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Hiplife Music In Ghana: Postcolonial Performances Of Modernity, Nii Kotei Nikoi
Hiplife Music In Ghana: Postcolonial Performances Of Modernity, Nii Kotei Nikoi
Doctoral Dissertations
This research project examines the operation of development discourse in popular culture, how it is reproduced, contested and how alternatives are imagined. It is a post-development study of the production and consumption of Ghanaian hiplife music videos and culture. It explores how hiplife makers challenge development discourse and advance alternative ideas of social transformation. Considering the enduring (and damaging) legacies of colonialism, hiplife as a site of relative freedom of expression is fertile for the potential production of a decolonial vocabulary to heal colonial wounds— undoing colonial sensibilities imposed on the colonized. The project reveals that mainstream male hiplife stars …
The Aurality Of Rhetoric: A Critical Hermeneutic Of Cape Breton’S Rhetorical Music Community, Gregory J. Dorchak
The Aurality Of Rhetoric: A Critical Hermeneutic Of Cape Breton’S Rhetorical Music Community, Gregory J. Dorchak
Doctoral Dissertations
Although the field of rhetorical studies has expanded from the notion that rhetoric only applies to speeches, there has been little attention paid to the rhetoric of sound. This project focuses on the rhetoric of sound, specifically the musical rhetoric of the community of Cape Breton Island, in Nova Scotia, Canada. Cape Breton has a long history of maintaining a traditional music community, with its origins in Scotland. The fiddle music of Cape Breton is renowned as a genre of Celtic music. This project looks at the rhetorical acts of the musicians and investigates how these acts of vernacular rhetoric …
"Rapping About Authenticity": Exploring The Differences In Perceptions Of "Authenticity" In Rap Music By Consumers.", James L. Wright
"Rapping About Authenticity": Exploring The Differences In Perceptions Of "Authenticity" In Rap Music By Consumers.", James L. Wright
Doctoral Dissertations
Historically, social scientists have not only marginalized rap music as a viable unit of scholarly analysis, but failed at attempts to understand the thoughts and actions of rap music consumers. This study analyzes the connection between rap music’s (and the artists’) authenticity and how those perceptions of authenticity affect music consumers’ decision making process, thus providing a possible explanation as to why music fans purchase rap music. The goal of this research was to see if the reasons rap music fans provide explaining the rationale behind their purchases match the images and perceptions presumably held by the general public about …