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Coda: Storytelling As A Cultural Context In Vona Groarke’S Hereafter, Niamh Macgloin

Critical Inquiries Into Irish Studies

No abstract provided.

Hereafter: The Telling Life Of Ellen O’Hara: An Interview With Vona Groarke, Elizabeth Brewer Redwine

Critical Inquiries Into Irish Studies

No abstract provided.

The Ghost Of John Nisbet: Hugh Macdiarmid’S First Published Work, Alan Riach

Studies in Scottish Literature

Discusses the first published item, a short play, signed with the name 'Hugh M'acDiamid', and sets in its biographical and historical context just after the First World War and in the literary context of 1922 and international modernism, in 1922, viewing it as 'an encapsulation of its moment, and most importantly as an elegiac tribute to a friend,' arguing that 'Performing "Nisbet" as a play intimates the drama of fractured modernist selfhood implicit in the written text,' and concluding that it should be seen 'in the whole national context of Scotland finding a way towards a reconstruction of itself, a …

Macdiarmid The Spaceman: Extraterrestrial Space In Hugh Macdiarmid’S Poetry From Sangschaw To A Drunk Man Looks At The Thistle, Michael H. Whitworth

Studies in Scottish Literature

Looking at Hugh MacDiarmid’s Sangschaw (1925), Penny Wheep (1926), and A Drunk Man Looks at the Thistle (1926), this article considers MacDiarmid’s use of science, particularly astronomy, in the 1920s. It traces known and possible sources for his scientific knowledge in books and periodicals, especially The New Age. It examines the image of light travelling through space, found in popular astronomy works by Felix Eberty and Camille Flammarion. It also compares his conception of the earth as a moving object in space with that found in poems by Thomas Hardy.

‘To “Meddle Wi’ The Thistle”’: C. M. Grieve’S Scottish Chapbook, The Little Magazine, And The Dilemmas Of Scottish Modernism, Scott Lyall

Studies in Scottish Literature

Examines C. M. Grieve’s (Hugh MacDiarmid’s) most important journal enterprise, The Scottish Chapbook, which critics have assumed marks the beginning of a modernist Scottish renaissance. Against this view, this article argues that the range of contributions to the Chapbook were generally not modernist in their formal characteristics, many recalling the Victorian or fin-de-siècle periods. While the Chapbook’s brief lifespan (1922–23) was typical for modernist little magazines, the dilemmas encountered by Grieve’s periodical – restricted finances, lack of avant-garde contributors – are explained here as a side-effect of ‘localist modernism’, a concept defined by Eric B. White.

“This Wonderful Machine”: How Should We Teach Humanities Texts Like Gulliver’S Travels In The Time Of Chatgpt?, Richard J. Haslam

Critical Humanities

The quoted phrase in the essay title comes from a passage in Jonathan Swift's Gulliver’s Travels in which a Grand Academy of Lagado professor demonstrates a “wonderful Machine” that can generate scores of books “without the least Assistance from Genius or Study.” The essay explore the challenge for teaching classic humanities texts like Gulliver that the (perhaps not so) “wonderful Machine” called ChatGPT poses. Student Owen Terry’s Chronicle essay (May 12, 2023) identifies two crucial aspects of that challenge: “We don’t fully lean into AI and teach how to best use it, and we don’t fully prohibit it to keep …

Feminist Phenomenology And First-Person Narrative: Understanding Gender And Social Conflict In Anna Burns’ Milkman, Sushree Routray, Rashmi Gaur Professor

Comparative Woman

In her magnum opus Milkman (2018), Anna Burns employs a subversive and artfully crafted first-person narrative, deftly exposing the arduous and tumultuous struggles encountered by individuals who dare to defy the confines of traditional gender roles. Through a relentless and unflinching narrative, the novel fearlessly confronts the harrowing manifestations of psychological torment, the insidious spectre of relentless stalking, and the manipulative machinations of gaslighting, all the while fervently interrogating the notion of a fixed and immutable gender identity. In a relentless odyssey toward self-realization, the protagonist's journey unfurls against a backdrop of traumatic events and the unyielding pressures imposed by …

Treating Traum(A): Examples In The Tanakh That Mirror Events During The Life Of Bonhoeffer And Crimes Of The Ian Rankin Novel Knots And Crosses, Geraldine Mitchell

Journal of Franco-Irish Studies

The Hebrew Bible (Tanakh) contains a wealth of stories reflecting life in the ancient world including struggles and wars that prove(d) traumatic. It is shown time and again that history repeats itself, and the stories of the Bible reappear in the modern world, both real and (crime) fictional. In this paper, traumatic experiences associated with the German pastor Dietrich Bonhoeffer as well as the fictional character DI John Rebus created by the crime writer Ian Rankin, are linked with similar incidents recorded in the Tanakh. The first novel in the Rebus series, Knots and Crosses, also forms the basis …

Echoes Of The Spanish Civil War In Tolkien’S Legendarium, Alexander Retakh

Journal of Tolkien Research

The Spanish Civil War had a profound effect on the literature of the 1930s and 40s; however, it has been almost neglected in Tolkien studies. This article examines both Tolkien's potential views of the Civil War and their effect on his writings of the late 1930s such as the emerging story of Numenor. The dearth of primary sources can be rectified by studying the position on the War taken by other British Catholic intellectuals. Very likely Tolkien viewed the Civil War primarily as a religious conflict and was shaken by the highly publicized cases of anti-clerical violence. The combination of …

Law And Its Limits: Ethical Issues In Mary Shelley’S Frankenstein Or, The Modern Prometheus, David S. Caudill

St. Mary's Journal on Legal Malpractice & Ethics

The law and literature movement is frequently associated with the use of literary images of law as a point of reflection upon the ethical obligations of lawyers. Mary Shelley’s Frankenstein (1818)—the story of a young scientist whose unorthodox experiments end up creating the famed “monster”—is not, at first glance, a likely candidate for that enterprise. However, Dr. Frankenstein’s ambition and ruthless pursuit of knowledge has become a contemporary image of science out of control and the need for ethical limitations on scientific progress. Consequently, the novel raises currently important issues of regulating science and technology. Given the lawyer’s ethical obligation …

Satire In Swift And Voltaire: Towards A Humanist Dialectic, Ola Kittaneh, Fuad Abdul Muttaleb

An-Najah University Journal for Research - B (Humanities)

This article examines how the Enlightenment writers Jonathan Swift and Voltaire’s attitudes and works resonate with our modern writers’ concepts on the role of the humanist intellectual. Informed by Edward Said’s recent theoretical concepts on the humanist intellectual, the article compares the way the two writers use the power of satire to achieve a humanist end that focuses on the pitfalls of identitarian thinking which often leads to national or religious fanaticism. There is certainly a need for Swift and Voltaire to be repositioned in relation with the broad contours of modern writers’ notions of the intellectual. By reading the …

Mythprint Vol. 3 No. 5, Glen Goodknight

Mythprint

Mythprint is the monthly bulletin of the Mythopoeic Society, a nonprofit educational organization devoted to the study, discussion, and enjoyment of myth and fantasy literature, especially the works of J.R.R. Tolkien, C.S. Lewis, and Charles Williams. To promote these interests, the Society publishes three magazines, maintains a World Wide Web site, and sponsors the annual Mythopoeic Conference and awards for fiction and scholarship, as well as local and written discussion groups.

“We Could Do With A Bit More Queerness In These Parts”: An Analysis Of The Queer Against The Peculiar, The Odd, And The Strange In The Lord Of The Rings, Yvette Kisor

Journal of Tolkien Research

As developed in The Lord of the Rings, “queer” is a special term, one uniquely associated with the Hobbits, and Tolkien crafts a very specific set of resonances that embed it in provincial mistrust, a sense of real outside threat, and places within the ancient natural world that appear foundationally opposed to the ordinary realm of civilization. While Tolkien cannot be said to use the word “queer” in its more modern sense of “homosexual” or nonnormative sexual and/or gender identity, he included an owning and even embracing of the term that follows a similar pattern.

C. S. Lewis And The Occult Temptation, Thomas Garrett Isham

Sehnsucht: The C. S. Lewis Journal

Twice in his life C. S. Lewis encountered—and greatly admired—authors involved in occult theory and practice.1 The first such figure was William Butler Yeats, the second, more than two decades later, Charles Williams. Lewis reacted to their occult preoccupations in quite different ways, even while acknowledging his continuing fascination with the subject.

The Story Of A Half Sovereign, Albert James Lewis

Sehnsucht: The C. S. Lewis Journal

An imaginative tale, reminiscent of Dickens, by C. S. Lewis's father, Albert J. Lewis.

"A Dreadful Thing": C.S. Lewis And The Experinces Of War, Timothy J. Demy

Sehnsucht: The C. S. Lewis Journal

From a Christian perspective, war entails the death and killing of people who are all created in the image of God and therefore have inherent dignity and incalculable worth. And yet, even after experiencing war at firsthand, C. S. Lewis believed that war is sometimes justifiable and necessary.

Like others of his generation, Lewis was deeply affected by the experience of war. He lived through the First and Second World Wars, serving as an officer on the Western Front between November 1917 and April 1918. His brother Warren (“Warnie”) was a career officer serving in the British army in both …

Blood On The Snow, Soot On The Carpet: Belief As Pedagogy In Terry Pratchett’S Hogfather, Michael A. Moir Jr.

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

In Terry Pratchett’s Discworld novels, children largely refuse to conform to the ideas that adults form about them as a class. While the adults of the Discworld seem to regard childhood as a time of innocence and wonder, the children who inhabit Pratchett’s universe show themselves to be violent, cynical, manipulative, and naturally skeptical of any phenomena which they cannot directly sense. As such, when the beloved seasonal figure of the Hogfather, a former Winter Solstice deity transformed over time into a gift-giving fat man with a taste for sherry and pork-pies, is assaulted by entities who want to make …

The One Ring Of King Solomon, Giovanni Carmine Costabile

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Tolkien source criticism has long been looking for the source of the One Ring in the wrong places. Neither the historical ispiration from World War II and the Atomic Bomb nor the proposed literary influences such as the Ring of the Nibelungs, Wagner's Ring, or the several examples of invisibility rings found in world literature may suffice to explain the complexity of Tolkien's unique creation. Nonetheless, the same cannot be said so easily with regards to another possible source once we survey the richness of the related legends: it is the fabled signet ring of King Solomon.

The Trauma Of Partition In Michael Longley’S Poetry Of The Irish Troubles And Murīd Al-Barghūthī’S Palestinian Exilic Poetry, Asmaa Youssef

Journal of the Faculty of Arts (JFA)

Violence, migration, and displacement shape postcolonial societies; they help in dividing colonised countries into geographical partitions. The political and communal aspects of the partition have individual and collective influences, particularly when it comes to the splitting of both Ireland and Palestine. The colonial partitions in Ireland in the wake of World War I and Palestine at the end of World War II offers an extensive study of the social and cultural heritage of state divisions, where the trauma of partition constitutes political events up until today. This paper concentrates on the political and cultural legacies of partition in Ireland and …

Vol. 42, No. 4 - Whole No. 277, Eleanor M. Farrell

Mythprint

Mythprint is the monthly bulletin of the Mythopoeic Society, a nonprofit educational organization devoted to the study, discussion and enjoyment of myth and fantasy literature, especially the works of J.R.R. Tolkien, C.S. Lewis, and Charles Williams. To promote these interests, the Society publishes three magazines, maintains a World Wide Web site, and sponsors the annual Mythopoeic Conference and awards for fiction and scholarship, as well as local and written discussion groups.

Vol. 42, No. 2 - Whole No. 275, Eleanor M. Farrell

Mythprint

Mythprint is the monthly bulletin of the Mythopoeic Society, a nonprofit educational organization devoted to the study, discussion and enjoyment of myth and fantasy literature, especially the works of J.R.R. Tolkien, C.S. Lewis, and Charles Williams. To promote these interests, the Society publishes three magazines, maintains a World Wide Web site, and sponsors the annual Mythopoeic Conference and awards for fiction and scholarship, as well as local and written discussion groups.

Vol. 41, No. 8 - Whole No. 269, Eleanor M. Farrell

Mythprint

Mythprint is the monthly bulletin of the Mythopoeic Society, a nonprofit educational organization devoted to the study, discussion and enjoyment of myth and fantasy literature, especially the works of J.R.R. Tolkien, C.S. Lewis, and Charles Williams. To promote these interests, the Society publishes three magazines, maintains a World Wide Web site, and sponsors the annual Mythopoeic Conference and awards for fiction and scholarship, as well as local and written discussion groups.

Vol. 44 No. 1/2 - Whole No. 298/299, Eleanor M. Farrell

Mythprint

Mythprint is the monthly bulletin of the Mythopoeic Society, a nonprofit educational organization devoted to the study, discussion and enjoyment of myth and fantasy literature, especially the works of J.R.R. Tolkien, C.S. Lewis, and Charles Williams. To promote these interests, the Society publishes three magazines, maintains a World Wide Web site, and sponsors the annual Mythopoeic Conference and awards for fiction and scholarship, as well as local and written discussion groups.

Vol. 35 No. 11 - Whole No. 200, Eleanor M. Farrell

Mythprint

Mythprint is the monthly bulletin of the Mythopoeic Society, a nonprofit educational organization devoted to the study, discussion and enjoyment of myth and fantasy literature, especially the works of J.R.R. Tolkien, C.S. Lewis, and Charles Williams. To promote these interests, the Society publishes three magazines, maintains a World Wide Web site, and sponsors the annual Mythopoeic Conference and awards for fiction and scholarship, as well as local and written discussion groups.

Vol. 49 No. 10 - Whole No. 363, Jason Fisher

Mythprint

Mythprint is the monthly bulletin of the Mythopoeic Society, a nonprofit educational organization devoted to the study, discussion, and enjoyment of myth and fantasy literature, especially the works of J.R.R. Tolkien, C.S. Lewis, and Charles Williams. To promote these interests, the Society publishes three magazines, maintains a World Wide Web site, and sponsors the annual Mythopoeic Conference and awards for fiction and scholarship, as well as local and written discussion groups.

Vol. 49 No. 1 - Whole No. 354, Jason Fisher

Mythprint

Mythprint is the monthly bulletin of the Mythopoeic Society, a nonprofit educational organization devoted to the study, discussion, and enjoyment of myth and fantasy literature, especially the works of J.R.R. Tolkien, C.S. Lewis, and Charles Williams. To promote these interests, the Society publishes three magazines, maintains a World Wide Web site, and sponsors the annual Mythopoeic Conference and awards for fiction and scholarship, as well as local and written discussion groups.

Vol. 48 No. 12 - Whole No. 353, Jason Fisher

Mythprint

Mythprint is the monthly bulletin of the Mythopoeic Society, a nonprofit educational organization devoted to the study, discussion, and enjoyment of myth and fantasy literature, especially the works of J.R.R. Tolkien, C.S. Lewis, and Charles Williams. To promote these interests, the Society publishes three magazines, maintains a World Wide Web site, and sponsors the annual Mythopoeic Conference and awards for fiction and scholarship, as well as local and written discussion groups.

Goddess And Mortal: The Celtic And The French Morgan Le Fay In Tolkien’S Silmarillion, Clare Moore

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Few characters change more in their depiction throughout ‘traditional’ Arthurian literature than Morgan le Fay, who transitions from the benevolent and supernatural Queen of the Isle of Apples to the mortal sister of King Arthur with a complicated relationship to her brother and his court. These two versions of the Arthurian enchantress are represented in Geoffrey of Monmouth’s Vita Merlini and the French Vulgate Cycle, and they parallel two of Tolkien’s prominent female characters in The Silmarillion: Lúthien and Aredhel. Establishing parallels between Monmouth’s Morgen and Tolkien’s Lúthien demonstrates both a connection to the Celtic tradition and a departure …

Critical Insights: The Lord Of The Rings (2022), Edited By Robert C. Evans, Mariana Rios Maldonado

Journal of Tolkien Research

Book review, by Mariana Rios Maldonado, of Critical Insights: The Lord of the Rings (2022), edited by Robert C. Evans

Hearing Tolkien In Vaughan Williams?, Keri Hui

Journal of Tolkien Research

In recent years, musicians and Tolkien readers alike have associated Ralph Vaughan Williams’ music, particularly Fantasia on a Theme by Thomas Tallis (1910), The Lark Ascending (1914), and Fantasia on Greensleeves (1934), with Tolkien’s fantasies. This article explores this tendency to hear Tolkien’s Middle-earth in Vaughan Williams’ musical fantasies, calling attention to the similarities in their shared devotion to the idea of English consciousness, interest in combining ecclesiastical and folk materials, and pastoral vision. A juxtaposition of their approach and philosophies not only helps explain the musical echoes, however, but also confirms an appealing mark of Tolkien’s craft is its …