Digital Commons Network^™

Publishing Networks In Edo Japan, Hisako Kobayashi

Masters Theses

The publishing business in the Edo period (1603 – 1868) was very unique since it was divided into two genres: shomotsu mononohon and jihon kusazōshi. Publishers had their specialties and their business strategies varied. In this research paper, I examine the publishing strategies from the view of the network system. First, I state the definition of this network. Next, I study the publishing history of the Edo period to gain a general understanding. Lastly, I examine the network systems of the shomotsu publishers and the jihon kusazōshi publishers. I use examples from Tsutaya Jūzaburō, Suharaya Mohē, Tsuruya Kiemon, …

Interview For Nhk (Japan) Broadcast "China: Visioning The New Enormous Economic Bloc", Lukas Danner

Lukas K. Danner

No abstract provided.

Responding To “Comfort Woman” Denial At Central Washington University, Mark J. Auslander, Chong Eun Ahn

Anthropology and Museum Studies Faculty Scholarship

No abstract available.

Book Review: The Nature Of Beasts: Empire And Exhibition At The Tokyo Imperial Zoo, Andrew W. B. Kustodowicz

Madison Historical Review

No abstract provided.

The Unnatural World: Animals And Morality Tales In Hayashi Razan's Kaidan Zensho, Eric Fischbach

Masters Theses

Kaidan is a genre of supernatural tales that became popular during Japan’s Edo period. In 1627, Hayashi Razan translated numerous supernatural tales from China and collected them in five volumes in a work known as Kaidan zensho, the “Complete Collection of Strange Works.” Hayashi Razan was an influential Neo-Confucian scholar and was instrumental in establishing Neo-Confucianism as a dominant ideological force in Tokugawa Japan. As his teachings and stories reached a wide audience, and the government was supportive of Neo-Confucian ideas in Japan, his Kaidan tales, which contained subtle didactic elements, enjoyed success. However, Kaidan zensho was never translated into …

Higa, Ayuka, B. 1994 (Fa 783), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid and full text paper (click Additional Files below) for Folklife Archives Project 783. This collection features a research paper about Japanese folk songs from Okinawa, Japan. The project was completed by Western Kentucky University student Ayuka Higa for credit in an “Introduction to Folk Studies” class.

Lone Wolves And Stray Dogs: The Japanese Crime Film, 1931-1969, Aaron Gerow, Rea Amit, Samuel Malissa, Noriko Morisue, Hsin-Yuan Peng, Stephen Poland, Grace Ting, Takuya Tsunoda, Justine Wiesinger, Young Yi, Inuhiko Yomota, Jō Ōsawa, Phil Kaffen

Film Series Commentaries

“Lone Wolves and Stray Dogs: The Japanese Crime Film, 1931–1969” is a continuing collaboration between the Council on East Asian Studies at Yale University and the National Film Center of the National Museum of Modern Art, Tokyo. Ever since the success of the French crime film Zigomar in 1911, the Japanese film industry has produced numerous movies depicting criminals and the detectives who try to apprehend them. Chivalric yakuza, modern mobsters, knife-wielding molls, hardboiled gumshoes, samurai detectives, femme fatales, and private eyes populate Japanese cinema, from period films to contemporary dramas, from genre cinema to art film, from the …

Compensating The Victims Of Japan’S 3-11 Fukushima Disaster, Eric A. Feldman

All Faculty Scholarship

Japan’s March 2011 triple disaster—first a large earthquake, followed by a massive tsunami and a nuclear meltdown—caused a devastating loss of life, damaged and destroyed property, and left hundreds of thousands of people homeless, hurt, and in need. This article looks at the effort to address the financial needs of the victims of the 3/11 disaster by examining the role of public and private actors in providing compensation, describing the types of groups and individuals for whom compensation is available, and analyzing the range of institutions through which compensation has been allocated. The story is in some ways cause for …

The Demonic Women Of Premodern Japanese Theatre, Jasmine C.E. Umeno

Scripps Senior Theses

This thesis aims to examine the ways in which women are used as vehicles within the noh and kabuki theatre traditions to perpetuate moral and religious doctrine. Using the theoretical frameworks of Michel Foucault, Judith Butler, and Jill Dolan, I examine two plays which feature a female demon as their antagonist, Momijigari and Dojoji, and focus on the ways they incorporate Buddhist and Neo-Confucian ideology in their respective noh and kabuki renditions.

Asia Pacific Perspectives Vol. 13 No. 1, Spring/Summer 2015, University Of San Francisco

Asia Pacific Perspectives

Contents:

Guest Editor's Introduction by Dayna Barnes

Protestant Funeral Processions in Southeast China: From Gangnam Style to Overt Evangelization by Chris White

Christian funeral services and processions, replete with Christian-inspired banners and signs, church bands, and conspicuous crosses, are ways in which Protestant communities in South Fujian actively promote their faith. They are also formative because the expressions of social cohesion are meant top elevate the status of the church community or family in the eyes of society at large. This article will demonstrate that the renao (socially vibrant) atmosphere of Protestant funerals reflects how such activities are important avenues …