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That's Debatable!: Genre Issues In Troubadour Tensos And Partimens, Kelli Mcqueen
That's Debatable!: Genre Issues In Troubadour Tensos And Partimens, Kelli Mcqueen
Theses and Dissertations
The troubadour repertory consists of an elaborate complex of genres, some of which are dialogs that employ argumentation in the form of a debate or contest. The precise classification of these debate songs, especially the tenso and partimen genres, involves a measure of controversy that arose in the fourteenth century and continues today. Modern scholars in both literary and musical disciplines reference the dispute in their study of these songs, but largely gloss over the controversy to uphold the traditional parameters of their own disciplines. For literary scholars, this means treating these dialogs as lyric poetry, and musicologists tend to …
Devastating Diva: Pauline Viardot And Rewriting The Image Of Women In Nineteenth-Century French Opera Culture, Rebecca Bennett Fairbank
Devastating Diva: Pauline Viardot And Rewriting The Image Of Women In Nineteenth-Century French Opera Culture, Rebecca Bennett Fairbank
Theses and Dissertations
Historically vilified, the vocalizing woman developed a stereotyped image with the emergence of the prima donna in eighteenth-century opera. By the nineteenth century, the prima donna became the focal point for socio-cultural polemics: women sought financial and social independence through a career on the operatic stage while society attempted to maintain through various means the socio-cultural stability now threatened by women's mobility. The prima donna represented both a positive ideal for women as well as a great threat to western patriarchy. A discourse emerged in which the symbol of female independence and success ”the prima donna" became the site of …