defined by Michael Calvin McGee. My analysis reveals that common usage of theatrical terms is more than merely metaphorical; the "theatre," rather, is a fundamental orienting concept for defining lived experience—it is ideology. By viewing the use of theatrical language as ideological, and analyzing how such terms define situations rhetorically, we begin to reveal the underlying ideology upon which the medium of theatre operates, and which it unconsciously conveys. I demonstrate this claim by analyzing the argument made …
The New Feminine Rhetoric: Wollstonecraft, Austen, And The Forms Of Romantic-Era Feminism, Elisabeth Louise Guyon
The New Feminine Rhetoric: Wollstonecraft, Austen, And The Forms Of Romantic-Era Feminism, Elisabeth Louise Guyon
Theses and Dissertations
Countering traditional claims that the feminist movement all but vanished during the early nineteenth century, this thesis suggests feminism remained prominent in both the literature and rhetoric of the time. In tracing the development of the "New Rhetoric," a rhetorical movement that aimed to accommodate new principles of the Enlightenment, I focus in part on the rhetorical battle between Edmund Burke, with his Reflections on the Revolution in France, and Thomas Paine, with his Rights of Man. From there, I suggest that Mary Wollstonecraft, writing in the wake of the Burke-Paine debate and drawing upon the rhetorical philosophy of George …
Negotiation Through Identification: Elizabeth Tudor's Use Of Sprezzatura In Three Speeches, Alisa Brough
Negotiation Through Identification: Elizabeth Tudor's Use Of Sprezzatura In Three Speeches, Alisa Brough
Theses and Dissertations
Elizabeth Tudor, Queen of England, weaves the courtier's strategy of sprezzatura throughout her public orations in order to help her identify with her audience of courtiers, scholars, and politicians. Through her use of sprezzatura, Elizabeth woos her audience and transcends the differences of opinion that lead to conflict between the Queen and her audience members. Using Kenneth Burke's theory of rhetoric as identification, this thesis employs rhetorical analysis in order to discover how Queen Elizabeth's use of sprezzatura enables her to portray herself as a humanist scholar, a political servant, and a dedicated defender of her country and thus, identify …