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Shizen Nōhō: Restoring The Relationship Between Food, Nature, And People In Japan, Katharine Graham
Shizen Nōhō: Restoring The Relationship Between Food, Nature, And People In Japan, Katharine Graham
Scripps Senior Theses
In Japan’s postwar era, agriculture has become highly industrialized, involving heavy machinery, chemical fertilizers, and pesticides, all in the name of “progress.” Through employing such practices, humans have attempted to improve upon nature’s way of doing things, and in turn have degraded the soil’s fertility, natural ecosystems, and human health. In response to this, Shizen Nōhō has emerged in Japan as an alternative way of cultivating food. Shizen Nōhō practitioners challenge the notion that we need chemical fertilizers, pesticides, and machinery to farm successfully. Rather, they advocate for a way of growing food that functions seamlessly with natural ecosystems. This …
The Question Of Remilitarization: Is Japan's Pacifist Nature In Danger Of Reform, Shanisha Coram
The Question Of Remilitarization: Is Japan's Pacifist Nature In Danger Of Reform, Shanisha Coram
Scripps Senior Theses
Though Article 9 has not been revised since it was implemented in 1947, the past two decades have seen an increase in Japanese military capability due to the government’s loose interpretation of Article 9 and its limitations to allow for Japanese involvement in collective security operations internationally. As a result, a number of Japanese political scholars and newspapers have projected the possibility of not only Japanese constitutional revision but also the re-militarization of Japan as well. Interested in finding out whether or not this projection has any likelihood of success in the future, I have posed the following question: Why …
The Demonic Women Of Premodern Japanese Theatre, Jasmine C.E. Umeno
The Demonic Women Of Premodern Japanese Theatre, Jasmine C.E. Umeno
Scripps Senior Theses
This thesis aims to examine the ways in which women are used as vehicles within the noh and kabuki theatre traditions to perpetuate moral and religious doctrine. Using the theoretical frameworks of Michel Foucault, Judith Butler, and Jill Dolan, I examine two plays which feature a female demon as their antagonist, Momijigari and Dojoji, and focus on the ways they incorporate Buddhist and Neo-Confucian ideology in their respective noh and kabuki renditions.