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Reputation And Reality: Revelations Of Monstrosity In Frankenstein And Six Of Crows, Jordyn Fortuna
Reputation And Reality: Revelations Of Monstrosity In Frankenstein And Six Of Crows, Jordyn Fortuna
English Senior Capstone
The main characters in Mary Shelley’s Frankenstein and Leigh Bardugo’s Six of Crows reveal the potential within everyone for Monstrosity. This disregard for humanity can stem from many things, but it can also be prevented through community and sympathy. Monstrosity is often misconstrued due to a false perception guided by a sighted bias. In reality, however, characters’ humanity can be shown to the reader through a greater insight into their traumas and intentions. This paper highlights the idea that reputation cannot be trusted, but instead but be further examined to reveal the Monster within.
The Light And The Nothing: Escapism In Ready Player One And Confessions Of An English Opium-Eater, Katherine Bodkin
The Light And The Nothing: Escapism In Ready Player One And Confessions Of An English Opium-Eater, Katherine Bodkin
English Senior Capstone
In their novels Ready Player One and Confessions of an English Opium-Eater, Ernest Cline and Thomas De Quincey shed light on the individual and societal desire to escape pain and suffering. The drastically different time periods of these two stories show that addiction and avoidance have been plaguing humans for centuries. These characters’ unhealthy use of escapism serves as a warning to readers about the dangers of identifying oneself within a false reality. Ultimately, both characters exemplify that placing one’s agency within a false reality renders one completely powerless. When one accepts their inability to change their undesirable pasts …
Searching For Understanding: How Hamlet And Frankenstein Inform Humanity’S Response To Trauma, Jonathan Knippenberg
Searching For Understanding: How Hamlet And Frankenstein Inform Humanity’S Response To Trauma, Jonathan Knippenberg
English Senior Capstone
By looking at trauma narratives we are able to learn about the nature of trauma as well as the effective and ineffective ways it has been handled by literary characters. Hamlet by William Shakespeare tells of the young prince Hamlet who, in repressing his trauma, unwittingly falls victim to repeating the anger reinforced by his father’s ghost while he continually allows no one to see anything but the mask of his antic disposition. Frankenstein by Mary Shelley portrays the turmoil between Dr. Frankenstein and his monster—a rejected creation scorned by a tortured creator—which not only consumes them but also tears …