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Anger, Genre Bending, And Space In Kincaid, Ferré, And Vilar, Suzanne M. Uzzilia

Dissertations, Theses, and Capstone Projects

This dissertation examines how women’s anger sparks the bending of genre, which ultimately leads to the development of space in the work of three Caribbean-American authors: Jamaica Kincaid, Rosario Ferré, and Irene Vilar. Women often occupy subject positions that restrict them, and women writers harness the anger provoked by such limitations to test the traditional borders of genre and create new forms that better reflect their realities.

These three writers represent Anglophone and Hispanophone Caribbean literary traditions and are united by their interest in addressing feminist issues in their work. Accordingly, my research is guided by the feminist theoretical frameworks …

Original Gangsters: Genre, Crime, And The Violences Of Settler Democracy, Sean M. Kennedy

Dissertations, Theses, and Capstone Projects

Building upon examinations of genericity, subalternity, and carcerality by Black, Indigenous, and women-of-color feminist scholars, my dissertation offers an account of how truth claims are produced and sustained to limit social change in representatively governed societies. Taking the gangster genre as my lens, I first resituate the form, assumed to depict white-ethnic conflict in the U.S. and Europe, as a type of resistance to race-based political economic policies imposed by imperial regimes. After linking the subaltern classes of pre-20th-century southern Europe, southern Africa, South Asia, and the U.S. South—all subjected to criminalization as a mode of colonial and capitalist control—I …

Crossing Borders, Crossing Genres: Utilizing Genres To Explore Literary Themes Through Genre Fiction, Michael W. Rickard Ii

English Theses

Genre fiction can be used to explore literary themes found in marginalized literature such as Alicia Gaspar de Alba’s Desert Blood: The Juárez Murders, Emma Pérez’s Forgetting the Alamo or Blood Money, and Octavia Butler’s Kindred. Each author uses the respective genres of hard-boiled detective fiction, American Western literature, and science fiction to explore the elements of borderland literature and the neo-slave narrative. These elements include hybrid identities, the clash between two cultures, disjunctive localities, and the marginalization of both ethnic groups and women. This thesis will show how each genre’s elements are used to further explore the elements of …

Genre And Loss: The Impossibility Of Restoration In 20th Century Detective Fiction, Kathryn Hendrickson

Dissertations (1934 -)

My project situates loss, rather than restoration, as the identifying trait of the detective fiction genre. I contend that instead of providing a problem-solution model that gives readers closure and reinforces simplified understandings of good and evil, detective fiction refuses to build comforting narratives that rehabilitate a corrupted world. Detective fiction, with its continual attempts to provide an unobtainable solution, ruminates on the impossibility of restoration.Genre and Loss: The Impossibility of Restoration in 20th Century Detective Fiction divides into four chapters, each addressing a perceived subdivision of the detective fiction genre in order to illuminate the unifying connections between …

What We Do Not Perceive When We Perceive It, Hannah Jane Trammell

English Theses & Dissertations

The thesis herein attempts to traverse, overcome, and, ultimately subsume back into the conventions of such genres as science-fiction, fabulism, surrealism, romance, horror, and speculative fiction. The primary tool used for this purpose is a great bag of hot, sparking meat caught between two ears and a thick skull. A few notebooks, pens, and a laptop might also have helped in this pursuit. The stories and poems contained herein are works of fiction inspired by non-fictional systems of feeling. Using all the tools given to me by my professors and the craft and theory books I read during my coursework …