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Teaching Tolkien: Language, Scholarship, And Creativity, Adam Kotlarczyk
Teaching Tolkien: Language, Scholarship, And Creativity, Adam Kotlarczyk
Adam Kotlarczyk
Why Tolkien? Let us start with the obvious—if cynical—question, almost certain to come from a skeptical administrator or colleague: why would any serious, self-respecting English teacher want to teach an author whose work is about dragons, fairies, and the fantastic? With all the increased attention to standardized testing and with the demand for rigor in read- ings in the average English curriculum, choosing a popular text might raise eyebrows among critics. The question that an English teacher may be asked (or indeed, may ask him- or herself) is: doesn't teaching Tolkien as "serious" literature just fan those flames?
Teaching Tolkien: Language, Scholarship, And Creativity, Adam Kotlarczyk
Teaching Tolkien: Language, Scholarship, And Creativity, Adam Kotlarczyk
Adam Kotlarczyk
Why Tolkien? Let us start with the obvious—if cynical—question, almost certain to come from a skeptical administrator or colleague: why would any serious, self-respecting English teacher want to teach an author whose work is about dragons, fairies, and the fantastic? With all the increased attention to standardized testing and with the demand for rigor in read- ings in the average English curriculum, choosing a popular text might raise eyebrows among critics. The question that an English teacher may be asked (or indeed, may ask him- or herself) is: doesn't teaching Tolkien as "serious" literature just fan those flames?
Teaching Tolkien: Language, Scholarship, And Creativity, Adam Kotlarczyk
Teaching Tolkien: Language, Scholarship, And Creativity, Adam Kotlarczyk
Adam Kotlarczyk
Why Tolkien? Let us start with the obvious—if cynical—question, almost certain to come from a skeptical administrator or colleague: why would any serious, self-respecting English teacher want to teach an author whose work is about dragons, fairies, and the fantastic? With all the increased attention to standardized testing and with the demand for rigor in read- ings in the average English curriculum, choosing a popular text might raise eyebrows among critics. The question that an English teacher may be asked (or indeed, may ask him- or herself) is: doesn't teaching Tolkien as "serious" literature just fan those flames?
Tolkien And Gifted Students: Blending Creative And Critical Thinking, Adam Kotlarczyk
Tolkien And Gifted Students: Blending Creative And Critical Thinking, Adam Kotlarczyk
Adam Kotlarczyk
In “The American Scholar,” Emerson warns against letting books become tyrants. As education “reformers,” political forces, and other special interests continue to pull modern teachers in so many different pedagogical directions, Emerson’s warning is increasingly powerful. Books tyrannize, Emerson says, when we use them passively by simply absorbing information from them, rather than actively by catalyzing our own thinking and actions with them. In effect, he claims that books are not something simply to be learned, memorized, or analyzed, but should help us to create. Today’s gifted student, her schedule usually overflowing with work and co-curriculars in an environment often …
America In Verse: The Laureate Project, Leah Kind, Dan Gleason, Erin Micklo, Margaret T. Cain
America In Verse: The Laureate Project, Leah Kind, Dan Gleason, Erin Micklo, Margaret T. Cain
Dan Gleason
The purpose of this project is to allow students to use their (developing) skills of poetic explication and close reading, combined with research and analysis, to discover and establish a solid case for a poet they will nominate as the next American Poet Laureate. Working in groups of 3-4, students will identify a published, living American poet who has not yet been designated a laureate. The project demands a wide array of skills as the students research bibliographic information on the poet: read and analyze the poet’s body of work and select one central poem to represent that poet; amass …