Digital Commons Network^™

"Real Women Have Bodies": A Study In Adaptation, Madison Ephlin

Honors Projects

The art of adaptation is a difficult process, and is often hard to please general audiences that have a connection to the source material. As a student who studies both English Literature and Film Production, the question asked through this study is what does it take to write a “successful” adaptation? What qualifies as “successful”? How does an adaptation balance the themes, characterization, and plot of a piece of literature with the continuous momentum and visual complexity that the medium of film requires, all in 120 pages or less? This study engages with these questions by actively practicing adaptation, adapting …

Representations Of Military Women In Contemporary War Stories, Deborah Daley

Theses and Dissertations--English

Representations of Military Women in Contemporary War Stories seeks to understand how war stories influence our perception of who belongs in military service. With the canon of western war writing dominated by the memoirs and stories of white men, what happens when service women enter into and author war stories, and how does their appearance destabilize questions of who is fit for military service? War literature provides an important lens through which to observe how military service is scripted by culturally and socially constructed expectations of one’s gender, race, and occupation. In male-dominated workplaces, women must not only perform in …

Maternal & Spiritual Healing In J.D. Salinger's Nine Stories, Emily Pittman Hoste

Electronic Theses and Dissertations

After World War II, spiritual and emotional healing was needed in America, despite a dependence upon materialism and conspicuous consumption for success. J.D. Salinger’s short-story cycle, Nine Stories (1953), explores what loss and trauma look like from all sides of war—mother, child, soldier, lover—all are harmed by war. Nine Stories emphasizes the need for nationwide spiritual healing and suggests that mothers offer the necessary antidote to consumeristic America. In fact, eight of Salinger’s Nine Stories employ one of three types of mothers: the self-serving and ineffectual mother; the spiritual, often surrogate maternal guide; and the ideal mother. While the ineffectual …

Final Master's Portfolio, Carol V. Grinage

Master of Arts in English Plan II Graduate Projects

This is the final master's portfolio for a Master's in English with an emphasis on professional writing and rhetoric.

Women's Timeless Fascination With True Crime And Horror, Sarah Victoria Di Carluccio

Legacy Theses & Dissertations (2009 - 2024)

This thesis examines society’s interest in gothic literature, horror, and true crime. Beginning with the first gothic works, and ending with modern true crime media, a focus of this exploratory piece will be on women because women have always been, and remain, the primary consumers of the gothic, and of true crime. The question is: Why? To examine the possible reasons, I will be examining the success of original gothic writers, namely, Ann Radcliffe. Other authors who influenced the development of the Gothic genre will influence our modern understanding of these origins. I will examine Poe’s “The Mystery of Marie …

Intertextuality And Sociopolitical Engagement In Contemporary Anglophone Women’S Writing, Jackielee Derks

Dissertations (1934 -)

My project examines contemporary Anglophone women’s rewriting to locate an emerging mode of intertextuality that defies existing literary categories. Together, the writers in my project present a new and formally innovative intertextuality that rebels against available terminology and requires new ways of reading. This project centers authors from a variety of historical contexts, including the African diaspora and former British colonies, whose intertextuality is grounded in the interrogation of Western forms and conventions. I argue that the rewritings of Ali Smith, Helen Oyeyemi, and Éilís Ní Dhuibhne deploy intertextuality to recuperate women’s experiences while interrogating the mechanisms responsible for their …

“I Save Me”: Gender, Agency, And Power In Better Call Saul, Stephanie Kocer

All Graduate Theses, Dissertations, and Other Capstone Projects

Historically, women on television have been portrayed in wife and mother roles, making them a foil to their husbands, but never the main focal point of the show. These characters stay on the sidelines, without being given truly original storylines where they are allowed to drive their own narratives. During the first season of Better Call Saul, Kim Wexler is a supporting character, without any storylines that aren’t linked to Jimmy McGill. Jimmy often treats Kim as a damsel in distress. He thinks it’s his job to save her, and usually from the chaos that he’s created. In this thesis …

Girlpwrd: Amplifying Silenced Voices Of Women Through Digital Storytelling, Brooke Schumann

English Theses

Drawing on data from a multi-month digital storytelling community project, this qualitative case study offers portraits of three marginalized women who re-author pivotal moments of silencing in their lives. The foundational framework blends scholarship on rhetorical silence, rhetorical listening, and semiotics of multimodal expression. These cases demonstrate how digital storytelling allows women a space to form and give voice to their silence, where they are the empowered agents of their own stories. The digital platform elevates these underrepresented narratives by creating new pathways for listening.

Regional Domesticities: Recalling, Rewriting, And Redefining Gender And Domesticity In The Greater Southwest, A. Laurie Lowrance

English Language and Literature ETDs

This dissertation examines how Native American and Mexican American women in the greater Southwest negotiated domestic expectations within their own cultures while navigating the demands of encroaching Anglo culture to produce something new: hybrid domesticities rooted in the region, which I call regional domesticities. Chapter 1 focuses on María Amparo Ruiz de Burton and connects her novels Who Would Have Thought It? and The Squatter and the Don to the rhetoric of the Overland Monthly. Chapter 2 explores bicultural collaborations between Native American and Anglo women and focuses on Sarah Winnemucca’s Life Among the Piutes and Helen Sekaqueptewa’s Me …

From Governess To Wife: How Women On The Fringe Of Society Upset And Restore Victorian Homes, Elsa C. Torgersen

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

In middle-class Victorian homes, wives were responsible for the care of the home, the raising of children, and the maintenance and upward mobility of her family’s social standing. She was the heart of the home and her purity and commitment to the home would not only affect her family, but also society. Yet the women who were qualified according to societal standards were a small group, carefully chosen to maintain the standards of society. In the novels Bleak House and Jane Eyre, the authors push back against strict societal expectations. They ask the audience to consider if women should …

“True Darkness And True Womanness” : A Study Of Sisterhood In Marlon James’ The Book Of Night Women, Jessica Schwartz

Theses, Dissertations and Culminating Projects

This paper focuses on the obstacles to building sisterhood and community in Marlon James’ novel The Book of Night Women (2009). I examine the acts of violence that the enslaved women at Montpelier Estate perform against one another and consider the influence the plantation environment has on these relationships. The violence that takes place among the enslaved women is especially prevalent within the group of “night women,” which consists of Lilith, Homer, Pallas, Iphigenia, Hippolyta, Callisto, and Gorgon. Despite the biological and symbolic sisterhood between these women, they more frequently express feelings of enmity than ones of community. By highlighting …

"What Camelot Means": Women And Lgbtq+ Authors Paving The Way For A More Inclusive Arthuriana Through Young Adult Literature, Jeddie Mae Bristow

MSU Graduate Theses

Arthurian literature has long been regarded as the domain of “dead white men,” dominated by Thomas Malory and Lord Alfred Tennyson. However, since medieval times, women have also been producing Arthurian literature that not only treats the women characters of the story more equitably, but makes social commentary on how the marginalized of their societies are treated. More recently, women and LGBTQ+ authors (basically, authors who are not cisgender white men) have answered the call for more diverse Young Adult literature with an Arthuriana that has a place for all, both creating a more diverse and equitable Camelot and giving …

Big Community In Little Chinatown: How Asian Americans (Re)Present Their Community Today, Meghan Morrison

Capstone Projects and Master's Theses

This paper looks at a series of modern Asian American pieces of media in order to analyze how women and LGBT+ depict and create their community, especially in relation to another marginalized ethnic group. By examining the relationship between these groups within popular media, we can uncover how Asian Americans choose to represent themselves and gain a deeper understanding on how marginalized groups choose to portray themselves.

Transgressive Migrations: Gender Roles, Space, And Place In American Novels, 1900-1999, Selena Gail Larkin

Theses and Dissertations

In this dissertation, I examine how gender roles combine with changes in space and place to affect women protagonists in twentieth-century American literature. I argue that as these characters migrate, the (self-)perception of their identities shift. Particularly, their outward performances as well as their internal awareness change. My analysis concentrates on the novel genre because of specific characteristics—plot, characterization, and narration. The chosen literary works on which I focus are The Grapes of Wrath (1939), Quicksand (1928), Their Eyes Were Watching God (1937), The Dollmaker (1954), and Under the Feet of Jesus (1996).

Concepts that I …

How She Haunts: Missed Endings, The Fragmentary, And The Female Figure In British Romanticism, Jane Clare Bolin

Dissertations, Theses, and Capstone Projects

In this dissertation I discuss a relatively small grouping of fragmentary texts by Coleridge (Sibylline Leaves, “The Three Graves,” “Christabel,” and “Kubla Khan”), De Quincey (Suspiria de Profundis), and Keats (“La Belle Dame Sans Merci” and Lamia). In critical discussions of the Romantic fragment, it is most often referred to as incomplete, lacking closure, and unintentionally so. The fragments I have chosen to include transcend such a reading of lack and embrace a perpetuation of possibility. My claim is not that these are exemplary British Romantic fragments but rather that they lend themselves to a …

Adding A Dimension: Illustrating Triple Consciousness Theory In The African American Literary Tradition, Asia Wesley

Electronic Theses and Dissertations

This thesis examines the way gender expands and nuances W.E.B. DuBois’s double consciousness theory, which depicts the African American identity as a doubleness that is both American and Negro. Black feminist criticism’s nuanced formulation of DuBois’s formulation of Black identity allows the African American literary tradition to be seen through three lenses: an American, a Negro, and an African American’s gender identity. In order to further contemporize the pre-existing Black feminist criticism, I examine Hurston, Brooks, and Morrison in the three time periods that followed DuBois’s coining of double consciousness theory: (1) the Harlem Renaissance, (2) the Civil Rights Movement …

Violet Is One Letter Off From Violent, Audrey E. Spina

Master’s Theses and Projects

The poems in this creative collection, Violet is one letter off from violent, aim to add to the critical conversation in contemporary poetry about violence, women’s anger, patriarchal oppression, and physical and sexual assault, specifically drawing on analyses from the poetry of Rachel McKibbens, Tarfia Faizullah, Emily Skaja, Erika L. Sánchez, Tracy K. Smith, Safiya Sinclair, and Paisley Rekdal. My myriad speakers, who take both first and third person points of narrative view, reclaim and reproduce their own stories in ways that are complex, vulnerable, and angry as a result of living under and through traumatic experiences in domestic and …

Affective Histories Of Southern Trauma: Shame, Healing, And Vulnerability In Us Southern Women’S Writing, 1975–2006, Faune Albert

Doctoral Dissertations

This dissertation explores the affective impacts of historical trauma around slavery and segregation in the US South, arguing for the importance of understanding US Southern history through the ways in which it has lived and continues to live in and on the bodies of Southerners marked by race and gender and class and within emotional life in the South. The texts in this study—Gayl Jones’ Corregidora (1975), Dorothy Allison’s Trash (1988), Ellen Gilchrist’s Net of Jewels (1992), and Natasha Trethewey’s Native Guard (2006)—engage the affective impacts of intergenerational and insidious trauma through portrayals of Southern women struggling to give voice …

Anger, Genre Bending, And Space In Kincaid, Ferré, And Vilar, Suzanne M. Uzzilia

Dissertations, Theses, and Capstone Projects

This dissertation examines how women’s anger sparks the bending of genre, which ultimately leads to the development of space in the work of three Caribbean-American authors: Jamaica Kincaid, Rosario Ferré, and Irene Vilar. Women often occupy subject positions that restrict them, and women writers harness the anger provoked by such limitations to test the traditional borders of genre and create new forms that better reflect their realities.

These three writers represent Anglophone and Hispanophone Caribbean literary traditions and are united by their interest in addressing feminist issues in their work. Accordingly, my research is guided by the feminist theoretical frameworks …

Honoré De Balzac’S Portrayal Of The Feminine Condition In The Wild Ass’S Skin, Père Goriot, And The Lily Of The Valley, Brooke V. Musmeci

Honors Theses

In 19th century France, women appeared to be second class citizens. They were often limited in their abilities to have independence and secure their own wealth. This perception of women perhaps justifies why, as Honoré de Balzac’s novels illustrated the realities of French society, he attempted to characterize women’s struggles to obtain control and power in their lives. In his novels The Wild Ass’s Skin (1831), The Lily of the Valley (1835), and Le Père Goriot (1835), Balzac sought to prove how women could improve their lot.

Firstly, in studying how women had been relegated to second-class citizens under their …

Ma Final Portfolio, Jessica Puder

Master of Arts in English Plan II Graduate Projects

This portfolio features a revised syllabus for an online writing course, job application packet, and two researched papers.

The Typewriter And The Literary Sphere: An Analysis Of Turn-Of-The-Century Literature, Emma K. Holdbrooks

Honors Theses

My thesis explores the typewriter’s impact on early 20^th century American literature. By providing authors with the means to produce work accurately and effectively, the typewriter changed the process of writing. Typewriters also created job opportunities for women, who often served as typists. The typist became the foothold position that changed America’s perception of women in the work force and helped usher in a new social concept, “the New Woman.” To illustrate my claim, I show how the typewriter allowed poets like E. E. Cummings to experiment with spacing. Cummings made the typewriter’s standardization of text and spacing into …

"She Is Finally Free" : An Analysis Of Women's Pathologized Oppression And Reclamation Of The Abject In "The Yellow Wallpaper" And Midsommar, Diana Gem Schultz

Legacy Theses & Dissertations (2009 - 2024)

Women live and lead pathologized lives, as evidenced by past diagnoses of women’s disorders like “hysteria” and more modern issues surrounding beliefs in women’s hormones and biological inferiority. In analyzing women’s relationships with a wider male society and the role Kristevean abjection takes in patriarchal views on women’s minds and bodies, I aim to show how female characters in horror fiction – namely Charlotte Perkins Gilman’s short story “The Yellow Wallpaper” and Ari Aster’s 2019 film, Midsommar – take that abject view and reclaim it for their own power. Through this reclamation, women are able to gain control from patriarchal …

Saving Pocahontas: A Conversation On Gender, Culture, And Power In The Storied Saving Moment, Claire Ehr

Undergraduate Honors Papers

Pocahontas is a figure with much cultural capital, even today, and her influence was historically important to Native and European agendas alike. Pocahontas as a person indeed had a life that seemed to influence political relations between Native and European (specifically Powhatan, specifically English). However, the storied construct of Pocahontas has had significantly more cultural sway, influencing (or at least representing changes in) everything from gendered power dynamics to the interplay between the European Colonizer and the Indigenous Other.¹ Pocahontas’ image has been re-appropriated over and over throughout time to further political agendas and to represent the female and …

Women’S Writing And The Poetics Of Scientific Knowledge, 1620-1740, Rachel Mann

Theses and Dissertations

Women’s Writing and the Poetics of Scientific Knowledge, 1620-1740 probes the porous boundary between science and literature, revealing that the methodologies undergirding scientific experimentation were developed communally and through a confluence of interdisciplinary and cultural concerns. Ultimately, it shows that our contemporary understanding of the natural world and the scientific method have a history that is largely one of fragments. Secondly, and more importantly, it demonstrates the value of reading imaginative writing alongside scientific developments of the day.

Focusing on women’s imaginative writing in particular reveals the power and limits that ostensibly liminal voices have. As such, Women’s Writing and …

"Mute Flesh": Women's Death-Worlds In David's Story And Waiting For The Barbarians, Kate Finley

Theses and Dissertations

This thesis expands upon Achille Mbembe's theory on necropower and death-worlds to incorporate the consideration of gender. This is done using the lens of violence against women during South African apartheid and through an examination of two novels: Zoë Wicomb's David's Story and J.M. Coetzee's Waiting for the Barbarians.

Basement Heart, Samantha Constance Tkac

Graduate Thesis Collection

Basement Heart is a collection of short stories with a goal of documenting the manifestations of rage and how it evolves throughout a woman’s life. In these stories, femininity is explored through the aesthetics of the grotesque. Female protagonists seek to inhabit new definitions of female sexuality that combat tired expectations made by society’s misogynistic and objectifying culture. Often, their feelings of unprovoked grief manifest themselves as pursuits of the flesh, which becomes the underlying heartbeat of each story; themes revolve around sex and obsession and explore what happens when sexual fantasies are realized and lived out in the real …

"The More They’Re Beaten The Better They Be": Gendered Violence And Abuse In Victorian Laws And Literature, Danielle T. Dominguez

CMC Senior Theses

During the Victorian age, the law and society were in conversation with each other, and the law reflected Victorian gender norms. Nineteenth-century gender attitudes intersected with the law, medical discourse, and social customs in a multitude of ways. Abuse and gender violence occurred beneath the veneer of Victorian respectability. The models of nineteenth-century social conduct were highly gendered and placed men and women in separate social spheres. As this research indicates, the lived practices of Victorians, across social and economic strata, deviated from these accepted models of behavior. This thesis explores the ways that accepted and unaccepted standards of female …

“[Taking] Responsibility For The Community”: Women Claiming Power And Legitimacy In Technical And Professional Communication In India, 1999-2016, Breeanne Matheson

All Graduate Theses and Dissertations, Spring 1920 to Summer 2023

Though the field of technical and professional communication has long been saturated with the narratives of Euro-Western males, technical and professional communication as a field has a responsibility to expand the lens of study to include the experiences of global and nontraditional practitioners. This study examines the experiences of Indian women working as practitioners, building power and legitimacy in a globalized economy. Drawing from interviews with 49 practitioners as well as an analysis of historical documents, this study examines the methods that Indian practitioners have used to build power and legitimacy by founding professional organizations, leveraging their educational opportunities, and …

Remembrances Reconsidered: Site-Specific Affective Retellings, Melanie W. Lozier

Theses and Dissertations

This thesis is an examination of the ways in which strong affective feelings, trauma, and memories are written about by women through diverse narrative forms. Through storytelling, writers engage with the relationship between deep feelings, significant places, and language, such as the frequent employment of words containing the prefix "re."