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The Heart Is A Strange Muscle, Laura Browder

English Faculty Publications

Rachel’s beeper went off just as her back began growing numb, jammed against the pieces of broken and discarded furniture in the storage room. A second later, Bobby’s went off too. She unwrapped her legs from around his sweaty back, pulled herself up to a sitting position, and groped through the jumble of clothing.

[Introduction To] Vision’S Immanence: Faulkner, Film, And The Popular Imagination, Peter Lurie

Bookshelf

William Faulkner occupied a unique position as a modern writer. Although famous for his modernist novels and their notorious difficulty, he also wrote extensively for the "culture industry," and the works he produced for it—including short stories, adaptations, and screenplays—bore many of the hallmarks of consumer art. His experiences as a Hollywood screenwriter influenced him in a number of ways, many of them negative, while the films turned out by the "dream factories" in which he labored sporadically inspired both his interest and his contempt. Faulkner also disparaged the popular magazines—though he frequently sold short stories to them.

To what …

The Messenger, 1989

The Messenger

No abstract provided.