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Life As A Reluctant Immigrant: An Autoethnographic Inquiry, Dionel Cotanda
Life As A Reluctant Immigrant: An Autoethnographic Inquiry, Dionel Cotanda
USF Tampa Graduate Theses and Dissertations
In this dissertation, I draw on memories inspired and heightened by compassionate interviews in order to produce a unifying narrative of interactions with family and friends prior to and following my exile from Cuba in 1960. I use autoethnography and narrative inquiry to understand how I made the decision to leave Cuba and the life I have lived in exile for almost sixty years. My dissertation focuses on what it means to live as a reluctant immigrant and how historically constituted power relations define the identity of many Cuban exiles. I discuss and contrast the politics of passion and the …
Liable To Change, Jody Travis Thompson
Liable To Change, Jody Travis Thompson
Graduate Theses and Dissertations
Liable to Change is a body of paintings in which I explore diverse approaches to the representation of visual space. Depictions of space and movement change throughout the pictures by combining various artistic conventions, such as trompe l’oeil realism and non-objective, geometric abstraction. Oil paint, resin, beeswax, and other materials create built-up surfaces which contain the history of their making. Interaction between various finishes and light on these surfaces changes based on the viewers' proximity to the painting. Images of monkey bars, lattice, golden ratio and flower of life patterns provide a structure through which line, form, and space are …
Julia De Burgos, Embodied Excess, And (Un)Silenced Memory: A Decolonial Feminist Analysis Of Performances Of Resistance, Sara Johanna Baugh
Julia De Burgos, Embodied Excess, And (Un)Silenced Memory: A Decolonial Feminist Analysis Of Performances Of Resistance, Sara Johanna Baugh
Electronic Theses and Dissertations
My dissertation makes an argument for a decolonial move in rhetorical memory studies to more ethically account for the ways in which colonized women in the Global South, like Puerto Rican poet and revolutionary Julia de Burgos, have resisted the trauma colonization has systemically wrought against gendered, raced, and classed bodies. Building from a decolonization methodology, and theoretically situating my argument in Chicana, Latina, and decolonial feminisms, I argue Burgos's poetry both bears faithful witness to the violence of US imperial rule and articulates the dangers of a Puerto Rican nationalist movement built on a Spanish colonial foundation. Approaching Burgos …