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- 1564-1616. Othello; Munby (1)
- 1593-1633. The temple; Vaughan Williams (1)
- 1872-1958. Five mystical songs; Spirituality; Mystical union; Temple of God; Presence of God (1)
- 1949- . Dogeaters; Philippine fiction (English); Gender role in literature; National characteristics (1)
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- Jonathan. Othello. Adaptation. (1)
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Hollywood Dreams: Postcolonial Nationalism And Gender Oppression In Jessica Hagedorn's Dogeatersp, Andrei Wayne Kyrk Defino
Hollywood Dreams: Postcolonial Nationalism And Gender Oppression In Jessica Hagedorn's Dogeatersp, Andrei Wayne Kyrk Defino
Honors Theses
This paper addresses how gender, sexuality, and resistance affect personal and national identity construction in Dogeaters. This 1990 novel traces the lives of Filipino characters during President Ferdinand Marcos's dictatorial regime--a period that reshaped the Philippines' national identity. Using gender theory and nationhood studies, I highlight how women and queer individuals who challenge masculine norms attempt subversion by creating communities outside of patriarchal constructs but ultimately fail. Specifically, I read Joey Sands's and Daisy Avila's marginality and failure to comply with societal expectations as futile pushbacks against the larger system. Furthermore, their embrace and use of violence as a means …
Iago As Moral Other In Jonathan Munby's Production Of Othello (2016), Emma Magbanua
Iago As Moral Other In Jonathan Munby's Production Of Othello (2016), Emma Magbanua
Honors Theses
Jonathan Munby produced a contemporary adaptation of Shakespeare's Othello at the Chicago Shakespeare Theatre in Spring of 2016. While continuing to utilize Shakespeare's language, Munby modernized Othello through the use of contemporary military costumes, props, accents, music, and dance. Munby did not limit his adaptation to solely visual and auditory aspects of Othello, but also took the liberty of contemporizing the principle of "otherness" in the play. This research explores the identification of Munby's character as Iago as "Moral Other," whose actions lead to the fall of his wife, Emilia, a fellow officer, Roderigo, Desdemona, and the protagonist, Othello.
In The House Of God: Divine Authority And The Collectivity Of Spiritual Experience In George Herbert's The Temple And Ralph Vaughan Williams' Five Mystical Songs, Nicole M. Hwang
Honors Theses
George Herbert's collection of poems, The Temple (1633), portrays a reciprocal relationship between the human and divine, suggesting that humans are to house the glory of God and abide in Him. He seeks to portray the soul's internal architecture, with an allusion to the human heart as God's dwelling place. He uses his poetry to explore this relationship to a coexisting God, and through the framework of human-as-temple, the theme of habitation becomes prominent in his work. In "Love (III)" from The Temple, Herbert illustrates this, showing that just as God dwells in our hearts, we also receive sustenance and …