Open Access. Powered by Scholars. Published by Universities.®

Digital Commons Network

Open Access. Powered by Scholars. Published by Universities.®

Creative Writing

PDF

University of Nevada, Las Vegas

Theses/Dissertations

Articles 1 - 3 of 3

Full-Text Articles in Entire DC Network

It’S Not About Brooklyn, Elee Maybelle Oak May 2017

It’S Not About Brooklyn, Elee Maybelle Oak

UNLV Theses, Dissertations, Professional Papers, and Capstones

My work at the University of Nevada, Las Vegas in the Master of Fine Arts Creative Writing program has culminated into a collage form hybrid comprised of vignettes, poetry, and other creative works. The writing engages central themes, through the Queer gaze of the character Sissy. She became suspect at an early age because of her odd aptitudes along with a physical appearance that never fit. She dodged and at times embraced an identification as a sort of side show curiosity, and an intoxicated freak of gender, race, and talent. She survived physical and mental attacks. Then she blindly stepped …


Mouthy Bones, Shaun Leonard May 2016

Mouthy Bones, Shaun Leonard

UNLV Theses, Dissertations, Professional Papers, and Capstones

As a collection of poetry, this work interrogates the well trodden ground of the Beloved, hopefully with a modicum of originality, though the text itself wonders if, and how (and how!). Can “us” be? Amorous capability is extolled and explored, and people worry. Love happens, and everything is all right. Love happens, and nothing is alright. And then it is. The poems play with the act of writing and how that affects the reader, the subject/s, and the memories being used as fodder. The time and space of emotion and selfhood are melded and molded, through unexpected line breaks, poetic …


Tearing Up The Tallgrass, Brett Salsbury May 2016

Tearing Up The Tallgrass, Brett Salsbury

UNLV Theses, Dissertations, Professional Papers, and Capstones

This creative thesis project is a culmination of the Master of Fine Arts in Creative Writing degree at UNLV. The thesis—currently titled Tearing up the Tallgrass—was composed entirely during my graduate semesters at UNLV. As a book of poetry, it explores the dynamics of humans in nature, white privilege, objectivity, fact- and myth-making, and artistic practice. Written under the supervision of Claudia Keelan (committee chair) and Donald Revell (committee member), my committee further includes P. Jane Hafen (English) and Pierre Lienard (Anthropology). Their disparate subject and genre interests are meant to diversify the feedback received during this project’s composition. Some …