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Writing In Light: Giving Silences Their Say In Janette Turner Hospital's "The Last Magician", Niva Kaspi Jan 2010

Writing In Light: Giving Silences Their Say In Janette Turner Hospital's "The Last Magician", Niva Kaspi

Theses : Honours

The last magician (1992) by Janette Turner Hospital tells the story of Lucy, the novel's narrator, who is trying to piece together the mystery disappearance and possible murder of three people. Gabriel, Lucy's boyfriend, and Charlie Chang, a photographer, have gone missing while searching for Cat, Charlie's childhood friend. The story shifts between present time Sydney and a tragedy that took place a generation earlier in rural Queensland, involving the death of Cat's younger brother, Willy. The novel draws on conventions of the mystery genre, so that readers desire to know what has happened to several missing characters, even as …


Contrast And Didacticism In The Novels Of Jane Austen, Brittany Morgan Woodhams Jan 2010

Contrast And Didacticism In The Novels Of Jane Austen, Brittany Morgan Woodhams

Theses : Honours

The first aim of this thesis is to explore Jane Austen's use of contrast in terms of characterisation. The second is to look at how contrast becomes a tool of didacticism, both for the characters within the novels and for readers of the novels. This study encompasses Austen's six completed novels and traces the development of the techniques she used to evoke contrast. Austen used contrast in a variety of ways. Primarily it was used to construct and illuminate characters, but Austen also used it to introduce characters into the narrative, to compare two or more characters, and to structure …


Repressive Bodies, Transgressive Bodies : Dracula And The Feminine, Sharon Kostopoulos Jan 2010

Repressive Bodies, Transgressive Bodies : Dracula And The Feminine, Sharon Kostopoulos

Theses : Honours

Dracula has long been associated with the repressive qualities of Victorian society and the oppression of the emerging New Woman. However, taking into account that the novel is part of the gothic genre, a genre which endeavours to infringe the social boundaries in any given era, this thesis will demonstrate an equally visible and potent transgressive feminine element playing out in Dracula. Using Michel Foucault's idea of discourse to show how subjects are generated, the novel can be seen as facilitating both productive and repressive ideas of femininity. Power, as it operates through discourse, tends to produce its own resistance, …