Open Access. Powered by Scholars. Published by Universities.®
Articles 1 - 3 of 3
Full-Text Articles in Entire DC Network
Sex And The Superman: Gender And The Superhero Monomyth, Christopher Maverick
Sex And The Superman: Gender And The Superhero Monomyth, Christopher Maverick
Electronic Theses and Dissertations
Since the 1938 introduction of Superman, superheroes have been ever-present in American popular culture. Indeed, with the modern preponderance of comic book movies dominating the American cinematic box-office, superhero fantasy is arguably the most important genre of fiction being produced in the contemporary moment. Peter Coogan, Kurt Busiek and many other scholars have discussed the prominence and relevance of the superhero fantasy as a genre. Still others, including Umberto Eco and Marco Arnaudo, have asserted that the superhero is not so much a genre and as it is the evolution of mythology. In Sex and the Superman, I argue …
Unruly Matter: Masculine Consumption In English Restoration Literature, Shawn Watkins
Unruly Matter: Masculine Consumption In English Restoration Literature, Shawn Watkins
Electronic Theses and Dissertations
Unruly Matter: Masculine Consumption in English Restoration Literature
Over the past several decades, material culture scholars working within the “Long 18th Century” have identified how the figure of the woman consumer became an ideological nodal point that registered new enthusiasm for emerging economic dynamics (mercantilism, nascent capitalism, etc.) while also expressing masculine anxieties about consumerism and the role of consumable goods in English society. Although many scholars have noted that men functioned symbolically and ideologically as English society’s primary consumers of material goods in the later 17th century, there is no scholarly work that aims to describe the …
American Myth And Ideologies Of Straight White Masculinity In Men's Literary Self-Representations, Mary Parish
American Myth And Ideologies Of Straight White Masculinity In Men's Literary Self-Representations, Mary Parish
Electronic Theses and Dissertations
This study examines three autobiographical texts written in post-World War II America (1959-1973) that take as their subject a straight white man’s reflection on and engagement with the exercise of male power and the forces, both internal and external, that shape the degree to which he is “self-made,” i.e., an autonomous agent able to exert his will within a life domain (domestic, public, and war). Each of these writers engages in surveillance not solely of their own power, but also of the men who influence their experience, using their observations to critique, assert, and question the gendered realities and expectations …