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The Incurable Fanny Price: Disabled Perspective And Resistance To The Cure Narrative In Jane Austen’S Mansfield Park, Aurora C. Soriano
The Incurable Fanny Price: Disabled Perspective And Resistance To The Cure Narrative In Jane Austen’S Mansfield Park, Aurora C. Soriano
Dissertations and Theses
Improvement and cure are frequently on the minds of the characters in Jane Austen’s Mansfield Park. However, what happens when you introduce a chronically ill character like Fanny, who can’t ever be fully cured, into these curative plots? In order to better understand the ways Austen complicates curative discourse, this paper focuses on Fanny’s own perspective and embodied experience of chronic illness, in which she fatigues easily and experiences headaches and pain. Despite clear evidence in the novel of Fanny’s ill health, scholarship analyzing Fanny’s character has historically been fraught with ableist assumptions and subjective opinions. Ignoring the way …
Don't Say Gay: Love Language In Coriolanus, Patrick Lynch
Don't Say Gay: Love Language In Coriolanus, Patrick Lynch
Dissertations and Theses
Coriolanus is one of Shakespeare's Roman plays, a sub-genre which also includes Titus Andronicus, Julius Caesar, and Antony and Cleopatra. The one element these plays have in common is the ideal Roman hero, the civis romanus, who meets a tragic end. These heroes are not generally considered queer as no free Roman male could allow himself, per social indoctrination instilled since youth, to take on a submissive role. However, Caius Martius and the relationship he maintains with Tullus Aufidius could arguably be seen as homoerotic or even, possibly, homosexual. This paper takes a closer look at …
The Dissonant History Of Tristan And Isolde, Amanda Persaud
The Dissonant History Of Tristan And Isolde, Amanda Persaud
Dissertations and Theses
This essay traces the historical evolution of the story of Tristan and Isolde through three distinct phases, highlighting the transformation of the story from a feudal version to a post-feudal rendition infused with courtly love doctrines and notions of Christian love. It examines the early versions of the story by Béroul and Gottfried von Strassburg and discusses the shift in the portrayal of the relationship between Tristan and Isolde from one that decries disloyalty to one that is more sympathetic to their love. The essay also analyzes Richard Wagner's opera version of the story, which celebrates individual desire over duty …