Digital Commons Network^™

Exorcising Power, John Jarzemsky

Theses and Dissertations

This paper theorizes that authors, in an act I have termed “literary exorcism,” project and expunge parts of their identities that are in conflict with the overriding political agenda of their texts, into the figure of the villain. Drawing upon theories of power put forth by Judith Butler, I argue that this sort of projection arises in reaction to dominant ideas and institutions, but that authors find ways to manipulate this process over time. By examining a broad cross-section of English-language literature over several centuries, this phenomenon and its evolution can be observed, as well as the means by which …

Frederick Luis Aldama And Christopher M. González, Eds. Graphic Borders: Latino Comic Books Past, Present, And Future. Austin: U Of Texas P, 2016., Noel R. Zavala

Studies in 20th & 21st Century Literature

Frederick Luis Aldama and Christopher M. González, eds. Graphic Borders: Latino Comic Books Past, Present, and Future. Austin: U of Texas P, 2016.

Mark Heimermann And Brittany Tullis, Eds. Picturing Childhood: Youth In Transnational Comics. Austin: U Of Texas P, 2017., Cristina R. Rivera

Studies in 20th & 21st Century Literature

Review of Mark Heimermann and Brittany Tullis, eds. Picturing Childhood: Youth in Transnational Comics. Austin: U of Texas P, 2017.

Course Syllabus (Su17) Coli 331: “‘World-Traveling’: Alterity And Liminality In Spike Lee’S Do The Right Thing And Amiri Baraka’S Dutchman”, Christopher Southward

Comparative Literature Faculty Scholarship

Course Description:

This semester, we’ll view Spike Lee’s 1989 Do the Right Thing and Shirley Knight’s 1966 cinematic production of Amiri Baraka’s Dutchman through the critical lenses of Maria Lugones’ notions of ‘worlds’ and ‘world-traveling,’[1] which she develops in Pilgrimages/Peregrinajes: Theorizing Coalition against Multiple Oppressions. Our task is to analyze a number of the problematics addressed in these visual works as discernible ‘world(s)’ of meaning and experience constituted by the libidinous investments, concrete practices, and ideological convictions of the human subjects who bear and circulate them.

[1] Maria Lugones, Pilgrimages/Peregrinajes: Theorizing Coalition against Multiple Oppressions, Rowman & Littlefield Publishers, …

All Men Created Equal: Flannery O'Connor Responds Communism, Nina Hefner

English Class Publications

From her mother’s farm, Andalusia in Milledgeville, Georgia, Flannery O’Connor found her writing inspiration by observing the ways of the South. Naturally, a pervasive motif in her works is racism. For instance, in “Revelation” Ruby Turpin spends a good portion of the short story thanking God that she is neither white trash nor black. In her essay “Aligning the Psychological with the Theological: Doubling and Race in Flannery O’Connor’s Fiction,” Doreen Fowler points out that “[Ruby’s] insistence on setting racial boundaries has been an attempt to distinguish a white, superior identity” (81), equality with African Americans being Ruby Turpin’s ultimate …

Racial Roots Of Romanticism: American And European Africanism Are The Creation Of Bio-Politics, James Flynn

Honors College Theses

The British Samuel Taylor Coleridge and the American Edgar Allan Poe shared a number of similarities in their writing styles. Both men came onto the scene early in their respective nation’s forays into Romanticism. Samuel Taylor Coleridge was of the first generation of British literary Romantics, while Poe introduced his Gothic influences before the Renaissance of American Romanticism in the 1850s. In the work of both men there is an emphasis on color as it pertains to race, especially aspects of whiteness. This focus on race has been covered at length by authors such as Toni Morrison in her book …

Creating A Multiracial Lesson Plan, Clayton Davis

Capstone Projects and Master's Theses

The purpose of this project is to teach students about multiracial identity issues. Multiracial populations in the U.S. continue to grow and it’s important for educators to address the needs of these students. A 5-E multiracial literature lesson plan was created for second grade that incorporates KWL and Text-to-World teaching strategies. A second grade class were read two children’s picture books, each featuring a biracial protagonist, and were asked to discuss and evaluate the content and commonalities of these stories. Students recorded what they learned in this lesson in their KWL’s. The results reveal that some students understood the problems …

Color-Blind Stancetaking In Racialized Discourse, Abigail Christine Tobias-Lauerman

Masters Theses

In this thesis, I examine how language constructs and constrains racialized discourse in post-Jim Crow contemporary America. Drawing on rhetorical and sociolinguistic work set forth by Booth, Shotwell, Bonilla-Silva, Omi and Winant, and others, it is apparent that racial organization— and racial identities and categorization— in the US is reliant upon specific markers that signify racial meaning. Such markers are assimilated into wider, unconscious discourse through what Shotwell and Booth describe as seemingly inherent— yet ultimately constructed— matters of “common sense,” and are expressed through evaluative stance acts. I explore the origins and construction of these markers and the relationship …

Toward A Crip-Of-Color Critique: Thinking With Minich’S ‘Enabling Whom?’, Jina B. Kim

English Language and Literature: Faculty Publications

Response to Julie Avril Minich, “Enabling Whom? Critical Disability Studies Now,” published in Lateral 5.1. Kim elaborates upon a crip-of-color critique, which has possibilities to both criticize structures that inherently devalue humans and to take action to work toward justice. Kim’s nal call is to identify and act against the inequalities and harm of academic labor, urging readers to take seriously a “politics of refusal” that might help academics of color survive through alternative collectivities.

Darwinian Evolutionary Theory And Constructions Of Race In Nazi Germany: A Literary And Cultural Analysis Of Darwin’S Works And Nazi Rhetoric, Emily M. Wollmuth

Departmental Honors Projects

First published in 1856, Charles Darwin’s Origin of Species is one of the most impactful scientific writings in history. While the influence of Darwinian evolutionary theory on historical events has been widely studied, no single work of scholarship has previously combined close reading of Origin’s representations of “race” with analysis of how those constructions of “racial” difference are (mis)translated across the cultural discourses of the eugenics movement and Nazi Germany. Through comparative cultural studies and close literary analysis of Hitler’s Mein Kampf and Darwin’s works—including Origin, Descent of Man, and Voyage of the Beagle, this paper examines how evolutionary …

The Star-Spangled Banshee: Fear Of The Unknown In The Things They Carried, Mckay Hansen

Criterion: A Journal of Literary Criticism

In this paper I discuss the nature of the fear that worked upon many of the soldiers of the Vietnam War, concentrating on a fear of the unknown. Drawing upon Tim O’Brien’s The Things They Carried as its central focus text, my analysis suggests that the fear of the unknown is a product of communities’ efforts to distance themselves from a cultural Other. As such, I posit that those in positions of societal influence employ fear to reinforce racial stereotypes and maintain domestic unity. Perceiving ethnic and linguistic misunderstandings as forces that cultural leaders often evoke deliberately, I claim that …

A Raucous Entertainment: Melodrama, Race, And The Search For Moral Legibility In Nineteenth-Century America, Sarah M. Olivier

Electronic Theses and Dissertations

Gathering together episodes from American theater history, my dissertation focuses on the destabilizing identities and paradoxical resolutions of so-called "Indian" and slavery plays to address nineteenth-century melodrama's fundamental engagement with race. Melodrama is a spectacular form that uses iconic images to move audiences to feel powerful emotions and to assign moral legibility to societal problems. Given the significant role of territorial expansion and chattel slavery in US history, race has always presented Americans with crucial moral dilemmas. Melodrama has long provided a dominant mode of representation for addressing such dilemmas that hinges upon racially inflected conceptions of good and evil. …

The (Un)Seen, Bernard Clay

Theses and Dissertations--English

This collection of original poems features work created and edited over two years in the Masters of Fine Arts in Creative Writing program. The poems collected for this thesis represent a Bildungsroman, a coming of age narrative, that details the psychological growth and education of a narrator who feels excluded or invisible as he grows up in America during the late eighties and early nineties. Progressing poem by poem, a myriad of subjects are explored including race, gender, religion, economics, the environment, politics, and even Muhammad Ali.