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Star Power: An Analysis Of Digital Astrology Content As An Instrument Of Political Tractability, Aliza Phillips

Comparative Literature M.A. Essays

In an essay from 1953 titled, The Stars Down to Earth, Theodor Adorno performed an exacting analysis of the weekly horoscopes published in The Los Angeles Times to illuminate the latent authoritarianism embedded in the rhetoric of astrology. One of Adorno’s primary arguments is that an insidious form of political tractability is forged through the simultaneous determinism and individualism of astrology. Seventy years after The Stars Down to Earth, the genre of short-form astrology videos has skyrocketed in popularity across social media platforms. This essay offers a series of close readings of digital astrology videos to theorize both …

Transcreation In World Of Warcraft’S China Localization: Echoes Of Poetry Across Two Worlds, Yilu Ren

Comparative Literature M.A. Essays

The official trailer for the globally popular MMORPG (massively multiplayer online role-playing game) World of Warcraft Patch 5.2: The Thunder King featured an original English poem, subsequently translated into 10 other languages. All versions retained a poetic form, with the one release in mainland China creatively borrowing the tetrasyllabic verse style akin to that used in Shijing, the first anthology of Chinese poetry. This unprecedented adaptation of a literary genre in the localization of a non-literary video game product blurred the conceptual boundary between Lawrence Venuti's binary notions of foreignization and domestication in translation theory.

Viewed in light of …

Displaced Ukrainian Writers After 2014, A Postcolonial Perspective, Sophie Ivanka Shields

Comparative Literature M.A. Essays

This paper analyzes post-2014 Ukrainian displacement literature from a postcolonial perspective. I argue that Ukrainian writers, displaced with the 2014 invasion of Eastern Ukraine and/or 2022 full-scale invasion by Russia, transform literature into a tool of cultural resistance against Russia, forging a postcolonial Ukrainian identity in their works that unites those displaced since 2014. I particularly focus on two long-form works by displaced writers: the novel Mondegreen: Songs about Death and Love (2019) by Volodymyr Rafeyenko, who was displaced in 2014 from Donetsk to Kyiv and again in 2022 to Pittsburgh, USA on the City of Asylum Exiled Writer and …

Eng 155: Introduction To Literary Studies, Joseph Donica

Open Educational Resources

An OER syllabus covering the ways humans have read and continue to read literature from a variety of critical and theoretical perspectives. An emphasis is placed on the application of critical thought to writing expository essays and responding to readings.

2024 Conference Program, Georgia Southern University

South East Coastal Conference on Languages & Literatures (SECCLL)

2024 Conference Program

Best Integrated Writing 2024 - Complete Edition, Wright State University School Of Humanities And Cultural Studies

Best Integrated Writing

Best Integrated Writing includes excellent student writing from Integrated Writing courses taught at Wright State University. This is the first issue after a 5 year hiatus.

Western Theory’S Chinese Transformation: Postscript, Liu Kang

CLCWeb: Comparative Literature and Culture

No abstract provided.

Out Of The Myths Of “Revolutionary China”: Liu Kang Versus Žižek & Badiou, Liu Xin

CLCWeb: Comparative Literature and Culture

The highlight of the 2011 special issue of Positions on Slavoj Žižek is the debate between Liu Kang and Žižek on “Revolutionary China.” It unpacks the Western left’s political unconsciousness and myths about China in several respects. First, revolution is not a parody-travesty of the “tradition” that Žižek concocts from romanticized fantasies of a “retrospective tradition” drawn from Jorge Luis Borges and T. S. Eliot. Second, revolution is not Alain Badiou’s “truth event,” which tends to reduce the Chinese Cultural Revolution to an abstract “event” in process, neglecting the real calamities of the so-called utopian experiment. Third, the key problematic …

Two Imagined Chinas In Tel Quel, Wang Yichen

CLCWeb: Comparative Literature and Culture

From the mid-1960s, the literary review Tel Quel shifted its anti-traditional and avant-garde stance in arts and literature toward politics within the radical political context in France. Its editor Philippe Sollers initiated a “political turn,” marked by its transformation from its “structuralist period” to its “China period.” Its “China period” inadvertently created a “textual spectacle” of two imagined Chinas: first, a poetic, static “ancient China” represented by Daoism (Taoism), Chinese ideograms, and classical Chinese art and poetry; and second, a revolutionary, subversive “modern China” represented by Maoism along with Lu Xun and other left-wing writers. Taking appropriation, rather than misreading, …

Deleuze’S Challenge To Hegel’S Aesthetics—Chinese Aesthetics In The Confrontation Between German Classical Aesthetics And Postmodernism, Wu Yuyu

CLCWeb: Comparative Literature and Culture

German classical aesthetics, featuring a systematic analysis of concepts and theories, plays a fundamental role in the founding of Chinese modern aesthetics. From the 1980s, when the spread of Western theories began to flourish, Chinese scholars assimilated deconstructionist thought (for example, that of Deleuze) and started to reflect on German classical aesthetics as represented by Kant and Hegel. Chinese aesthetics presents various characteristics in the confrontation between German classical aesthetics and French deconstructionist thought. From the perspective of German classical aesthetics, China has no philosophy, tragedy, or system. The Chinese culture became a thinking resource for criticizing essentialism and dualism …

French Left-Wing Literary Theory And Mao Zedong Thought, Han Zhenjiang, Zhang Yuling

CLCWeb: Comparative Literature and Culture

French left-wing literary theories have continued to accept and interpret Mao Zedong’s thought (including his theories on literature and art) from the 1960s to today. This intellectual communication enabled the formation of Louis Althusser’s structural Marxism and contemporary left-wing literary theory. Mao’s theory of contradiction and his thoughts on reliance on the popular masses, aesthetics and politics, and people’s literature and art are the major intellectual resources for Louis Althusser’s, Alain Badiou’s, and Slavoj Žižek’s theories and are fully integrated into their theoretical system and critical practice. Althusser, Badiou, and Žižek innovated materialistic dialectics on the basis of Mao’s theory …

“China Form” And The Question Of The Frankfurt School, Duan Jifang

CLCWeb: Comparative Literature and Culture

Theories of the Frankfurt School were introduced into aesthetics studies in China at the end of the 1970s. After more than 40 years of theoretical journey, the ideas of the Frankfurt School have undergone a process from “criticism/query/opposition” to “recognition/acceptance/approval,” and have also substantially completed “theoretical linkage” with Chinese aesthetics. As a Western discourse, the theories of the Frankfurt School, like other theories, are faced with scrutinization in the Chinese context. China’s acceptance of the School plays an objective role in promoting the transformation of its contemporary aesthetic discourse, making contemporary aesthetic research in China more obvious in its problem …

Knowledge Production In The Theory Of Literature And Art In Contemporary China: From A Generations Perspective, Tao Dongfeng, Zhang Chun

CLCWeb: Comparative Literature and Culture

In the field of theory of literature and art (i.e., the discipline of Wenyi xue) in contemporary China, the post-1930s and the post-1950s generations (scholars who were born between 1930 and 1939 and between 1950 and 1959, respectively) are the most influential ones. They are father and son generations both in a physiological and a sociocultural sense; both occupied or are still occupying important positions in Chinese academia. Their profound differences in life experiences, educational background, intellectual structures, cultural stances, and literary perspectives significantly affect their knowledge production in Chinese literary theory. This article attempts to use Karl Mannheim’s …

Chinese Modern Leftist Affect And Aesthetic-Affective Modernity In The Global Affective Turn, Yan Fang

CLCWeb: Comparative Literature and Culture

Influenced by China’s distinctive “qing” tradition, ranging from the “affective Enlightenment” to the sentimental/affective revolution, both China’s modern Enlightenment movement and the Chinese leftists’ endeavors for social transformation and revolution heavily relied on the emotions and affect, especially those within literature, art, and aesthetics. The dyna mics of “moods” proposed by Qu Qiubai, the “national form” movement, and the Maoist affect not only foreshadowed and actualized but also enriched the conceptualizations of feelings, emotions, and affect by Western theorists such as Gramsci, Raymond Williams, Gilles Deleuze, and Jacques Rancière. With its meticulous portrayal and innovative theorization of the …

Traveling Theory And Discursive Transformation: The Reception Of Walter Benjamin And Emmanuel Levinas In China, Wang Jiajun, Tang Qilin

CLCWeb: Comparative Literature and Culture

Chinese scholars are increasingly interested in Jewish philosophy and culture and the philosophical concept of redemption. That is bringing about more and more studies on Walter Benjamin and Emmanuel Levinas, two of the most well-known Jewish philosophers. In these studies, conducted with different approaches and from diverse perspectives, Chinese scholars are attempting to connect the philosophers’ theories with some of their Chinese counterparts. Overall, they are well received or Sinicized, but in different fields, and to different extent, deserving an in-depth comparative study. Obviously a large amount of works have been produced in attempts to have dialogues with Benjamin and …

The Many Afterlives Of Orientalism: Translation, Reception, And Appropriation Of Saidian Theory In China, Wu You

CLCWeb: Comparative Literature and Culture

During the mass translation of Western “post-isms” since the 1990s, Saidian postcolonial theory, Orientalism in particular, was introduced to China through interpretation, reception, and appropriation in the Chinese academe, becoming an important discursive tool for the debate about China. The translated work is perceived as the “afterlife” of the original work, and Saidian theory achieves its constantly renewed and comprehensive unfolding through translation and critical reception in China. In this sense, translation contributes to the complexity and multiplicity of traveling theories, which plays an important part in the formation of Chinese literary theories. Arguably, theoretical transformation occurs through debates and …

The Making Of Chinese Meixue, Li Qingben, Wang Gang

CLCWeb: Comparative Literature and Culture

In “The Making of Chinese Meixue,” Li and Wang discuss the Chinese translation of the term “aesthetics.” It had been believed that it was the German missionary Ernst Faber who first coined the Chinese term “meixue,” which is refuted in this paper. The view that the term “shenmeixue” in Japan was derived from Wilhelm Lobscheid’s English and Chinese Dictionary also lacks factual basis. It is true that the term “meixue” was introduced to China from the West via Japan, but it was then a term that had not yet developed within a specific …

Introduction: Western Theory’S Chinese Transformation, Zeng Jun

CLCWeb: Comparative Literature and Culture

No abstract provided.

“Foul In Wisdom, Cruel In Strength”: Gendered Evil In Tolkien’S Legendarium, Alicia Fox-Lenz

Online Midwinter Seminar (OMS)

In “The Feminine Principle in Tolkien,” Melanie Rawls creates a framework for reading masculine and feminine drives in the characters of Tolkien’s legendarium. Feminine characteristics are inward-facing, focused on the self and inner life, whereas masculine characteristics are outward-facing, focused on affecting the wider society. Shelob and Sauron are used as two examples of the negative expression of these gendered drives: Shelob being so inwardly focused she only devours, and Sauron being so outwardly focused he cares only for world domination. However, other than his outward focus, Sauron doesn’t neatly align with the other negative masculine traits — he is …

Panel: The Fair And The Perilous: Online Experiences Of A Queer-Focused Tolkien Podcast, Alicia Fox-Lenz, Leah Hagan, Tim Lenz, Grace Moone

Online Midwinter Seminar (OMS)

The team behind Queer Lodgings: A Tolkien Podcast share the social media realities of producing content centered around LGBTQIA+ readings of Tolkien’s Legendarium. Discussion will include uplifting and diverse community events, backlash against the very idea of queer readings of Tolkien, targeted harassment campaigns involving large conservative media news outlets, and attempted erasure of well-documented historical instances of homophobia in Tolkien spaces. We aim to illuminate some of the darker corners of online fandom, and demonstrate the importance of accepting, tolerant spaces in which queer and diverse fans and scholars can share their personal interpretations of Tolkien’s worlds, characters, and …

I'D Rather Be A River Than A Man: The Trans Jewish Golem/ Trans Inequity, Intersectional Ritual, And Jewish Tikkun Olam (Healing Of The World), Dean Leetal, Valerie Estelle Frankel

Online Midwinter Seminar (OMS)

I'd Rather Be a River than a Man: The Trans Jewish Golem Dean Leetal

This critical commentary revisits the Jewish story of the Golem and reads it as a transgender text. Some say that the Golem inspired Mary Shelley's Frankenstein, a story famously interpreted by Susan Stryker as an allegory for her own trans experience: living on the edge of society, her humanity debated, defined by a morally questionable medical establishment. But there are important differences between Frankenstein and the Golem. The Golem is brought to life through language, particularly the Hebrew word ‘emet,’ and is an animated clay tasked …

Unnatural Issue: Gendered Adaptations Of “Peau D’Âne” In Contemporary French And English Texts, Amy M. Martin

Dissertations, Theses, and Capstone Projects

Unnatural Issue: Gendered Adaptations of “Peau d’Âne” in Contemporary French and English Texts explores trans-genre and transmedia adaptations of Charles Perrault’s seventeenth-century fairy tale using feminist and narratological theories to examine gendered aspects of storytelling and the treatment of father-daughter incest and blame in the work of selected French, British, and American creators. Texts are read comparatively, with analyses of the adaptations’ plots, motifs, characterizations, and modifications, both in relation to Perrault and to the other adaptations. This dissertation features prose and poetry texts by female authors—including Christine Angot, Catherine Cusset, and Emma Donoghue—in the first two chapters. Reading these …

Death, Dreaming, And Diaspora: Achieving Orientation Through Afro-Spirituality, Liz Johnston, Jaime Elizabeth Johnston

LSU Doctoral Dissertations

Enslavement, colonization, and the systems that uphold racial injustice were and still are a series of new, unfathomable, and challenging experiences that prompt individuals within the diaspora to seek orientation. How does a human cope with centuries of attempts at the systematic destruction of their humanity, culture, and identity? How can they reclaim that identity, especially when so much of it seems lost? I address these questions by utilizing texts from the expansive body of work regarding ethnographic-historical-religious studies on Afro-spiritual practices to better analyze instances in literature in the ongoing practice of diasporic orientation. In this project, I argue …

The Controversy Of Teaching World Literature And The Importance Of Translation In The Field Of English Studies, Samirah Almutairi

English Faculty Publications

For literary texts to be taught in World Literature courses in the Departments of English Literature, they must be translated into English as a general rule. Some scholars advocate for translating literary texts, and others believe that translation as a methodology does not do justice to these texts. This study aims to lay out the arguments for each position and evaluate them. The significance of this study is to show that World Literature remains an essential field and to highlight the importance of translation. This study questions the modes and purpose of translating literary texts. The result of this study …

From Periphery To Center: Re-Presenting Black And Afro-Arab Characters In Contemporary Arabic Literature, Samer Ahmad Mayyas

Graduate Theses and Dissertations

Black Arabs and Afro-Arabs tend not to be centered in Arabic discourse, especially modern Arabic literature, and Black people of other ethnicities are marginalized, as if Black peoples and Afro-Arabs were not part of the history and present-day of the Arabic-speaking world. I explore in this dissertation project the representations and experiences of Black and Afro-Arabs in contemporary Arabic fictional narratives. I argue that the contemporary literary era sees a shift in re-presenting Black peoples and Afro-Arabs in the Arabic fictional discourse. By moving Black and Afro-Arab characters from periphery to center, contemporary Arab writers challenge and disrupt, in an …

Reading Rent: Interracial Relationships And Racial Hierarchies, Susanna A. Perez-Field

USF Tampa Graduate Theses and Dissertations

In examining the musical Rent by Jonathan Larson (1995) and its film adaptation by Chris Columbus (2005), most scholarly work and analyses have focused on the work’s identity as a queer text. I assert that elements of this musical have been overlooked for its depth of racial and class hierarchies. Utilizing sociological theory and interracial relationships, I will examine characters and musical numbers to explore diversity and class positioning.

I will explore Rent for themes of racial, gender, and sexual identities and how they are presented through the friendships and romantic relationships of the eight principal characters (alphabetically): Angel, Benny, …

On Gary Snyder’S Tradaptation Of Cold Mountain Poems And Its Spiritual Salvation And Literary Enlightenment In Postwar America, Hu Anjiang

CLCWeb: Comparative Literature and Culture

Cold Mountain Poems (CMPs), which have been neglected in the history of Chinese literature for ages, captured the attention of most Americans immediately after its being translated into America by the American poet Gary Snyder in 1950s, however. It is Snyder that reconfigured and recreated a sagacious Chinese Chan Buddhist poet Han-shan (literally, Cold Mountain), the acknowledged author of Cold Mountain Poems, in his translation for the postwar Americans in the midst of varied social problems and cultural identity crisis after World War II. Snyder eventually found in his translation of Cold Mountain Poems a back-to-nature remedy of …

Topological Tropology Of V.S. Naipaul’S Islamic Travelogues And Daniel Pipes’ Islamic History: Ahistorical Historicism, Md. Habibullah

CLCWeb: Comparative Literature and Culture

Nobel laureate V. S. Naipaul’s (1932-2018) first Islamic travelogue Among the Believers: An Islamic Journey (1981) contains his experience of a visit from August 1979 to February 1980 to the four non-Arab Muslim-majority countries – Iran, Pakistan, Malaysia, and Indonesia. Similarly, his last Islamic travelogue Beyond Belief: Islamic Excursions among the Converted Peoples (1998) has a description of another visit to the same countries for five-month in 1995. Concurrently, Daniel Pipes (1949-), an American historian, published his doctoral dissertation, Slave Soldiers and Islam: The Genesis of a Military System (1981), which represents Islamic culture as the first instigator of …

Westernization Or Localization? The (Mis)Reading Of “The Tragic” In Modern Chinese Literary Discourse, Tian Gu

CLCWeb: Comparative Literature and Culture

This paper examines the features and causal factors in constructing an idea of the tragic in modern Chinese literary discourse. It attempts at revisiting and reproducing the realities of misreading and variation upon modern Chinese introduction of the term “tragedy” (beiju) at different socio-historical periods, and has observed the interplay between two trends, namely, Westernization and localization, through the negotiation of “the tragic” into modern Chinese literary practice. These two trends have been integrated by a political and pragmatic perspective, which dominates the formation of a modern Chinese literary discourse on “the tragic”. This perspective offers both possibility …

Children’S Gothic In The Chinese Context: The Untranslatability And Cross-Cultural Readability Of A Literary Genre, Chengcheng You

CLCWeb: Comparative Literature and Culture

As an emerging literary subgenre in the twenty-first century, Children’s Gothic challenges and blends the norms of both children’s literature and Gothic literature, featuring child characters’ self-empowerment in the face of fears and dark impulses. The foreignness and strangeness that pertain to the genre haunt the border of its translatability. Daniel Handler’s A Series of Unfortunate Events (1999­–2006), written under the pseudonym Lemony Snicket, poses a chain of translational challenges due to its linguistic creativity, paratextual art, and mixed style of horror and dark humor intended for a child readership. To investigate the interplay between Children’s Gothic and its (un)translatability …