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Dorothy Moser Medlin Papers - Accession 1049, Dorothy Moser Medlin
Dorothy Moser Medlin Papers - Accession 1049, Dorothy Moser Medlin
Manuscript Collection
(The Dorothy Moser Medlin Papers are currently in processing.)
This collection contains most of the records of Dorothy Medlin’s work and correspondence and also includes reference materials, notes, microfilm, photographic negatives related both to her professional and personal life. Additions include a FLES Handbook, co-authored by Dorothy Medlin and a decorative mirror belonging to Dorothy Medlin.
Major series in this collection include: some original 18th century writings and ephemera and primary source material of André Morellet, extensive collection of secondary material on André Morellet's writings and translations, Winthrop related files, literary manuscripts and notes by Dorothy Medlin (1966-2011), copies …
Don't Take Orpheus Without The Lyre: The Intricacies Of Using Pagan Myths For Christian Purposes In The Divine Comedy And Paradise Lost, Rebekah J. Waltmann
Don't Take Orpheus Without The Lyre: The Intricacies Of Using Pagan Myths For Christian Purposes In The Divine Comedy And Paradise Lost, Rebekah J. Waltmann
Masters Theses
Because of their universal and artistic nature, the classical myths lend themselves well to use in literature, especially poetry. When used properly, as by Dante and Milton, the myths have the ability to enhance the work; when used poorly, they become gaudy ornamentation. It was, and is, this ability to enhance both the artistry and function of literature that pulled so many poets to the myths, despite the difficulties that could arise when the pagan myths did not quite match the Christian setting. My purpose in this thesis is not to explicate every use of myth within The Divine Comedy …
William Of Auvergne And Popular Demonology, Thomas De Mayo
William Of Auvergne And Popular Demonology, Thomas De Mayo
Quidditas
Theologian and bishop of Paris during St. Louis’ early reign, William of Auvergne (d. 1249) aimed in his life and writings to combat the myriad threats he perceived as facing Christianity. The early thirteenth century saw many potential competitors to official doctrines concerning the natural and supernatural worlds—Arabic philosophy imported into the universities, heretical attacks on the institutional church, and persistent folk beliefs and practices. William attributed these challenges to an underlying demonic conspiracy directed against humankind. This paper examines William’s treatment of popular beliefs on the Wild Hunt, a mysterious congregation of spirits, and related beliefs about female spirits …
Building The Imagined Community: Dominican Exempla And Theological Knowledge, Andrea L. Winkler
Building The Imagined Community: Dominican Exempla And Theological Knowledge, Andrea L. Winkler
Quidditas
During the thirteenth century, preachers considered sermons to be among the most important methods of communicating written material to the unlettered. Within a sermon, the use of exempla—short stories used to illustrate a moral point—was a primary means of disseminating theological information, and throughout the thirteenth and fourteenth centuries the number of exempla compilations intended as preaching aids increased markedly. Exempla collectors such as Caesarius of Heisterbach and Stephen of Bourbon shared and re-used stories to disseminate theological knowledge. Despite the communal nature of exempla, individual stories were more than unidirectional theological transmissions or stock tales repeated with …
Classicism And Christianity In Hélisenne De Crenne's Les Angoysses Doulouoreuses Qui Procedent D'Amours, Megan Conway
Classicism And Christianity In Hélisenne De Crenne's Les Angoysses Doulouoreuses Qui Procedent D'Amours, Megan Conway
Quidditas
Although Renaissance philosophers and theologians like Marsilio Ficino strove mightily to show Plato and Plotinus compatible with Saint Paul, writers of popular prose and poetry suffered no such qualms. While it appears curious and often shocking to modern readers to find reference to the apostles and Apollo in successive paragraphs, many Renaissance writer followed Dante's example in The Divine Comedy and saw nothing incongruous in embracing classical mythology while espousing Christian doctrine. A fascinating example of this combination of traditions is the popular French work of a female author of the early Renaissance—Hélisenne de Crenne's Les Angoysses douloureuses qui procedent …