Digital Commons Network^™

Chaucer’S Lists And The Parson’S Priests: Heresy, Censorship, And The Parson's Tale, Samantha Burleson

Master's Theses

Chaucer’s Parson’s Tale is a sermon on penance told by a fictional late-fourteenth-century Parson in The Canterbury Tales. What the Parson preaches is incompletely aligned with Roman Catholic orthodox beliefs, as suggested both by accusations of Lollardy elsewhere in the Canterbury Tales and heterodox features of the sermon itself. The Parson’s soteriology—the theology of how to attain salvation—invites consideration of the sermon’s potential influence from the contemporary heretical movement known as Lollardy, including the theology of John Wyclif; this theology disagreed with orthodox Catholic penitential practices.

However, despite increasing anti-Wycliffite sentiment at the turn of the fifteenth century, Chaucer’s …

'As Vivid As Blood In A Sink': (Re)Reading Queerness And Repression In Teju Cole's Open City, Jack Hoda

Master's Theses

Teju Cole’s Open City (2011) is an exemplar work of contemporary fiction. For its complex representation of subjectivity, hypnotic narrative tone, and global political scope, the novel has been praised by readers and critics alike. Julius, the text’s first-person narrator, guides us along seemingly innocent wanderings throughout New York City, ruminating on history, art, and politics while presenting himself as the enlightened, cosmopolitan ideal. However, the shocking penultimate revelation that Julius raped a young woman from his past alters our encounter with the text and its narrator. We come to realize that this meandering novel is, in reality, a carefully …

“Precios Perle Wythouten Spotte”: Accepting The Unknowable In Pearl, Jana Ishee

Master's Theses

The fourteenth-century Middle English poem Pearl, authored by the anonymous Pearl-poet, survives in a manuscript known as London, British Library, Cotton MS Nero A.x. This dream vision, narrated by a grieving father, tells the story of his journey to Paradise, where he encounters his infant daughter, now older, regal, and wise, proffering admonishments with the authority of God to her tearful father. meeting with her in Paradise. Drawing on Caroline Walker Bynum’s work on medieval European conceptions of death and resurrection, J. Stephen Russell’s work on the dream vision genre, and Karl Steel’s work on oysters as liminal figures, …

“I’Ll Make A Captain Among Ye, And Do Somewhat To Be Talk Of Forever After”: Female Civic Agency In Sir Thomas More’S Staged Insurrection, Heather Miller

Master's Theses

Sir Thomas More is an English chronicle play that has received far less critical attention than generically similar histories written by Shakespeare. Doll Williamson, the play’s strongest female character, assumes a leadership position in initiating, as well as ultimately quelling, the Evil May Day riots, which provide the play’s initial dramatic impetus. Despite the critical tendency to overlook or diminish the seriousness of her dramatic role in the play, including in the staged insurrection scene, I argue in this thesis that we should take the concerns that Doll articulates and embodies seriously from a feminist perspective. Furthermore, I place Doll’s …

Containing The Blemmye: Anxiety Towards Congenital Difference In The Old English Wonders Of The East, Jessica L. Carrell

Master's Theses

This thesis aims to illuminate early medieval anxieties about sex, procreation, and congenital physical difference by applying a lens of critical disability theory to the Old English Wonders of the East, primarily as it survives in the eleventh-century manuscript, London, British Library, Cotton MS Tiberius B.v. This thesis focuses on the textual and illustrative representation of one Wonder, the Blemmye—an approximately eight-foot-tall, eight-foot-wide androgynous humanoid, whose eyes and mouth are in their chest and who does not possess a head—as a historic embodiment of what disability meant in relation to the early medieval English worldview. This thesis considers the …

Oh, My Stars: A New Map Of The Universe In Paradise Lost, Michael R. Coats

Master's Theses

Milton’s geographical descriptions in Paradise Lost are heavily influenced by his fascination with maps. Furthermore, his design of the universe in Paradise Lost follows a cartographic style that has led to several attempts at mapping it. These attempts, however, have followed the erroneous assumption that Earth centers the universe. As a result, cosmographical maps of Paradise Lost are inaccurate. I argue that Milton’s universe is Deocentric and provide a new map with a pyramid design that places God at the center of Milton’s universe.

Epic Adolescence: Contemporary Adolescence In Philip Pullman’S His Dark Materials, Chloe Felterman

Master's Theses

To find the truth of a societal construct or phenomena, it can help to look at the world of fiction and fantasy. Though this idea may seem ironic or counter-intuitive, one will find that fictional literature can reveal the working order of its respective society. Philip Pullman’s epic fantasy trilogy, His Dark Materials, uses and manipulates the traditional constructs of the genre to reflect and re-imagine the concepts of adolescence of the late-20^th and early-21^st centuries. Eleven-year-old protagonist Lyra Belacqua and subsequently her cohort, Will Perry, reveal the complications and difficulties modern American and British adolescents experience as …

The Return Of The Dead: Resurrecting Chappell's Family Gathering, Jonathan Moore

Master's Theses

This thesis examines Fred Chappell’s virtually overlooked collection of poetry Family Gathering (2000), and how the poems operate within the mode of the grotesque. I argue that the poems illuminate both the southern grotesque and Roland Barthes’s theory of photography’s Operator, Spectator, and Spectrum. I address Family Gathering as a family photo album full of still shots, snapshots, and even selfies, which illumines how Chappell’s use of the grotesque in this collection derives more from its original association with visual arts rather than only depicting the grotesque typically associated with characteristics deemed explicitly shocking or terrifying. I argue that …

T.S. Eliot, "The Waste Land", And Yoga Philosophy, Jessica Cloud

Master's Theses

While pursuing his graduate studies at Harvard, T.S. Eliot put a year into deep study of the Yoga Sutras with renowned scholar James Haughton Woods. Yoga, defined in the Sutras as the practice of stopping “the fluctuations of the mind-stuff” (Patañjali 8), provides the possibility of hope and equanimity in Eliot’s poem The Waste Land (1922), which depicts a world seemingly devoid of meaning. Not only can the influence of the Yoga Sutras be seen in the poetic form, style, and voice of The Waste Land and in the explanatory notes to the poem provided by Eliot, but classical yoga …

"And A Sad Ditty Of This Story Born": Regeneration Through Decay In John Keats's Isabella, Erica Van Schaik

Master's Theses

John Keats’s Isabella; or the Pot of Basil (1818) has been read, like many of Keats’s of works, as an allegory for the death that surrounded the poet and his life’s tragic circumstances. Isabella has also been studied in regard to its gothic horror elements. Such previous readings identify a theme of mortality and decay within the poem, but I argue these themes serve a larger purpose, one related to the possibilities created by regeneration. Isabella, a young woman whose lover, Lorenzo, is murdered by her own brothers, removes Lorenzo’s head from his corpse and places it in a potted …

A Close Encounter With Death: Narration In Markus Zusak's The Book Thief, Erin M. Gipson

Master's Theses

While critics have discussed Markus Zusak’s The Book Thief (2005) in terms of the Holocaust, its generic hybridity, and its crossover readership for child and adult audiences, I offer the first narratological reading of its unusual narrator: Death. This reading focuses on the rhetorical strategies underlying Death’s contradictory narration, which is at once anthropomorphized and constitutively nonhuman. Scholars of The Book Thief often assume the narrator’s omniscience, but I find that Death is crucially not omniscient; rather, he merely performs omniscience to mask his humanlike limitations. Since current terminology falls short of describing Zusak’s narration, I propose the new classification …

Exploitation Of Land And Labor In Appalachia: The Manipulation Of Men In Ann Pancake's Strange As This Weather Has Been, Britani W. Baker

Master's Theses

Ecofeminism is traditionally interested in the relationship between patriarchal domination of women and nature. Ann Pancake’s novel Strange As this Weather Has Been critiques the way the coal mining industry has affected the Appalachian people and land. The novel reflects natural ecofeminism, which views the connection between women and nature in essentialist terms. This outdated mode of ecofeminism leads to a reinforcement of gender stereotypes and a misrepresentation of the relationship between gender, nature, and culture. This study of Pancake’s novel employs a material ecofeminist approach to both critique and develop the novel’s gender politics. Material ecofeminism, even as it …

"Your Reclamation”: The Gothic Child And Moral Restoration In Charles Dickens’S A Christmas Carol, Ashten Roberts

Master's Theses

Charles Dickens’s A Christmas Carol (1843), an example of Victorian Gothic literature, portrays spirits escorting Ebenezer Scrooge on a journey through time in order to transform him from a miser to a benefactor. Dickens’s text has received much critical attention, and while most critics agree that the novella includes various elements of the gothic, few draw attention to the possibility of the child characters as gothic elements. I argue that Carol’s child characters can be read in terms of what Margarita Georgieva calls “the gothic child.” According to Georgieva, the gothic child can be an adult’s memory from childhood …

The Poet's Corpus: Memory And Monumentality In Wilfred Owen's "The Show", Charles Hunter Joplin

Master's Theses

Wilfred Owen is widely recognized to be the greatest English “trench poet” of the First World War. His posthumously published war poems sculpt a nightmarish vision of trench warfare, one which enables Western audiences to consider the suffering of the English soldiers and the brutality of modern warfare nearly a century after the armistice. However, critical readings of Owen’s canonized corpus, including “The Show” (1917, 1918), only focus on their hellish imagery. I will add to these readings by demonstrating that “The Show” is primarily concerned with the limitations of lyric poetry, the monumentality of poetic composition, and the difficulties …

Decolonizing The Ya North: Environmental Injustice In Sherri L. Smith’S Orleans, Micah-Jade M. Coleman

Master's Theses

Young Adult (YA) dystopias, in recent years, have imagined a future world fueled by the overuse and misuse of technology, the advancement of science for human gain, as well as societies ruled by governments that govern based on their own self-interests and economic gain. Such novels have opened the door for discussion about how the present-day actions of societies can impact the future of the environment; yet many only focus their attention on societies in the North— regions considered “developed” by the western world. In her YA novel, Orleans (2014), Sherri L. Smith focuses attention on the aftermath of Hurricane …

"Too Big To Swallow All At Once": Consumption And Posthuman Healing In Ceremony And House Made Of Dawn, Matthew Thomas Craft

Master's Theses

This project examines the roles of animals and animal figures in the Native American novels House Made of Dawn (1968)by N. Scott Momaday and Ceremony (1977) by Leslie Marmon Silko. Both novelists consistently evoke animal imagery within their respective texts often pairing this imagery alongside symbolic and metaphorical depictions of cannibalistic identity violence. Through the use of posthuman and postcolonial methodologies and ideas, I contend that the pairing of these two distinct types of imagery that both Momaday and Silko intentionally align the animal figures with premodern, indigenous belief systems while the cannibalistic violence is more often envisioned as …

The Scripture Of Helices, Jessica M. Ramer

Master's Theses

This thesis comprises poems written during my two years of study for the Master of Arts Degree in English with a creative writing emphasis. The majority of the poems are written in either a received or contemporary form, although a substantial minority are written in free verse. Many of the poems deal with extreme circumstances such as combat and imprisonment. Others address family stresses due to birth, death, remarriage, and clashes of values. Some poems have a religious emphasis while others are firmly rooted in the natural world. All, however, are explorations of human nature.

Staging Sex Or Fighting Foreignness? Marlowe's Edward Ii As Xenophobic Drama, James D. Baker

Master's Theses

Christopher Marlowe’s drama Edward II has long been known for its representation of a close male, arguably homosexual, friendship between King Edward II and his favorite, the French Piers Gaveston, as well as their union’s negative effects on the court. Indeed much criticism exists on the common belief that the characters’ relationship is problematic in early modern England both because the two characters are male and because there is an obvious class divide. However, critics have seemed to overlook Gaveston’s being French, even in light of the massive immigration to England during the late sixteenth and early seventeenth centuries. This …

"Equal Partners In Crime": Narration In The Brief Wondrous Life Of Oscar Wao, Rebecca Mae Holder

Master's Theses

This reading of Junot Díaz’s The Brief Wondrous Life of Oscar Wao argues that narrator Yunior’s failure to capture the authentic speech of Beli illuminates the failure of narrative generally to speak authentically for the subaltern. The writings of Mikhail Bakhtin, Gayatri Spivak, and Scott McCloud work together to uncover the political and ethical implications of Yunior’s willful erasure of Beli’s voice. In the sections detailing her early life, Yunior draws attention to the gaps in the information he gives readers and thus reminds them that all narrative excludes and distorts details to fulfill an objective. This reading argues that …

The Self-(Un)Made Mother: Jungian Archetypes In Dickens's Little Dorrit, William David Love Jr.

Master's Theses

Charles Dickens’s novel Little Dorrit (1857) depicts an abundance of surrogate mothers while simultaneously revealing an absence of biological motherhood. The primary female characters become surrogate mothers in their own ways in order to bypass the legal and physical dangers associated with biological motherhood. To do this, they embrace various alternate forms of femininity—the crone, the maiden, the woman warrior, and the seductress. These women negate themselves willingly in actions that would seem to reinforce the gender norms of their time, but their self-negation actually leads to empowerment and sustainability for themselves and for others. Furthermore, a Jungian interpretation of …

Because A Fire, A Lover's Quarrel: Poems, Clifton Clyde Ward

Master's Theses

This thesis comprises poems written and/or revised over the past two years. They mark the development of my aesthetic and writing ability thus far and are representative of the training and practice incited by my own efforts and those of my professors during my enrollment in the Master of Arts degree in English, Creative Writing emphasis. The majority of these poems are written in an open form, and all of them fall under three general categories: autobiographical, absurdist, or formal.

Haunted To Death: Subverting Genre And Reader Expectations In Lewis Carroll's Phantasmagoria, Elissa Anne Graeser

Master's Theses

This study of Lewis Carroll’s Phantasmagoria argues that the poem failed to achieve critical and popular success due to unmet reader expectations. The poem is a haunted house or ghost story and in many ways follows the familiar formula of the Victorian ghost story. However, Carroll’s political and generic satire alters various aspects of the anticipated structure, thereby creating a work that fails to satisfy readers on multiple levels. The failure of a work by a successful author writing within a popular genre is particularly significant for what it shows us about the relationship between genre, consumerism, and literary criticism.

The Queer Gothic Hero's Journey In Oscar Wilde's The Picture Of Dorian Gray, Kyle Leon Ethridge

Master's Theses

This study of Oscar Wilde’s The Picture of Dorian Gray argues that the novel participates in a Gothic subversion of the archetypal hero’s journey. The novel employs Gothic devices to supplant heroic narremes. As the novel progresses, both Dorian (as a type of hero-character) and the narrative repeatedly deny or subvert the normative idea of heroism later reified in Joseph Campbell’s archetypal theory. While Campbell’s hero attempts to secure and universalize a heterosocial story, Wilde’s hero is recuperated through a reconfiguring of normative failure as queer success. What is ostensibly a failure of the normative hero to achieve his quest …

Melancholia & Metaphor In Kazuo Ishiguro's The Remains Of The Day, Kristin Lasheaú Teston

Master's Theses

Critics widely acknowledge the psychological grounding of Kazuo Ishiguro's writing. His 1989 novel The Remains of the Day presents a central character deeply afflicted by his inability to acknowledge his condition. Both literal and figurative loss proliferates throughout the novel, and turning to Sigmund Freud's influential essay, "Mourning and Melancholia," allows us to understand how loss influences Stevens's narrative. In this essay, Freud explores conditions that result after the loss of person or an ideal. For Stevens, the lost object is the myth of pre-war English traditions. Freud's theories regarding melancholia provide a crucial insight to Stevens's inability to acknowledge …

"We Need The Storm, The Whirlwind, The Earthquake": The Intersection Of Language And Violence In Nat Turner's "Confessions" And Frederick Douglass's My Bondage And My Freedom, Allison L. Tharp

Master's Theses

Resistance literature is an established genre, dating back to the late eighteenth century, but it underwent a rhetorical revision as slavery increased within the United States in the years leading up to the Civil War. As slaves and free blacks began to rebel against their oppressed condition, they "stole" two prominent tools whites used_ to - oppress slaves: language and violence. Frederick Douglass's My Bondage and My Freedom is a self-conscious revision within resistance literature that argues for national change by advocating physical violence with written language. Reading this text as an intertext with Nat Turner's "Confessions" reveals the ways …

A Study Of The Early American Author Judith Sargent Murray, Her Role In Early American Print Culture And Her Misappropriation By Twentieth-Century Feminism, Robert Allen Fowler

Master's Theses

In 1798, Judith Sargent Murray published a three-volume collection of one hundred miscellaneous essays on topics ranging from social politesse to women’s education to international politics. Her diligence, forethought and manipulation of pseudonyms in the print-hungry post-Revolutionary America create a unique place for her in the history of American letters. However, in the twentieth century, modern feminism has attempted to claim Murray as one of their own, choosing between one and four examples of her work as proof of her forward-looking philosophy, while ignoring significant pieces of those same works as well as much of her oeuvre as a whole …

I Don't Know Why You Say Goodbye, I Say Hello: Concepts Of Place In Eudora Welty's The Optimist's Daughter And Elizabeth Bowen's The Death Of The Heart, Emily Frances Cooley

Master's Theses

The Optimist's Daughter and The Death of the Heart reveal that, for Eudora Welty and Elizabeth Bowen, place is· more than mere landscape. Place is both the scene upon which their novels unfold and the means by which they convey their abstract understandings of the world. Place provides the physical settings of their stories, but it also reveals something about their psyche or symbolic language. The settings used by Welty in The Optimist's Daughter reinforce traditional notions of place in Southern life and society whereas the settings employed by Bowen in The Death of the Heart exhibit a partiality for …

Metaphasia: Shelley And The Language Of Remoter Worlds, Michael Andrew Howell

Master's Theses

The aim of this project was to trace the evolution of Percy Shelley's metaphasic narrative, or language of the dead, chronologically through the Hymn to Intellectual Beauty, Mont Blanc, and Prometheus Unbound. Proceeding from Earl Wasserman's detailed map of Shelley's mythopoeic structure, I charted this evolution while identifying a fifth discrete entity within the mythological hierarchy of what Harold Bloom has characterized as a "mythopoeic trilogy" (36). Concurrently, I examined the ongoing debate concerning Shelley's influences, as well as the early formation of his personality, as it pertains to the poems in question, and his fascination with worlds beyond the …