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Belief Suspended: Review Of Eighteenth-Century Fiction And The Reinvention Of Wonder, Barbara M. Benedict
Belief Suspended: Review Of Eighteenth-Century Fiction And The Reinvention Of Wonder, Barbara M. Benedict
Faculty Scholarship
No abstract provided.
Review Of Women, Work, And Clothes In The Eighteenth-Century Novel, By Chloe Wigston Smith, Barbara M. Benedict
Review Of Women, Work, And Clothes In The Eighteenth-Century Novel, By Chloe Wigston Smith, Barbara M. Benedict
Faculty Scholarship
No abstract provided.
Reed-Kellogg Diagramming And Vernacular Speech: ‘Telling It Slant’ In The Introductory Classroom [Post-Print], Lucy Ferris
Reed-Kellogg Diagramming And Vernacular Speech: ‘Telling It Slant’ In The Introductory Classroom [Post-Print], Lucy Ferris
Faculty Scholarship
No abstract provided.
Melville In The Customhouse Attic, Christopher Hager
Melville In The Customhouse Attic, Christopher Hager
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No abstract provided.
From Multiculturalism To Immigration Shock, Paul Lauter
From Multiculturalism To Immigration Shock, Paul Lauter
Faculty Scholarship
No abstract provided.
Abridging The Antiquitee Of Faery Lond: New Paths Through Old Matter In The Faerie Queene, Chloe Wheatley
Abridging The Antiquitee Of Faery Lond: New Paths Through Old Matter In The Faerie Queene, Chloe Wheatley
Faculty Scholarship
Sixteenth-century history may have been recorded most spectacularly in prestigious folio chronicles, but readers had more ready access to printed books that conveyed this history in epitome. This essay focuses on how Edmund Spenser (1552?– 99) appropriated the rhetoric and form of such printed redactions in his rendition of fairy history found in book 2 of The Faerie Queene (1596). Through his abridged fairy chronicle, Spenser connects to a broadly defined reading public, emphasizes the deeds not only of kings but their imperial and civic deputies, and provides an alternative interpretive pathway through his poem.