Open Access. Powered by Scholars. Published by Universities.®
- Publication
Articles 1 - 4 of 4
Full-Text Articles in Entire DC Network
Psychological Criticism And Shakespearean Allusions In J.M. Barrie’S Dear Brutus: A Neverland For Adults, Kathryn Alley
Psychological Criticism And Shakespearean Allusions In J.M. Barrie’S Dear Brutus: A Neverland For Adults, Kathryn Alley
Senior Honors Theses
In Peter Pan, Sir James Barrie welcomes readers into Neverland, the realm of eternal youth. Barrie’s lesser-known play, Dear Brutus, ushers audiences into a supernatural garden free of responsibility, reality, and permanence. Referring to Cassius’ words in Shakespeare’s Julius Caesar, the 1917 tragedy explores the consequences of romantic escapism and the seductive power of second chances. Through the lens of Freud’s and Lacan’s psychological criticism, and Barrie’s connection to his might-have-been daughter, Margaret, Dear Brutus unveils the plight of eight mysterious strangers by illustrating that all adults are lost children. Dear Brutus feels in many ways like …
Personal Touches: Translation Poetics In Chinese Translations Of Shakespeare Plays, Gabriella Smith
Personal Touches: Translation Poetics In Chinese Translations Of Shakespeare Plays, Gabriella Smith
Masters Theses
Translation, rather than a process of equivalency, requires linguistic and cultural mediation on behalf of the translator. Thought of in this way, the translation process becomes a process of rewriting to fit the sociolinguistic context, and the translator becomes the most important factor in determining how well a translation can fill in gaps present in the knowledge of the target audience. To provide a better understanding of how those with no training in translation seek to fit a translation to the linguistic audience they are provided, I conducted a study of two native bilingual Chinese students on the Wadsworth version …
Wherein To Catch The Conscience Of The Queen: Dystopian Politics In Elizabethan Drama, Helen Fielding
Wherein To Catch The Conscience Of The Queen: Dystopian Politics In Elizabethan Drama, Helen Fielding
Senior Honors Theses
Though established English history portrays Elizabeth I (1533-1603) as uniting England under the new Protestant religion, recent historical evidence reveals that extensive counter-currents still existed. This thesis examines how the politico-religious beliefs of Elizabethan and Jacobean playwrights manifest themselves in their drama, particularly through imagery and allusions. It draws especially from Frances Yates to assert that imagery of white magic, Christian Cabala, and alchemy in these dramatists’ works refers to the pure imperial reform movement of Elizabeth’s reign, and also from Clare Asquith to illuminate a reading of Shakespeare as a playwright who encoded in his plays a Catholic message …
Restoring What Has Been Lost: The Mythic Journey Of Shakespearean And Tolkien Heroes After The Fall In Eden, Taylor Loforti
Restoring What Has Been Lost: The Mythic Journey Of Shakespearean And Tolkien Heroes After The Fall In Eden, Taylor Loforti
Masters Theses
In order for man to understand where he is going, he must first remember where he began. The intertwining link between the beginning, the in-between journey, and the end of a story, or narrative, has been present since the ancient years of literary criticism. The ancient Greek philosopher Aristotle explains that a unified and effective narrative should have a beginning, middle, and end, and the even more ancient realm of mythology tends to follow this format not only in its written structure, but also in its thematic and archetypal construction. These three main segments of a mythic narrative are later …