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Imagined Communities: The Individual And The Nation In Aw's Map Of The Invisible World And Rushdie's Midnight's Children, Yu Chia Chang

Electronic Theses and Dissertations

This thesis focuses on the relationship between the individual and the nation in Tash Aw’s Map of the Invisible Worldand Salman Rushdie’s Midnight’s Children. Incorporated Benedict Anderson’s theory of “imagined communities” into the reading of both of the novels, this thesis discusses the limitation of nationalism and the imagination of individuals, aiming to show that it is the diversity of a nation that turns the stagnant imagined communities into fluid imagining communities.

Breaking Black Boundaries: The Poetry Of Rita Dove, Lavonna D. Wright

Honors College Theses

By tracing the motifs of domestic space, classical and popular music, and ballroom dancing within Rita Dove’s Thomas and Beulah, Grace Notes, Sonata Mulattica, and American Smooth, I assert that she both challenges and expands Black poetic culture by exploring topics previously considered outside of the purview of Black poets. This analysis allows me to demonstrate her ability as a poet to move beyond simplistic, derivative, and ultimately constraining cultural expectations. Dove uses these motifs to expand the critically and culturally-imposed constrictions of Black poetry.

Representing The Holocaust: Bearing Witness In Levi, Wiesel, And Sebald, Marissa Capizzi

Electronic Theses and Dissertations

Representing large-scale historical traumatic events can be problematic as accounts are often subjective and biased. It is difficult to determine if the subjective historical account is factually accurate or not. When discussing the Holocaust, representation is an important factor. How is the Holocaust represented? This paper shows how literature can fill in the gaps of historical representation. I focus on psychoanalyst Dori Laub’s three levels of the witness and their role in testimony in relation to Holocaust literature. For Laub, the first level witness is the primary account from the person who experienced the trauma. The second level witness is …

Maladaptive Grief: Irish And American Experiences Of Loss, Mourning, And Trauma, Abby Hey

Electronic Theses and Dissertations

Literature that responds to loss and expresses mourning, a genre referred to as the elegy, traditionally follows an adaptive pattern in which a mourner reaches consolation and comfort. In the modern period, however, mourning transformed into destructive experiences that were notably private. With this phenomenon of greater social and emotional isolation, writers like Sylvia Plath, Samuel Beckett, and Elizabeth Bishop expressed rumination and irresolution. In contrast, before the twentieth century, elegies were not only more consolatory, but there was a greater emphasis on shared feeling, and this communal type of mourning is more often adaptive. By grieving together in the …

Images Of Ancient Egypt And The Gender Politics Of The Faerie Queene, Genavieve Alt

Electronic Theses and Dissertations

My thesis argues that Edmund Spenser uses radically different representations of Ancient Egypt to explore complex ideas about gender roles in the Faerie Queene. Book III emphasizes the negative view of Egypt perpetuated through the Book of Exodus and Greek understanding of the mythological king Busiris. Book V emphasizes the positive view of Egypt through the many benevolent myths surrounding the goddess Isis. Spenser uses images of good and evil Egypt to discuss the abolition of normative gender roles.

The introductory section will introduce the mythology surrounding Isis followed by a discussion of the literature referenced throughout. The first …

Nine Stories And The Society Of The Spectacle: An Exploration Into The Alienation Of The Individual In The Post-War Era, Margaret E. Geddy

Electronic Theses and Dissertations

This thesis analyzes the thematic links between three of J. D. Salinger’s short stories published in Nine Stories (“A Perfect Day for Bananafish,” “Down at the Dinghy,” and “Teddy”), ultimately arguing that it is a short-story cycle rooted in the quandary posed by the suicide of Seymour Glass. This conclusion is reached by assessing the influence of T. S. Eliot’s poem “The Waste Land” on these stories, something that is understood through the Marxist frame of Guy Debord’s The Society of the Spectacle.