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The Terror Of Creativity: Art Education After Postmodernism, Jan Jagodzinski Jan 2012

The Terror Of Creativity: Art Education After Postmodernism, Jan Jagodzinski

Journal of Social Theory in Art Education

This essay addresses two problematics. The first concerns the question of creativity, which has become a key signifier for art and its education in the 21st century. I try to situate this interest in creativity within the broader context of neoliberalism and capitalist designer capitalism. The second problematic addresses the term ‘after postmodernism,’ which has left us in a state of relativity by rejecting universality. My interest is to show how these two problematics are at play in the well-known documentary film, Waiting for Superman, directed by Davis Guggenheim. An attempt is made to expose the structure of this film …


Lego Brick As Pixel: Self, Community, And Digital Communication, Jay Michael Hanes, Eleanor Weisman Jan 2011

Lego Brick As Pixel: Self, Community, And Digital Communication, Jay Michael Hanes, Eleanor Weisman

Journal of Social Theory in Art Education

Over the last three years the authors attended Brickworld Conventions for adult and teen fans of LEGO in Chicago. Through interviews, observations, and research they conclude that the LEGO brick is a medium replete with possibilities for creative construction and playful design beyond the expectations of its corporate producers. The history of the brick as a toy infuses play throughout its use, and the Internet provides a forum for adult and teen fans to communicate, critique, and discuss their creations. Online communication is perhaps the most interesting facet of LEGO play. It demonstrates a model of social change with LEGO …


The Journal Of Social Theory In Art Education Jan 2011

The Journal Of Social Theory In Art Education

Journal of Social Theory in Art Education

No abstract provided.


The Unprecedented Event: Acknowledging Badiou’S Challenge To Art And Its Education, Jan Jagodzinski Jan 2010

The Unprecedented Event: Acknowledging Badiou’S Challenge To Art And Its Education, Jan Jagodzinski

Journal of Social Theory in Art Education

In terms of this year’s journal theme, ”unprecedented,” there is no other contemporary philosopher who has a more radical notion than Alain Badiou when it comes to theorizing the new; that is, the emergence of an unprecedented Event ex nihilio—not novel or innovative, but free of the authority of any prior example—to make a truth claim. For art educators, especially for the Social Caucus, Badiou offers a challenge to what has largely captured the theoretical writing in this journal — namely aesthetics and representation. As well intentioned as these theorizations have been concerning identity politics and critical theory stemming from …


Restageactivist Art/Disruptive Technologies, Karen Keifer-Boyd Jan 2010

Restageactivist Art/Disruptive Technologies, Karen Keifer-Boyd

Journal of Social Theory in Art Education

In this article, I explore, with you, artists’ socio-political disruptions with communication technologies to inspire political action and social change, and how such art can be environmentally and socially useful. How does art function politically? What is activist art? What non-violent forms of dissent or disruptions to harmful practices are possible today with digital technologies, and how do artists manifest political perspectives in their practice?


The Journal Of Social Theory In Art Education Jan 2004

The Journal Of Social Theory In Art Education

Journal of Social Theory in Art Education

No abstract provided.


Editorial: Silence Under Erasure—The Silence Of Silence, Jan Jagodzinski, Bill Wightman Jan 2004

Editorial: Silence Under Erasure—The Silence Of Silence, Jan Jagodzinski, Bill Wightman

Journal of Social Theory in Art Education

Author Guagtiumi's cover design speaks eloquently to the theme of this year's journal: silence. The fractal spaces of a complex topological landscape with various intensities of lines that compress and depress throughout are cut and interpenetrated by blank spaces whose sinuous curves stake out a depthless territory that we know nothing about. The "spine" of the cover becomes an artificial divide where the two sides butt together, as if some giant fault tine had been intentionally created. Occasionally a translucent film grows over the force and intensity of these tines, both masking and holding them together to neutralize their force. …


Imaged Voices—Envisioned Landscapes: Storylines Of Information-Age Girls And Young Women, Marjorie Manifold Jan 2004

Imaged Voices—Envisioned Landscapes: Storylines Of Information-Age Girls And Young Women, Marjorie Manifold

Journal of Social Theory in Art Education

In Information Age societies around the world, adolescents are storylining-that is, creating and sharing their own stories and images of who they are and how they would like to be in the world. The youth meet in real or cyber spaces to plan, write, and illustrate stories that incorporate either originally conceived characters or adapt characters from published sources. Insofar as these young people intimately identify with the characters of their stories, story lining may be understood as a kind of socio-aesthetic play. By projecting pieces of themselves into the fictive characters of the collaborative story, they are practicing, correcting, …


Schooled In Silence, Patricia M. Amburgy, Wanda B. Knight, Karen Keifer-Boyd Jan 2004

Schooled In Silence, Patricia M. Amburgy, Wanda B. Knight, Karen Keifer-Boyd

Journal of Social Theory in Art Education

What is not said, is often more powerful than what is spoken about diversity, difference, and identity in U.S. classrooms. Examples are everywhere: Although no students of color may be enrolled in a course at a prominent research university, members of the class do not believe there is such a thing as institutional racism. A handful of women are discussed in course textbooks, all authored by men, but no one thinks it odd that only men have written accounts of women's achievements that appear on the syllabus. Gay, lesbian, bisexual, and transgendered people do not speak for themselves, either, in …


The Journal Of Social Theory In Art Education Jan 2003

The Journal Of Social Theory In Art Education

Journal of Social Theory in Art Education

No abstract provided.


Unromancing The Stone Of “Resistance:” In Defense Of A Continued Radical Politics In Visual Cultural Studies, Jan Jagodzinski Jan 2003

Unromancing The Stone Of “Resistance:” In Defense Of A Continued Radical Politics In Visual Cultural Studies, Jan Jagodzinski

Journal of Social Theory in Art Education

The question of resistance as a pleasurable activity continues to be a theme within cultural studies. This essay argues that the ideology of pleasurable resistance is precisely the way that capitalist patriarchy maintains its hegemony through seduction. By focusing mainly on the writings of John Fiske and his employment of Foucault´s power/knowledge couplet and Barthe´s appropriation of jouissance, it is argued that the discursive subject position overlooks the value of the psychoanalytic understanding of fantasy identification. It is suggested that a more radical understanding of jouissance as developed within a psychoanalytic view of the split-subject needs to be addressed (or …


Editorial: Research, Visual Cultural Studies, Programs, Jan Jagodzinski Jan 2003

Editorial: Research, Visual Cultural Studies, Programs, Jan Jagodzinski

Journal of Social Theory in Art Education

This year’s journal explores a number of social issues that continue to reassert themselves on the postmodern landscape. How can social and cultural justice assert itself in arts based education? What is our responsibility to “at risk” children when it comes to a critical pedagogy? The first two essays use innovative approaches to arts based research by incorporating a critical autobiographical methodology. James Sanders and Diane Conrad, drawing their theoretical base from critical autoethnographic inquiry, attempt to examine themselves within the context of their investment as administrator, teacher and researcher.


Commentary: Art Education And New Technology: Are You Ready?, Susan Witwicki Jan 2003

Commentary: Art Education And New Technology: Are You Ready?, Susan Witwicki

Journal of Social Theory in Art Education

As an Art education major, I was somewhat daunted by a recent job offer requiring me to teach in the Career and Technology Studies department. As a recovering technophobe and lover of scissors and paste, I was cautious of this ‘Brave New World’ of computers. I perceived post-millennial teens to be cyber savvy know-it-alls, largely due to the way in which they were portrayed in the media. As well, if the ads were true, teens weren’t the only ones riding the new technological wave; Cisco Systems 1999 television campaign presented a global Utopia of citizens united through surfing the net. …


Editor’S Introduction: Deconstructing The Master Signifier Of Community, Jan Jagodzinski Jan 1998

Editor’S Introduction: Deconstructing The Master Signifier Of Community, Jan Jagodzinski

Journal of Social Theory in Art Education

Deconstructing the master signifier of community: Between the pre-modern and modern community of organic solidarity and the postmodern community of technological dissemination in cyberspace.


The Journal Of Social Theory In Art Education Jan 1998

The Journal Of Social Theory In Art Education

Journal of Social Theory in Art Education

No abstract provided.


The Perception Of Non-Perception: Lessons For Art Education With Downcast Eyes (Part One: Trompe-L’Oeil And The Question Of Radical Evil), Jan Jagodzinski Jan 1997

The Perception Of Non-Perception: Lessons For Art Education With Downcast Eyes (Part One: Trompe-L’Oeil And The Question Of Radical Evil), Jan Jagodzinski

Journal of Social Theory in Art Education

The Roman historian Pliny recounts a story that occurred during Periclean Athens. I will utilize this story, as a trope to undertake an interrogation of perception as it is commonly understood and currently practiced by art educators in schools. In order to deconstruct vision/blindness, or the perception/non-perception binary, I have examined the psychoanalytic paradigm of Jacques Lacan. His current interpreters provided the conceptual tools for such an undertaking. Given that the question of representation has become a key sign-post of postmodernism, art educators must conceptualize a trajectory for itself in the 21st century. Part One of such a trajectory questions …