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Swamp Boat, Gravy Boat: Memory And Place In Fiction, Kaycie Surrell Dec 2016

Swamp Boat, Gravy Boat: Memory And Place In Fiction, Kaycie Surrell

MSU Graduate Theses

The importance of memory to place is of particular interest to me and forms the basis for the bulk of my work. In my critical introduction I explore the work of authors and essayists who inspire my fiction work through their focus on place and memory. Specific authors include Sandra Cisneros, David Sedaris, and Pam Houston. Through my short fiction pieces I weave together the stories of my childhood from Florida to Missouri into a quilt that covers the important pieces of my life thus far. I am interested in how people are motivated by fear to write around their …


"What's The Use Of Trying To Read Shakespeare?": Modes Of Memory In Virginia Woolf's Fiction And Essays, Sara Remedios Bloom Sep 2016

"What's The Use Of Trying To Read Shakespeare?": Modes Of Memory In Virginia Woolf's Fiction And Essays, Sara Remedios Bloom

Dissertations, Theses, and Capstone Projects

This dissertation maps the relationship between Virginia Woolf’s fiction and essays, and William Shakespeare’s person and plays. I argue that Woolf’s writing is intended as an interactive practice of cultural memory, challenging her readers to become responders and to engage critically with the canon. I further argue that Woolf offers herself as inheritor of a literary practice that actively seeks to shape the values and social ideology of the time. The introduction defines three modes of memory operating in Woolf’s work: memory as opiate; memory as political instrument; and memory as dialectic. The first chapter shows the cultural memory of …


The Poet's Corpus: Memory And Monumentality In Wilfred Owen's "The Show", Charles Hunter Joplin Aug 2016

The Poet's Corpus: Memory And Monumentality In Wilfred Owen's "The Show", Charles Hunter Joplin

Master's Theses

Wilfred Owen is widely recognized to be the greatest English “trench poet” of the First World War. His posthumously published war poems sculpt a nightmarish vision of trench warfare, one which enables Western audiences to consider the suffering of the English soldiers and the brutality of modern warfare nearly a century after the armistice. However, critical readings of Owen’s canonized corpus, including “The Show” (1917, 1918), only focus on their hellish imagery. I will add to these readings by demonstrating that “The Show” is primarily concerned with the limitations of lyric poetry, the monumentality of poetic composition, and the difficulties …


The Archon(S) Of Wildfell Hall: Memory And The Frame Narrative In Anne Brontë’S The Tenant Of Wildfell Hall, Alyson June Fullmer Jun 2016

The Archon(S) Of Wildfell Hall: Memory And The Frame Narrative In Anne Brontë’S The Tenant Of Wildfell Hall, Alyson June Fullmer

Theses and Dissertations

In the first chapter of Anne Brontë’s The Tenant of Wildfell Hall, Gilbert Markham invites his reader to join him as he attempts to recall the past. Because Gilbert uses the journal of another to supplement his own memories, the novel's frame narrative structure becomes saturated with complex memory-based issues and problems. Thus, the complicated frame narrative provides fertile ground for exploring the novel through memory. In studying the frame narrative, scholars have typically devoted their criticism to Gilbert and how he shapes the frame. Few scholars afford the other primary narrator of the novel, Helen, any power in shaping …


“There Is No God And We Are His Prophets”: The Visionary Potential Of Memory And Nostalgia In Cormac Mccarthy's No Country For Old Men And The Road, Marie Reine Pugh Mar 2016

“There Is No God And We Are His Prophets”: The Visionary Potential Of Memory And Nostalgia In Cormac Mccarthy's No Country For Old Men And The Road, Marie Reine Pugh

Theses and Dissertations

Memory and nostalgia work in complex, paradoxical ways in Cormac McCarthy's No Country for Old Men and The Road, both haunting the main protagonists, Sheriff Ed Tom Bell and the father, as well as bringing them to crucial realizations. These men give up the traditional hero role for the more meaningful and generative image of “carrying the fire,” which unites these two novels. Carrying the fire represents a memorial and nostalgic longing for home and family. Bell and the father attain this vision because of their obsession with the past, and because of their struggle with memory and nostalgia. Memory, …


Slow Emergencies, Jordyn N. Rhorer Jan 2016

Slow Emergencies, Jordyn N. Rhorer

Theses and Dissertations--English

Like the ever-circling lines in the skin of trees, sometimes the whole of a person is peeled back, layer by layer, until only seeds remain. Names, faces, stories, and relationships are unmade and molded into new shapes. Without warning, those left at the base, at the roots, can’t recognize this maple’s form. They hold a pile of leaves, a bottle of glue, and the hope that something familiar will take sprout again. The tree becomes new, and its tangled branches reach out. These poems explore the lives of those living with and caring for those with dementia and Alzheimer’s disease. …