Digital Commons Network^™

Stephen Dedalus And The Mind As Hypertext In Ulysses, Ariel Banayan

English (MA) Theses

While there has been a considerable effort to contextualize James Joyce’s Ulysses in a hypertext format for the internet and its users, this paper explores how the novel itself presents a prototypical form of hypertext for its readers.

Instead of using hypertext to elaborate the novel’s many references and difficult sections towards a coherent understanding of its plot, this paper argues that Ulysses suggests an early form of hypertext through the written presentation of the interior mind and described interactions with the physical world. Specifically, within Stephen Dedalus’ chapters, a physical or visual interaction with an object pushes him away …

Lessons From Hybridity: A Look Into The Coupling Of Image And Text In Karen Tei Yamashita’S Letters To Memory, Claudia Rankine’S Citizen: An American Lyric, And Ilya Kaminsky’S Deaf Republic, Elizabeth Chen

English (MA) Theses

The spoken and written word has always been a platform for voices to be heard, but being heard is not always enough. This thesis focuses on the use of hybrid forms in recent publications that address this issue, placing images alongside the written word, letting readers also personally visualize and interpret a perspective different from their own. Specifically, it will look into three examples of hybrid literary works: the placement of photographs beside epistolary writing in Karen Tei Yamashita‘s Letters to Memory (2017), the blend of visual art and lyric prose poetryfound in Citizen: An American Lyric(2014) by Claudia Rankine, …

Trauma Begetting Trauma: Fukú, Masks, And Implicit Forgiveness In The Works Of Junot Díaz, Jacob Vanwormer

English (MA) Theses

This essay began as an examination of Junot Díaz’s combination of “low” and “high” culture art and literature in The Brief Wondrous Life of Oscar Wao.In the wake of Díaz publishing “The Silence: The Legacy of Childhood Trauma,” and the subsequent accusations of abuse against him, it seemed irresponsible to examine the text in such a way without considering this new information. It was both more topical and relevant to re-examine the portrayal of Díaz’s recurring tragic playboy narrator through two short story collections and a novel, making note of the character’s proximity to Díaz’s own life story as presented …

The Fallen Woman: An Exploration Of The Voiceless Women In Victorian England Through Three Plays Of Oscar Wilde, Marco Randazzo

English (MA) Theses

This essay establishes the Christian myth within Wilde’s three plays, calling attention to the gender politics that he fought against in the Victorian era. Through Salomé, A Woman of No Importance, and An Ideal Husband I will prove the Christological myth that each play adopts and establish Wilde’s ability to make the religion “transformational.” Wilde’s productions of characters like Salomé, Mrs. Allonby, Mrs. Arbuthnot, and Hester are examples of the “fallen woman” of Victorian England. The treatment of women by women will illuminate the passiveness of the Victorian Woman and their compliance with the patriarchal norm. This norm continues through …

The Ubume Challenge: A Digital Environmental Humanities Project, Sam Risak

English (MA) Theses

In 2019, the “The Momo Challenge” frightened parents in the United States into believing “Momo” would appear online where she’d lure their children into harming themselves. While this challenge is one of many recent viral hoaxes, “Momo” is not simply a product of our digital age. Known as the ubume (“birthing-woman”), the figure who provides the face for “Momo” has lived for centuries in Japanese folklore where yokai (supernatural creatures) often caution listeners against entering unchartered parts of the land. And once Japan industrialized, so too did their “unchartered lands,” the ubume reborn to fit the cities and technologies that …