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Making Room For One's Own: Literal And Literary Feminine Space In The Works Of Virginia Woolf, Annika Hawkinson
Making Room For One's Own: Literal And Literary Feminine Space In The Works Of Virginia Woolf, Annika Hawkinson
Honors Projects
In this project I explore Virginia Woolf’s modernist preoccupation with representing ordinary, female life in her fiction. Reading her novel Mrs. Dalloway alongside some of her more explicitly feminist essays, I analyze the way that her female protagonist, Clarissa, navigates the physical world around her, and why the spaces she occupies are so crucial to her character. Because I am primarily interested in the question of feminine space, this project is divided in two parts that respectively explore Clarissa’s relationship with the “outside” world of the city and the “inside” world of her home. It is my belief that by …
Renderings Of The Self: The Inception Of Autobiographical Writing In Robinson, Wollstonecraft, And Wordsworth, Hannah M. Dewitt
Renderings Of The Self: The Inception Of Autobiographical Writing In Robinson, Wollstonecraft, And Wordsworth, Hannah M. Dewitt
Honors Projects
This paper covers the origination of British autobiography and investigates why authors began to write autobiographically through the analysis of three pioneering autobiographical works: The Prelude by William Wordsworth, Letters Written During a Short Residence in Sweden, Norway, and Denmark by Mary Wollstonecraft, and Memoirs of Mary Robinson, “Perdita,” by Mary Robinson. In each section of this paper, I examine these stories and authors individually and attempt to unearth what pushed each author toward autobiographical writing in relation to what drove them to publish their work. I argue that autobiography is centered around rendering oneself, and that self-renderings …
"Strong Female Characters"? An Analysis Of Six Female Fantasy Characters From Novel To Film, Valari Westeren
"Strong Female Characters"? An Analysis Of Six Female Fantasy Characters From Novel To Film, Valari Westeren
Honors Projects
This project is twofold. The first section analyzes six female fantasy characters in their literary and filmic incarnations—Dorothy Gale (The Wizard of Oz), Susan Pevensie (The Chronicles of Narnia: Prince Caspian), Arwen Evenstar (The Lord of the Rings), Princess Buttercup (The Princess Bride), Hermione Granger (Harry Potter and the Sorcerer’s Stone), and Annabeth Chase (Percy Jackson and the Olympians: The Lightning Thief)—noting adaptational changes made to each and placing the twelve incarnations in conversation with each other. This conversation centers around the concept of the “strong female character,” …