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V. 83, Issue 8, November 19, 2015 Nov 2015

V. 83, Issue 8, November 19, 2015

Archway (1946-2020)

No abstract provided.


The Cowl - V.80 - N.6 - Oct 22, 2015 Oct 2015

The Cowl - V.80 - N.6 - Oct 22, 2015

The Cowl

The Cowl - student newspaper of Providence College. Volume 80 - No. 6 - October 22, 2015. 28 pages.


Analysing The Performance Of Economic Discourses, Joseph Fitzgerald, Brendan O'Rourke Sep 2015

Analysing The Performance Of Economic Discourses, Joseph Fitzgerald, Brendan O'Rourke

Conference papers

We focus on the methods used in analyzing broadcast interviews with economists on Morning Ireland, a prominent Irish radio news programme. Few would doubt that economists have taken a prominent role as experts on policy issues (Carrick-Hagenbarth and Epstein 2012, p.45) and some contend that no other social science discipline has gained such prominence (Schneider and Kirchgassner 2009, p.324). This paper comes from a larger research project, which uses a tailored methodological approach, incorporating a number of analytical methods. Keller (2011, p.63) has argued that a tailored methodological approach is often required to give special consideration to the ‘knowledge side’ …


Ua12/2/1 College Heights Herald, Vol. 91, No. 3, Wku Student Affairs Sep 2015

Ua12/2/1 College Heights Herald, Vol. 91, No. 3, Wku Student Affairs

WKU Archives Records

WKU campus newspaper reporting campus, athletic and Bowling Green, Kentucky news.

  • Shaffer, Hannah. Hunter Hayes to Perform Homecoming Concert – Entertainment
  • Harney, Lashana & Andrew Henderson. Governors Savings Program – Scholarships
  • Sullivan, Tommy. Uber Services Arrive in Bowling Green
  • Collins, Emma. WKU Receives Record Amount of Donations – Institutional Advancement
  • Shaffer, Hannah. Phi Delta Theta Settles Into Their New Home – Fraternities and Sororities
  • Mayo, Marcel. Student Government Association Outlines Goals for Semester
  • Editorial Cartoon Stay Uber Safe
  • Uber Is Here: Ride-Sharing App Promises Safer Late Night Option
  • Freeman, Shane. No Escape – Movie Review
  • Livesay, Andrew. Karate Kids Photo …


Crisis Communication In An International Organization: An Investigation Of The Bbc’S Reputation In The Aftermath Of The Savile Scandal, Stephanie P. Shipp May 2015

Crisis Communication In An International Organization: An Investigation Of The Bbc’S Reputation In The Aftermath Of The Savile Scandal, Stephanie P. Shipp

College of Journalism and Mass Communications: Theses

In October 2012, it was revealed that BBC television host Jimmy Savile had sexually abused victims on the premises of the BBC. The first reported instance of abuse on BBC premises had occurred and 1965 and continued until two years before his death. In the aftermath of the scandal, the BBC was accused of turning a blind eye to Savile's actions. The BBC's response to the crisis was confusing and inept. The BBC appeared to have no crisis communication strategy in place and lacked any sort of variation in its response to stakeholders in individual countries. This paper …


The Cowl - V.79 - N.20 - Mar 19, 2015 Mar 2015

The Cowl - V.79 - N.20 - Mar 19, 2015

The Cowl

The Cowl - student newspaper of Providence College. Vol 79 - No. 20 - March 19, 2015. 20 pages.


The Cowl - V.79 - N.14 - Jan 22, 2015 Jan 2015

The Cowl - V.79 - N.14 - Jan 22, 2015

The Cowl

The Cowl - student newspaper of Providence College. Vol 79 - No. 14 - January 22, 2015. 20 pages.


From Lonesome Cowboys To Geek Masculinities: A Study Of Documentary Films On The Financial Crisis, Frank Rudy Cooper Jan 2015

From Lonesome Cowboys To Geek Masculinities: A Study Of Documentary Films On The Financial Crisis, Frank Rudy Cooper

Scholarly Works

Space is a vantage point from which masculinity can be critiqued and understood. Documentary film-makers employ specific mode(s) to relate space to masculinity by positioning themselves vis-à-vis the interviewees, and the interviewees vis-à- vis the viewers. A financial crisis may threaten the hegemonic masculinity embodied by Wall Street’s lonesome cowboys and provide a chance for film-makers to critique this type of masculinity. This article analyses three documentary films, I.O.U.S.A., Capitalism: A Love Story, and Floored, which were released after the 2008 economic crisis in the United States. The films contain three prototypes: the lonesome cowboy; white, working-class masculinity; and hypermasculinity. …


Chaos, Reports, And Quests: Narrative Agency And Co-Workers In Stories Of Workplace Bullying, Stacy Tye-Williams, Kathleen J. Krone Jan 2015

Chaos, Reports, And Quests: Narrative Agency And Co-Workers In Stories Of Workplace Bullying, Stacy Tye-Williams, Kathleen J. Krone

Department of Communication Studies: Faculty Publications

This study examined narratives that targets of workplace bullying told about their difficult work experiences along with how co-workers were framed in these narratives. Three different narrative types emerged from their accounts: chaos, report, and quest narratives. Co-worker responses of support or lack thereof were related to the construction of various narrative forms and the level of narrative agency evident in target accounts. The study has important implications for the difference co-workers can make in a target’s ability to withstand bullying and narrate his or her experience.


Revisiting Don/Ovan, Lisa M. Tillmann Ph.D. Jan 2015

Revisiting Don/Ovan, Lisa M. Tillmann Ph.D.

Faculty Publications

In this piece, the author, a heterosexual woman, travels to her hometown of Lake City, MN to reconnect with Donovan Marshall, a gay man she last saw in 1986. "Revisiting Don/ovan" explores opportunities and challenges of coming out, leaving, and returning to live in a small town.


In Solidarity: Collaborations In Lgbtq+ Activism, Lisa M. Tillmann Ph.D., Kathryn L. Norsworthy Jan 2015

In Solidarity: Collaborations In Lgbtq+ Activism, Lisa M. Tillmann Ph.D., Kathryn L. Norsworthy

Faculty Publications

What follows is a fictional account. Our “characters” bear our real names; the other eight are composites of students we have taught and from whom we have learned; activists with whom we have worked; and staff, faculty, and administrators we have trained in venues such as Safe Zone. We portray our ally (Lisa)-lesbian (Kathryn) relationship this way for two reasons: one, we had not secured permission from real students, colleagues, or community members to represent their lives and experiences, and two, we seek a way to show our partnership, both personal and professional since 2000, in action. To each of …