Digital Commons Network^™

Milton And Cambridge : A New Look At An Old Attitude, Roy S. Riner

Master's Theses

From the insights cleaned from current research into John Milton's years as an undergraduate and a graduate student at Cambridge University, this writer has found an overwhelming amount of material dedicated to pointing out Milton's total lack of affection for that university. For the most part, those statements bearing on Milton's dislike for Cambridge are unequivocal. For example, one scholar has remarked that John Milton departed from the University in 1632 "weary and disguised" with the medieval, unbearable antiquated methods of the place. That same scholar continues with the statement that Milton's attitude toward Cambridge was "uniformly unfriendly" and that …

Chaucer's Ecclesiastics In The Canterbury Tales, Helen Lee Coleman

Master's Theses

It is thought that Chaucer began composing The Canterbury Tales as a dramatic whole around 1387. This is his last and by f ar his best known work. In this final. masterpiece Chaucer undertakes the tremendous task or presenting in poetic form a whole society. However, he does not merely explore society in general; he also develops the theme or the individual's relation to the community and the integral part that each person plays in making up the whole. The Canterbury Tales is, as George Lyman Kittredge so aptly puts it, "a micro cosmography" or a little image of a …

Great Day. An Edition Of Great Day : The Autobiography Of Emma Speed Sampson, John Letcher Fugate

Master's Theses

Other than a reference to Emma Speed Sampson in a sentence to the editorial in a recent Saturday Evening Post and two informative articles about her by Gay Friddell in the Commonwealth and Lillian F. Trimmer in the Richmond Times Dispatch virtually no criticism has been done on this outstanding Southern local colorist. Although she wrote books in the "Carter Girs" series, the "Molly Brown" series, and the "Campfire Girls" series, the sequence of books for which Emma Speed Sampson will be best remembered is the "Miss Minerva" series, twelves books whose humorous pages reveal the way of life in …

Chaucer's Ecclesiastics In The Canterbury Tales, Helen Lee Coleman

Master's Theses

It is thought that Chaucer began composing The Canterbury Tales as a dramatic whole around 1387. This is his last and by far his best known work. In this final masterpiece Chaucer undertakes the tremendous task of presenting in poetic form a whole society. However, he does not merely explore society in general; he also develops the theme or the individual's relation to the community and the integral part that each person plays in making up the whole. The Canterbury Tales is, as George Lyman Kittredge so aptly puts it, "a micro cosmography" or a little image of a great …

The Image Of The Jew In James Joyce's Ulysses, Phyllis Joyce Cohen Levy

Master's Theses

Since the beginning of English literature, the Jew has been portrayed as a villain. Edgar Rosenberg and Montague Frank Madder most affirmed the conviction in each of their studies of the Jew in English literature. However, the conclusion that the Jew is still portrayed as a villain is invalid because the image has changed. It is my intention to examine this change, focusing particularly on the character of Leopold Bloom in James Joyce 's Ulysses.

In The Mind's Eye : A Study Of Shakespeare's Imaginative Use Of Stage Properties In Six Representative Plays, Margaret Hart Glenn Tinsley

Master's Theses

The unity, or stylistic oneness, that is the most salient characteristic of Shakespeare's style has been achieved with such consummate ease that the underlying pattern of workmanship is imperceptible at a casual reading. Upon analysis, however, the ingenious means which the playwright has employed, perhaps unconsciously, to create this effect of unity easily may be discerned.

This paper is an analysis of the stage properties in six plays and their function in the plays' overall design. In this study it may be seen that within each play each stage property is so imaginatively used that it seems at once both …