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The National Imagination (Spring 2014), Robert D. Tobin, Juan Pablo Rivera Jan 2014

The National Imagination (Spring 2014), Robert D. Tobin, Juan Pablo Rivera

Syllabi

What images make people think of the United States of America? Cowboys? The flag? And are there similar icons in other cultures that help define cultural identity? The National Imagination explores the concept of a national community as constructed and critiqued through literary and cinematic narratives, as well as other cultural texts.

Our underlying premise is that national languages and cultures promote the identity of particular communities. We are interested in examining those subjective expressions of culture—images, symbols, narratives—that lead people to feel that they are members of the communities we call nations. We are also interested in discovering points …


Human Rights And Literature (Fall 2013), Robert D. Tobin Jan 2013

Human Rights And Literature (Fall 2013), Robert D. Tobin

Syllabi

In this class, we will be reading literary and cultural documents to contemplate the concept of "human rights". What rights do all humans have, simply by virtue of being human? Who counts as human? Do current understandings of human rights exclude some people? Do humans have more rights than other species? How do questions of gender and sexuality fit into the discussion of human rights?

As we seek to answer these questions, we will trace the development of human rights discourses from the Enlightenment to the present, looking at literature from a variety of cultures and human rights documents from …


The National Imagination (Spring 2012), Robert D. Tobin, Marvin D'Lugo, Alice Valentine Jan 2012

The National Imagination (Spring 2012), Robert D. Tobin, Marvin D'Lugo, Alice Valentine

Syllabi

What images make people think of the United States of America? Cowboys? The flag? And are there similar icons in other cultures that help define cultural identity? The National Imagination explores the concept of a national community as constructed and critiqued through literary and cinematic narratives, as well as other cultural texts.

Our underlying premise is that national languages and cultures promote the identity of particular communities. We are interested in examining those subjective expressions of culture—images, symbols, narratives—that lead people to feel that they are members of the communities we call nations. We are also interested in discovering points …


The National Imagination (Spring 2011), Robert D. Tobin, Beth Gale, Alice Valentine Jan 2011

The National Imagination (Spring 2011), Robert D. Tobin, Beth Gale, Alice Valentine

Syllabi

What images make people think of the United States of America? Cowboys? The flag? And are there similar icons in other cultures that help define cultural identity? The National Imagination explores the concept of a national community as constructed and critiqued through literary and cinematic narratives, as well as other cultural texts.

Our underlying premise is that national languages and cultures promote the identity of particular communities. We are interested in examining those subjective expressions of culture—images, symbols, narratives—that lead people to feel that they are members of the communities we call nations. We are also interested in discovering points …


Sexuality And Textuality (Fall 2008), Robert D. Tobin Jan 2008

Sexuality And Textuality (Fall 2008), Robert D. Tobin

Syllabi

“Sexuality and Textuality” serves as an introduction to gay and lesbian studies and queer theory in an international and intercultural context. As we study the representation of sexuality in a variety of cultural contexts, we will ask and begin to answer such questions as:

How does the sexuality of a writer expresses itself in his or her writings?
How does the sexuality of a reader affect his or her reading?
How do rhetoric and language themselves inform sexuality?
Is there such a thing as a sexual culture or subculture?
Is sexuality comparable to gender, race or religion as a marker …


Sexuality And Textuality (Fall 2001) (Whitman College), Robert D. Tobin Jan 2001

Sexuality And Textuality (Fall 2001) (Whitman College), Robert D. Tobin

Syllabi

This course was taught by Robert Tobin at Whitman College. Professor Tobin worked at Whitman for 18 years as associate dean of the faculty and chair of the humanities, and was named Cushing Eells Professor of the Humanities. Several of the courses he developed at Whitman would make the transition to Clark, where they continued to evolve.

"This class uses an introduction to gay and lesbian studies and queer theory to elucidate important concepts in literary theory, political theory, and gender studies. The first part of the class looks at the question of the historicity of sexuality. To what extent …


Classicism And Romanticism (Fall 1997) (Whitman College), Robert D. Tobin Jan 1997

Classicism And Romanticism (Fall 1997) (Whitman College), Robert D. Tobin

Syllabi

This course was taught by Robert Tobin at Whitman College. Professor Tobin worked at Whitman for 18 years as associate dean of the faculty and chair of the humanities, and was named Cushing Eells Professor of the Humanities.

"Classicism and Romanticism attempts to provide an overview of the European literature in translation that arose in the so-called classical and romantic periods. Very roughly speaking, one could say that Classical literature was written in the late seventeenth and eighteenth centuries, while Romantic literature was written in the eighteenth and early nineteenth centuries."


Medicine & Literature (Spring 1996) (Whitman College), Robert D. Tobin Jan 1996

Medicine & Literature (Spring 1996) (Whitman College), Robert D. Tobin

Syllabi

This course was taught by Robert Tobin at Whitman College. Professor Tobin worked at Whitman for 18 years as associate dean of the faculty and chair of the humanities, and was named Cushing Eells Professor of the Humanities.

"In World Literature 390, I want to examine from a literary perspective medicine and medical discourse. How do authors use metaphors of sickness and health, illness and cure, disease and well-being in their literature? How in turn do these literary and rhetorical metaphors affect everyday understandings of these basic concepts?"