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I Love You, Go Away (A Novel), John Matthew Steinhafel Jul 2020

I Love You, Go Away (A Novel), John Matthew Steinhafel

Masters Theses & Specialist Projects

I Love You, Go Away, a novel set in Milwaukee, tells the story of a twenty-two year-old nobody, Gabriel Driscoll, who meets and befriends a middle-aged, drug addicted, recluse actor, Beau Brooks. But less than six months into their friendship Beau commits suicide. At the funeral Gabriel meets a twenty-nine-year-old corporate executive, Michelle, the daughter of Beau’s long-time girlfriend. Gabriel and Michelle bond over their mutual grief and quickly strike up a romance. At the same time, Gabriel’s semi-estranged mother, Sadie, a recovering heroin addict, reaches out to him in an effort to rebuild their relationship. What follows for Gabriel …


The Language Of Breathing, Brian Wallace Baker Jul 2020

The Language Of Breathing, Brian Wallace Baker

Masters Theses & Specialist Projects

The Language of Breathing is an eclectic collection of 18 creative nonfiction essays that capture moments from the author’s life and attempt to give them meaning through narrative and metaphor. They deal with relationships, nature, faith, and often rely on background research to pair art, mythology, current events, and science with personal experience.


The Barren Springs Songbook, Caroline Grace Sutphin Jul 2020

The Barren Springs Songbook, Caroline Grace Sutphin

Masters Theses & Specialist Projects

The Barren Springs Songbook is a poetry collection exploring Appalachian themes through the lens of three representative characters and my own experience. The poems presented are in blank verse and lean heavily on musicality, as each poem features an epigraph from my own Great Uncle Henry’s song lyrics. The poetry explores themes of poverty, folklore, feminism, and Christianity within the context of Barren Springs, an insular Appalachian community. The characters of Henry, India, and Myrtle provide a glimpse into how things have been in my family history, and the more modern poems representing myself show the cultural shifts that are …


The Memorialist, Lindsey Houchin Apr 2020

The Memorialist, Lindsey Houchin

Masters Theses & Specialist Projects

The Memorialist is a work of creative nonfiction. In this long-form essay, the author digests the memories and secondhand stories unearthed while exploring the junked, rusted, and wrecked life of an eccentric uncle who was preceded in death by his sister, the author’s mother. Through its associative and slippery structure, it follows the author as she untangles two histories halted—connected, contrasting lives disrupted by death. Meditative and metaphorical, the narrative explores both the beauty and burden of death through the eulogy form in a quest to determine how to memorialize a life defined by what death leaves behind.


Old Man Young Man Snake, Bradley Hathaway Apr 2020

Old Man Young Man Snake, Bradley Hathaway

Masters Theses & Specialist Projects

A young man in rural and frigid North Dakota is on the run for committing a crime. He finds refuge at a secluded bible camp from a mysterious old man that may or may not have his best interests in mind, and the young man must decide if the old man’s protection is worth the cost. Exploring ideas of free will, God, nature, and visions, Old Man Young Man Snake, a screenplay, quietly tells their story.


"O Lost Moon Sisters" : Feminist Revisions In Diane Di Prima's Loba, Chelsea Megan Mathes Apr 2020

"O Lost Moon Sisters" : Feminist Revisions In Diane Di Prima's Loba, Chelsea Megan Mathes

Masters Theses & Specialist Projects

In her master work, Loba, Diane di Prima revises a variety of traditionally malecentered narratives from a feminist viewpoint in the long tradition of feminist revision that is a cornerstone of Second Wave Feminism. This thesis examines five of the revisions of Christian, Jewish, and Greek stories present in Loba: The Virgin Mary, Eve, Lilith, Helen of Troy, and Persephone. Di Prima revises these stories to include the full— physical, spiritual, and emotional—experience of the woman, often from her own point of view, to give the woman agency over her own story and subvert the woman-as-object tradition present in male-authored …