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- Global art history; Global turn;globalization; internationalization; circulations; internet; cultural transfers (4)
- Art (1)
- Art history (1)
- Artistic emigration; Centre / periphery dichotomy; Abstract art; Figurative art; (1)
- Avant-garde (1)
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- Billy Klüver (1)
- Carolee Schneemann (1)
- Cultural transfer (1)
- Data visualization (1)
- Digitization (1)
- E.A.T. (1)
- Feminist art (1)
- Feminist manifestos (1)
- Global art history (1)
- Globalization (1)
- Histoire de l'art (1)
- Information (1)
- Intermediality (1)
- Media (1)
- Metissage (1)
- Network analysis (1)
- Objecthood (1)
- Performance (1)
- R. Luke DuBois (1)
- Transculturality (1)
- Transferts culturels (1)
- Transnational history (1)
- Öyvind Fahlström (1)
Articles 1 - 9 of 9
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“What You See Is What You Get: The Artifice Of Insight”: A Conversation Between R. Luke Dubois And Anne Collins Goodyear, Anne C. Goodyear
“What You See Is What You Get: The Artifice Of Insight”: A Conversation Between R. Luke Dubois And Anne Collins Goodyear, Anne C. Goodyear
Artl@s Bulletin
The metaphorical relationship between sight and knowledge has long been recognized: the double-entendre of “illumination” promises both light and understanding; “I see” signifies that one “gets it” intellectually. This conversation between R. Luke DuBois and Anne Collins Goodyear addresses how data accrues meaning through pictorial structures that represent it. An artist, DuBois has consistently played with conventions for depicting information visually, revealing the intersections between data and desire they represent. Reexamining the interfaces through which we view the world, DuBois and Goodyear consider what our filters threaten to hide.
La relation métaphorique entre la vue et la connaissance a longtemps …
Network Analysis And Feminist Artists, Michelle Moravec
Network Analysis And Feminist Artists, Michelle Moravec
Artl@s Bulletin
This article examines the benefits and drawbacks of using social network analysis to study feminist artists’ networks. Looking at two of the author’s digital humanities projects, it explores the systemic and structural barriers that limit the utility of social network analysis for feminist artists. The first project on the social network of artist Carolee Schneemann analyzed her female circles through a correspondence network. The second project attempted to trace the circulation of feminist art manifestos in American feminist periodicals. Three factors are identified as constraining network analysis in these case studies, the lack of feminist artists’ archives, an insufficient amount …
Circulations, Resémantisations. Le Palimpseste Aporétique, Béatrice Joyeux-Prunel
Circulations, Resémantisations. Le Palimpseste Aporétique, Béatrice Joyeux-Prunel
Artl@s Bulletin
Pourquoi trouve-t-on si peu d’études sur les resémantisations à l’œuvre dans les circulations artistiques ? Pourquoi dispose-t-on encore moins de théorie générale pour comprendre ces resémantisations ? Ce papier, s’interrogeant sur les questions que lève une approche circulatoire de l’histoire de l’art, passe en revue les méthodes et les sources qui peuvent contribuer à y répondre. Qu’est-ce qui porte le sens d’une œuvre d’art ? Comment le sens se constitue-t-il et évolue-t-il selon les temps et les lieux ? Quels sont les facteurs qui le font changer ? Quelles sont les conséquences possibles d’une resémantisation artistique ? Y a-t-il des …
Kisses Sweeter Than Wine. Öyvind Fahlström And Billy Klüver: The Swedish Neo-Avant-Garde In New York, Per Bäckström
Kisses Sweeter Than Wine. Öyvind Fahlström And Billy Klüver: The Swedish Neo-Avant-Garde In New York, Per Bäckström
Artl@s Bulletin
The Swedish artist Öyvind Fahlström moved to New York in 1961, where he meet the Swedish engineer Billy Klüver, and became part of the international neo-avant-garde movement. Fahlström’s performance, New York 1966, part of Klüver’s performance series 9 Evenings, is my point of departure for an analysis of the role of migration for the neo-avant-gardes in the 1960s. As intermediaries, Fahlström and Klüver brought new ideas both to New York and Stockholm, thus challenging the established view that American art was exported to the periphery. In reality, the New York art scene grew out of ideas and experiences arriving …
Artistic Emigration From Portugal To Paris In The First Half Of The 1960s: Six Portuguese Painters From Paris Revisited, Joana Baião
Artl@s Bulletin
This paper proposes to revisit some issues related to the impact of emigration on the paths followed by a group of six Portuguese painters who settled in Paris between 1958 and 1961. To do that, it will analyze and contextualize the evolution of their work in the first half of the 1960’s, and it will recall the small exhibition Seis Pintores Portugueses de Paris that opened in 1966 in Lisbon with the purpose of highlight the particularities of the artistic research that was being developed by those artists in Paris, integrating them into the international artistic movements of the period.
Art History And The Global Challenge: A Critical Perspective, Patrick D. Flores
Art History And The Global Challenge: A Critical Perspective, Patrick D. Flores
Artl@s Bulletin
The challenge of globalization and the “decolonization” of our way of thinking have become a major concern for most art historians. While it is still too early to assess the impact on the discipline of the “Global turn”—a turn that is all the more timid that it materializes more slowly in public collections and public opinions than in books—we nonetheless wanted to probe scholars who are paying close attention to the new practices in global art history. Coming from different cultural milieus and academic traditions, and belonging to different generations, they agreed to answer our questions, and to share with …
Art History And The Global Challenge: A Critical Perspective, Jonathan Harris
Art History And The Global Challenge: A Critical Perspective, Jonathan Harris
Artl@s Bulletin
The challenge of globalization and the “decolonization” of our way of thinking have become a major concern for most art historians. While it is still too early to assess the impact on the discipline of the “Global turn”—a turn that is all the more timid that it materializes more slowly in public collections and public opinions than in books—we nonetheless wanted to probe scholars who are paying close attention to the new practices in global art history. Coming from different cultural milieus and academic traditions, and belonging to different generations, they agreed to answer our questions, and to share with …
Art History And The Global Challenge: A Critical Perspective, Atreyee Gupta
Art History And The Global Challenge: A Critical Perspective, Atreyee Gupta
Artl@s Bulletin
The challenge of globalization and the “decolonization” of our way of thinking have become a major concern for most art historians. While it is still too early to assess the impact on the discipline of the “Global turn”—a turn that is all the more timid that it materializes more slowly in public collections and public opinions than in books—we nonetheless wanted to probe scholars who are paying close attention to the new practices in global art history. Coming from different cultural milieus and academic traditions, and belonging to different generations, they agreed to answer our questions, and to share with …
Art History And The Global Challenge: A Critical Perspective, Sven Spieker
Art History And The Global Challenge: A Critical Perspective, Sven Spieker
Artl@s Bulletin
The challenge of globalization and the “decolonization” of our way of thinking have become a major concern for most art historians. While it is still too early to assess the impact on the discipline of the “Global turn”—a turn that is all the more timid that it materializes more slowly in public collections and public opinions than in books—we nonetheless wanted to probe scholars who are paying close attention to the new practices in global art history. Coming from different cultural milieus and academic traditions, and belonging to different generations, they agreed to answer our questions, and to share with …