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Articles 1 - 30 of 69
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Review Of Andrew Hadfield, John Donne: In The Shadow Of Religion, Brooke Conti
Review Of Andrew Hadfield, John Donne: In The Shadow Of Religion, Brooke Conti
English Faculty Publications
No abstract provided.
Increasing Faculty-Librarian Collaboration Through Critical Librarianship, Adrienne Gosselin, Mandi Goodsett
Increasing Faculty-Librarian Collaboration Through Critical Librarianship, Adrienne Gosselin, Mandi Goodsett
Michael Schwartz Library Publications
Through the lens of critical librarianship, librarians are becoming increasingly involved in social justice, civic engagement, and human rights issues. This paper examines the collaboration between a subject librarian and a faculty member in an assignment that engaged in Public Sphere Pedagogy (PSP), a teaching strategy with the goal of increasing students’ sense of civic agency and personal and social responsibility by connecting their classwork to public arenas; and project-based learning, wherein students develop a question to research and create projects that reflect their knowledge, which they share with a select audience.
Milton, Jerome, And Apocalyptic Virginity, Brooke Conti
Milton, Jerome, And Apocalyptic Virginity, Brooke Conti
English Faculty Publications
Milton’s youthful interest in virginity is usually regarded as a private eccentricity abandoned on his maturation. His “Mask” is often read, analogously, as charting the Lady’s movement from temporary virginity to wedded chastity. This essay challenges those claims, arguing that Milton’s understanding of virginity’s poetic and apocalyptic powers comes from Saint Jerome, whose ideas he struggles with throughout his career. Reading “A Mask” alongside Jerome suggests that Milton endorses the apocalyptic potential of virginity without necessarily assigning those powers to the Lady herself. In later works, Milton modifies and adapts Jerome before finally producing the perfect eremitic hero of “Paradise …
Prayer, Brooke Conti
Review Of Lara Crowley, Manuscript Matters: Reading John Donne’S Poetry And Prose In Early Modern England, Brooke Conti
Review Of Lara Crowley, Manuscript Matters: Reading John Donne’S Poetry And Prose In Early Modern England, Brooke Conti
English Faculty Publications
No abstract provided.
Review Of W. B. Patterson, Thomas Fuller: Discovering England’S Religious Past, Brooke Conti
Review Of W. B. Patterson, Thomas Fuller: Discovering England’S Religious Past, Brooke Conti
English Faculty Publications
No abstract provided.
Ophelia's Desire, James J. Marino
Ophelia's Desire, James J. Marino
English Faculty Publications
Psychoanalytic criticism renders Ophelia anomalous, no longer Hamlet's erotic object in her own right but a refraction of his cathexis on the Queen. This approach obscures how profoundly Ophelia, the only daughter in William Shakespeare to renounce the lover her father forbids, violates generic norms, and how structurally similar Hamlet's two examples of madness are. Hamlet and Ophelia go mad after sacrificing the independent (and expected) aims of adulthood at the commands of fathers whom the play links to figures of murderous aggression against children: the biblical Jephthah and Seneca's filicidal ghosts. Hamlet is a play haunted by fathers who …
Shylock Celebrates Easter, Brooke Conti
Shylock Celebrates Easter, Brooke Conti
English Faculty Publications
No abstract provided.
Mary Hallock Foote: Reconfiguring The Scarlet Letter, Redrawing Hester Prynne, Adam Sonstegard
Mary Hallock Foote: Reconfiguring The Scarlet Letter, Redrawing Hester Prynne, Adam Sonstegard
English Faculty Publications
It took 28 years after Nathaniel Hawthorne published The Scarlet Letter in 1850 for Mary Hallock Foote to render drawings for one of the novel’s first illustrated editions, which was probably the first ever to be illustrated by a woman.(1) It took 130 years after the publication of Foote’s illustrated edition in 1878 for Project Gutenberg to digitize and disseminate Hawthorne’s novel with Foote’s illustrations.(2) It has taken seven years for Hawthorne scholarship to commence addressing and examining Foote’s edition, and theorize what her drawings suggest about the act of seeing, for the heroine’s audiences in the book, and for …
Slipping From Secret History To Novel, Rachel K. Carnell
Slipping From Secret History To Novel, Rachel K. Carnell
English Faculty Publications
The secret history, a genre of writing made popular as opposition political propaganda during the reign of Charles ii, has been the subject of renewed critical interest in recent years. By the mid-1740s, novelists were using markers of secret histories on the title pages of their works, thus blurring the genres. This forgotten history of the secret history can help us understand why Ian Watt and other twentieth-century critics tended to end their narratives of the rise of the “realist” Whig novel with the works of the Tory novelist Jane Austen. In particular, the blended narrative perspective that Watt praises …
Burbage's Father's Ghost, James J. Marino
Burbage's Father's Ghost, James J. Marino
English Faculty Publications
No abstract provided.
To Be A Man: A Re-Assessment Of Black Masculinity In Lorraine Hansberry's A Raisin In The Sun And Les Blancs, Julie M. Burrell
To Be A Man: A Re-Assessment Of Black Masculinity In Lorraine Hansberry's A Raisin In The Sun And Les Blancs, Julie M. Burrell
English Faculty Publications
The first Black woman to pen a Broadway play, Lorraine Hansberry scripted a majority of male protagonists. Critics tend to see Hansberry’s depiction of Black men as either an unfortunate departure from her feminist concerns, or as damaging representations of Black masculinity. In contrast to such views, this essay maps the trajectory of Hansberry’s career-long project of scripting positive visions of Black masculinity, from the politically progressive, while still patriarchal, structures of masculinity in A Raisin in the Sun, to the heterogeneous performances of revolutionary masculinity in Les Blancs. Further, in her role as public intellectual, Hansberry questioned prevailing assumptions …
Review Of Rethinking The South English Legendaries, Gregory M. Sadlek
Review Of Rethinking The South English Legendaries, Gregory M. Sadlek
English Faculty Publications
No abstract provided.
Eliza Haywood And The Narratological Tropes Of Secret History, Rachel K. Carnell
Eliza Haywood And The Narratological Tropes Of Secret History, Rachel K. Carnell
English Faculty Publications
Eliza Haywood’s novels and political writings are often considered in isolation from each other; however, there is a discursive thread that links her fictional and political works: her engagement with secret history. Across her career, in her novels as well as her political pamphlets and periodicals, Haywood deploys two important narratological tropes of the secret historian: the tendency to reveal the secrets of public figures while concealing the author’s own political position and the tendency to muse self-reflexively about the author’s own role as a writer of history. Haywood’s facility in deploying these dual narratological devices of concealment and confession …
Moral Reform In Comedy And Culture, 1696-1747 & Dangerous Women, Libertine Epicures, And The Rise Of Sensibility, 1670-1730. (Review), Rachel Carnell
Moral Reform In Comedy And Culture, 1696-1747 & Dangerous Women, Libertine Epicures, And The Rise Of Sensibility, 1670-1730. (Review), Rachel Carnell
English Faculty Publications
The article reviews the books "Moral Reform in Comedy and Culture, 1696-1747" by Aparna Gollapudi and "Dangerous Women, Libertine Epicures, and the Rise of Sensibility, 1670-1730" by Laura Linker.
Review: Childress, Alice. Selected Plays., Julie M. Burrell
Review: Childress, Alice. Selected Plays., Julie M. Burrell
English Faculty Publications
No abstract provided.
Clarissa: An Abridged Version (Review), Rachel K. Carnell
Clarissa: An Abridged Version (Review), Rachel K. Carnell
English Faculty Publications
No abstract provided.
Reading Austen's Lady Susan As Tory Secret History, Rachel K. Carnell
Reading Austen's Lady Susan As Tory Secret History, Rachel K. Carnell
English Faculty Publications
No abstract provided.
The Arrest Of Caleb Williams: Unnatural Crime, Constructive Violence, And Overwhelming Terror In Late Eighteenth-Century England, Gary Dyer
English Faculty Publications
In the later eighteenth century, the twelve justices of the supreme English common law courts ruled repeatedly that blackmailing a man by threatening to accuse him of sodomitical practices constituted the capital offense of robbery; the judges focused on the overwhelming terror they claimed was unique to this threat. This legal doctrine is a covert presence in William Godwin's novel Caleb Williams (1794). Ferdinando Falkland, fearing that his secret is about to be revealed by Caleb, accuses him of having 'robbed' him, and even though Falkland's secret is literally murder, the mutual persecution and mutual terrorizing that ensue evoke the …
Force Or Fraud: British Seduction Stories And The Problem Of Resistance, 1660-1760, By Toni Bowers. (Review), Rachel Carnell, Toni Bowers
Force Or Fraud: British Seduction Stories And The Problem Of Resistance, 1660-1760, By Toni Bowers. (Review), Rachel Carnell, Toni Bowers
English Faculty Publications
A review of the book "Force or Fraud: British Seduction Stories and the Problem of Resistance, 1660-1760," by Toni Bowers is presented.
Romantic Transports: Tabitha Tenney's Female Quixotism In Transatlantic Context, Rachel Carnell, Alison Tracy Hale
Romantic Transports: Tabitha Tenney's Female Quixotism In Transatlantic Context, Rachel Carnell, Alison Tracy Hale
English Faculty Publications
A literary criticism of several books including "Female Quixotism" by Tabitha Tenney, "The Female Quixote" by Charlotte Lennox, and "Angelina" by Maria Edgeworth is presented. According to the authors, these novels constitute a transatlantic genre which highlights the moral and cultural complexities faced by women in the 18th and 19th centuries. Particular focus is given to the novels' political contexts. Realism, the French Revolution, and republican government are also discussed.
The Protestant Whore: Courtesan Narrative & Religious Controversy In England, 1680-1750 (Review), Rachel K. Carnell
The Protestant Whore: Courtesan Narrative & Religious Controversy In England, 1680-1750 (Review), Rachel K. Carnell
English Faculty Publications
No abstract provided.
Book Review: Women And Ireland As Beckett's Lost Others, Jennifer Jeffers
Book Review: Women And Ireland As Beckett's Lost Others, Jennifer Jeffers
English Faculty Publications
No abstract provided.
The Seduction Narrative In Britain By Katherine Binhammer. (Review), Rachel Carnell, Katherine Binhammer
The Seduction Narrative In Britain By Katherine Binhammer. (Review), Rachel Carnell, Katherine Binhammer
English Faculty Publications
No abstract provided.
Review Of Early Modern Nationalism And Milton's England By David Loewenstein And Paul Stevens, Brooke Conti
Review Of Early Modern Nationalism And Milton's England By David Loewenstein And Paul Stevens, Brooke Conti
English Faculty Publications
The article reviews the book Early Modern Nationalism and Milton's England, edited by Paul Stevens and David Loewenstein.
Review Of The Literary Culture Of The Reformation: Grammar And Grace / Liturgy And Literature In The Making Of Protestant England By Brian Cummings And Timothy Rosendale, Brooke Conti
English Faculty Publications
No abstract provided.
Review Of The Voice Of The Hammer: The Meaning Of Work In Middle English Literature, Gregory M. Sadlek
Review Of The Voice Of The Hammer: The Meaning Of Work In Middle English Literature, Gregory M. Sadlek
English Faculty Publications
No abstract provided.
The Anachronistic Shrews, James J. Marino
The Anachronistic Shrews, James J. Marino
English Faculty Publications
A single line in the Folio text of The Taming of the Shrew seems to point to dates decades apart. A performer identified by his speech heading as 'Sinklo,' the actor John Sincklo or Sincler, recalls a stage character named 'Soto,' presumably the character from John Fletcher's Women Pleased. Sinklo's name is used to argue for an early date for the play, sometimes as early as 1592, while the allusion to Soto suggests a date around 1620. Scholars intent on setting an early date for the 1623 text and on preserving its priority to the 1594 Taming of a Shrew …
Artistic Liberty And Slave Imagery: "Mark Twain's Illustrator," E. W. Kemble, Turns To Harriet Beecher Stowe, Adam Sonstegard
Artistic Liberty And Slave Imagery: "Mark Twain's Illustrator," E. W. Kemble, Turns To Harriet Beecher Stowe, Adam Sonstegard
English Faculty Publications
No abstract provided.
'That Which Marreth All': Constancy And Gender In The Virtuous Octavia, Yvonne Bruce
'That Which Marreth All': Constancy And Gender In The Virtuous Octavia, Yvonne Bruce
English Faculty Publications
This article reports on the play "The Virtuous Octavia," by Samuel Brandon, and the role of women in it. The article discusses the play in relation to the feminine ideal of the Christian Stoic, noting its role as a model for women in literature and drama. Information is also provided on constancy, suffering, and verse.