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Christian Allegories And Social Change In Southern Literature: A Comparative Study Of Mason Tarwater And Atticus Finch In Flannery O'Connor's The Violent Bear It Away And Harper Lee's To Kill A Mockingbird, Marlee Ruark
English MA Theses
This thesis compares Mason Tarwater of Flannery O’Connor’s The Violent Bear It Away and Atticus Finch of Harper Lee’s To Kill a Mockingbird to better understand how each author comments on Christian allegories and social change within their novels. This thesis argues that To Kill a Mockingbird promotes social change through the Christian values of good Samaritanism, nonviolence, and inclusion, while The Violent Bear It Away promotes a problematic Christian message. This thesis identifies how both novels utilize religious allegory. In O’Connor’s novel, the paradoxical and violent prophet figure, Mason Tarwater, uses violence and division to evoke change, while in …
Noisy Transgressions: Gendered Noise, Female Voices, And Noisy Narration In Anne Bronte's The Tenant Of Wildfell Hall, Brianna Phillips
Noisy Transgressions: Gendered Noise, Female Voices, And Noisy Narration In Anne Bronte's The Tenant Of Wildfell Hall, Brianna Phillips
English MA Theses
This thesis re-evaluates Anne Brontë’s critically undervalued novel The Tenant of Wildfell Hall (1848) through its noisy women. By joining the fields of narratology and noise studies, I argue for the subversive noisiness of a novel that has been overwhelmingly dismissed by critics as a text of female silence, subjugation, and subordination. However, by offering a soundscape of gendered noise and proliferating female voices, Brontë privileges the sounds of women’s voices in such a way that female noise “re-voices” the masculine origins of the novel (Gilbert Markham’s frame narrative). Contrary to traditional readings of Brontë’s heroine, Helen Huntingdon proves subversively …
Trauma, Violence, And Deathly Consequences: Female Justice In Contemporary Literature And Television Adaptations, Allie Owens
Trauma, Violence, And Deathly Consequences: Female Justice In Contemporary Literature And Television Adaptations, Allie Owens
English MA Theses
Over the past decade, a familiar villainous character has begun to arise in television adaptation: the mentally-fractured heroine who turns to villainy: women who have been attacked, raped, or lost loved ones to villains. These attacks and losses trigger murderous rampages and other violence that often leads to their descent into villainy. Netflix’s Jessica Jones, George R.R. Martin’s A Song of Ice and Fire, and its television adaptation Game of Thrones, feature heroines that turn to violence to get revenge. However, the violent heroines in these texts and television adaptations do not just become villains; some …