Open Access. Powered by Scholars. Published by Universities.®

Digital Commons Network

Open Access. Powered by Scholars. Published by Universities.®

Communication

PDF

Theses and Dissertations

Theses/Dissertations

2017

Identity

Articles 1 - 3 of 3

Full-Text Articles in Entire DC Network

Open Mic: A Documentary Film Exploring Humorous Narratives, Ryan T. Cashman Mar 2017

Open Mic: A Documentary Film Exploring Humorous Narratives, Ryan T. Cashman

Theses and Dissertations

This documentary investigates hardship and identity through humor. The film shadows the lives of three individuals who are all going through a watershed experience with their identities ranging from changes in their family dynamics, gender, or environment. Participants will be writing and performing a stand-up routine in front of a live audience that focuses on a story about their identity. The film underscores how, or if, the sender’s use of humor helps them cope or achieve closure. The film does not explore the audience’s reaction to humor. Using in-depth interviews with each comic, the film centers around the sender, highlighting …


Mythology Of The Angry Black Man: An Analysis Of Cornelius Eady’S Brutal Imagination As A Rhetorical Counter-Narrative, Junior Ocasio Feb 2017

Mythology Of The Angry Black Man: An Analysis Of Cornelius Eady’S Brutal Imagination As A Rhetorical Counter-Narrative, Junior Ocasio

Theses and Dissertations

This thesis examines how Cornelius Eady’s book of poetry, Brutal Imagination, rhetorically serves as a counter-narrative to the fictional construction of Black characters blamed for committing crimes. Brutal Imagination gives voice to Mr. Zero, Eady’s name for the fictional character Susan Smith created in 1994, whom Smith blamed for kidnapping her children. Thus, by using a counter-narrative lens, this thesis analyzes how fictional creations can alter the socially constructed identity of the “angry” Black man.


Restoration, Shannon M. Slaight-Brown Jan 2017

Restoration, Shannon M. Slaight-Brown

Theses and Dissertations

The marks I make in clay have different characteristics, and the physical mark of one’s fingertips or visual record of the hand is personal and intimate. This visible activity is the evidence of my constant presence and control within each object. Its repetitive meditation produces a private relief from my persistent anxieties. This exploration for me is not only visual, but also physical. This is the start of my infatuation with the idea of pattern. It has its own discrete visual language and modes of communication; and through my research I am developing a method of intercommunication.