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Grand Prix: A Trainer's Guide To Show Ring Success, Lauren Rebecca Allen Dec 2014

Grand Prix: A Trainer's Guide To Show Ring Success, Lauren Rebecca Allen

Theses and Dissertations

This is a memoir of my experiences as a horse lover and professional horse trainer, and the startling parallels I discovered in the Los Angeles equestrian and entertainment industries. Both worlds revolve around commodifying something that is rooted in beauty but somehow gets bruised in the process of spinning art into business. I found that my taste for romance and adventure spurred me to new heights and simultaneously crashed against reality. In pursuit of the big prizes, I was willing to slowly sell off the things I cared about most to get what I wanted, until I woke up to …


Doing And Teaching, Roderick Watson Nov 2014

Doing And Teaching, Roderick Watson

Studies in Scottish Literature

Discusses the decision at the University of Stirling, Scotland, in the late 1960s, to appoint a Scottish poet, Norman MacCaig, to the permanent faculty, and to include creative writing options within the English studies degree program. Assesses subsequent developments and argues for the value of such integration for all literature undergraduates.


Hobsbaum And His Legacy, Adrian Hunter Nov 2014

Hobsbaum And His Legacy, Adrian Hunter

Studies in Scottish Literature

Recounts and assesses the impact of the poet and critic Philip Hobsbaum (1932-2005) on the development and role of creative writing within university English departments, both at Queern's University, Belfast, but more especially after he moved to the University of Glasgow.


Tartan Noir And The Scottish Literary Canon, Matt Mcguire Nov 2014

Tartan Noir And The Scottish Literary Canon, Matt Mcguire

Studies in Scottish Literature

Takes up Willy Maley's recent critique of Scottish university literature teaching (in SSL 38) and argues that Scottish creative writing, especially the crime novels that James Ellroy labelled Tartan Noir, has stimulated new critical readings of such earlier Scottish writers as James Hogg and Robert Louis Stevenson.


'They Gang In Stirks And Come Out Asses': Creative Writing And Scottish Studies, Liam Mcilvanney Nov 2014

'They Gang In Stirks And Come Out Asses': Creative Writing And Scottish Studies, Liam Mcilvanney

Studies in Scottish Literature

Recounts the experience as a student of the New Zealand poet James K. Baxter and discusses the interrelation of creative writing and literary scholarship, in Scottish universities and in New Zealand.


After Macdiarmid: Creative Writers, The Canon, And The Academy, Alan Riach Nov 2014

After Macdiarmid: Creative Writers, The Canon, And The Academy, Alan Riach

Studies in Scottish Literature

Discusses the changed situation of writers within Scottish universities since the 1960s, the role of creative writers in introducing American poets into the Scottish teaching canon, and the value of creative writing in stimulating critical reading.


Volumes, Matthew Brooks Stark May 2014

Volumes, Matthew Brooks Stark

Theses and Dissertations

Volumes is a book-length work of poetry in three parts. Volumes investigates the process of art, wherein the creative act constructs both the created object and its creator the artist. I use the term "creation" rather loosely: I propose such an act to be present within one's self-recognition, imaginative contextualization of oneself within a setting, or performance of a role. Volumes, through Ars Poeticas, struggles with ideas of self-awareness, wherein the artist achieves a unique determinacy before and after a creative act because the artist is necessarily changed by the act of creation. The project struggles against the opaqueness of …


Receiver Of Wreck: A Memoir, Brandi Lynn Perry May 2014

Receiver Of Wreck: A Memoir, Brandi Lynn Perry

Theses and Dissertations

Receiver of Wreck: A Memoir is a third-person, present tense narrative that covers the span of my graduate program at the University of South Carolina. This point of view was chosen as it provides a level of separation between the author, me, and the abuse and also the reader and the abuse - this serves the dual purpose of not retraumatizing the reader and allowing me more of a removed perspective to focus more on the exterior and less on the interior. The memoir has dual narrative trajectories: while I am recovering from sexual abuse and depression and becoming a …


Bluefield, Jennifer Sharain Bartell Jan 2014

Bluefield, Jennifer Sharain Bartell

Theses and Dissertations

This thesis uses poetry to explore the history of my childhood neighborhood Bluefield, which lies outside of the city of Johnsonville. Several factors have gone into the writing of this manuscript: interviewing elders of the neighborhood; researching land deeds; conducting water and soil samples to explore the possibility of environmental causes of high cancer rates; and exploring my individual grief and the collective grief of an aging and dying community. Bluefield is a community that is Southern, predominately Black, and low income; the voices of its residences, along with my poetic voice, pervade the manuscript, which includes elegies for the …


"Man, Who Parts The Windblown Grasses", And Other Stories, Ryan Kennerly Jan 2014

"Man, Who Parts The Windblown Grasses", And Other Stories, Ryan Kennerly

Theses and Dissertations

"Man, who Parts the Windblown Grasses," and Other Stories is a collection of short fiction based on common themes of violence, loss and grief, and humanity's struggle to reconcile the primal demands of the id with the desires and restrictions of the superego. Written from many different perspectives, representing all manner of walks of life, the collection seeks to question the ways in which violence is presented, defended, and understood, and what that means for humanity as a species.


Smokers, Ajit Dhillon Jan 2014

Smokers, Ajit Dhillon

Theses and Dissertations

Smokers is a multi-perspective surveillance spy thriller that juxtaposes the days leading up to the financial collapse with the days leading to the Bay of Pigs in Cuba. The first three chapters of book set up the multiple narrative point of view construct that will drive the narrative. Opening in New York, March 2007, a year before the financial collapse or the knowledge of the collapse and its implications becomes available to the public. We follow James, an administrative assistant at a hedge fund in the financial district. As the chapter unfolds we learn more about his home life. His …