Digital Commons Network^™

Re-Cognizing Power In The Culture Of Dementia Care Knowledge, Ryan T. Deforge

Electronic Thesis and Dissertation Repository

In light of increasing system demands, system regulations, and constrained resources, those living and working with dementia in the long-term care sector are vulnerable to oppressive care practices. This is true so long as our understanding of how social power affects the ways in which dementia care knowledge is created, shared, and enacted remains limited. Based on prolonged field observations and on informal and formal interviews with care recipients, family members, and staff, the aim of this critical qualitative research was to examine the culture of dementia care knowledge in two sites: a specialized dementia care unit in a long-term …

Anonymous: Polemics And Non-Identity, Samuel Chiang

Electronic Thesis and Dissertation Repository

The hacktivist collective Anonymous has been known to follow nonhierarchical, amorphous and sometimes contradictory strategies for online activism. This may weaken their potential to become a populist movement, as out-group members may find Anonymous’s politics obscure and out of reach. Anonymous’s communiqués compensate for this by enabling direct communication with the public. But as a critical discourse analysis finds, the communicative strategies employed deviate from logics of difference and non-identity. They express rigid beliefs, even at times under the banner of universal truth.

However, these findings do not suggest Anonymous inevitably embraces identity. By adopting a Deleuzian concept of minor …

Money, Morals, And Human Rights: Commercial Influences In The Marketing, Branding, And Fundraising Of Amnesty International And Human Rights Watch, Danielle Morgan

Electronic Thesis and Dissertation Repository

This thesis explores the marketing, branding, and fundraising activities of Amnesty International and Human Rights Watch and critically examines promotional texts used to communicate with the public. This thesis is multidisciplinary, combining scholarly work on the topics of history, humanitarianism, marketing, branding, commercialization, representation, and consumer culture. By adopting market logic and corporate strategies from the private sector, both organizations have increased revenue and created a strong identifiable brand. Each organization attempts to balance between the moral foundation or grassroots origins of the organization and the need to raise immediate revenue to sustain operations. This money-morals dilemma is also at …

If I Had A Hammer: An Archeology Of Tactical Media From The Hootenanny To The People's Microphone, Henry Adam Svec

Electronic Thesis and Dissertation Repository

American folk music gatekeepers have been rightfully critiqued for positing problematic naturalizations of authenticity. Yet, there are underexplored thinkers and artists across the history of folk music whose relationship to media is more complicated. By drawing on the field of media archeology, this dissertation explores the various diagrams and models of communication that can be pulled from the long American folk revival. Media archeology as described by such thinkers as Jussi Parikka and Siegfried Zielinski is not a conventionally linear means of narrating media history; media archeology rather seeks to uncover forgotten and all-but-lost potentialities within our historical media ecologies. …

Professional Athlete Self-Presentation On Twitter, Katie Lebel

Electronic Thesis and Dissertation Repository

The purpose of this dissertation was to explore the digital self-presentation of professional athletes. Central to this purpose was the application of Goffman’s (1959) self-presentation theory to the social media landscape in order to further our understanding of online athlete behavior through a theoretical lens.

Study 1 established how professional athletes are presenting themselves on Twitter through the identification of ten focused self-presentation strategies and explored differences in athlete strategy based upon gender. Content analyses compared male and female athlete tweets relayed by all professional tennis players with a verified Twitter account. The analysis suggested that while athlete image construction …

Governing Occupation Through Constructions Of Risk: The Case Of The Aging Driver, Silke Dennhardt

Electronic Thesis and Dissertation Repository

Risk and risk-management have become increasingly pervasive features of modern society and governmentality scholars have highlighted various ways risk discourses are taken up to govern citizens and their everyday conduct. Thus, attending to risk is imperative to advance an understanding of how everyday occupation is shaped and governed within contemporary society. Within this study, the example of driving in later life is drawn upon to address two objectives: 1. to advance the understanding of how risk is taken up to govern everyday occupation, and 2. to explicate how risk is taken up in discourses to constitute particular subjectivities and their …

Distinguishing The 'Vanguard' From The 'Insipid': Exploring The Valorization Of Mainstream Popular Music In Online Indie Music Criticism, Charles J. Blazevic

Electronic Thesis and Dissertation Repository

This thesis explores recent transformations in the way mainstream popular music is valorized in online indie music publication Pitchfork. Indie music culture has traditionally defined itself in opposition to mainstream popular taste, through social and aesthetic differentiation mechanisms grounded in connoisseurship and DIY ethics. This thesis argues that the increased popularity and commodification of indie music has altered the culture’s exclusionary taste boundaries, selectively welcoming mainstream performers. To explore these changes, I analyze Pitchfork reviews of albums that appear in the top 20 of the Billboard 200 Year-End Chart, 2006-2011. My findings show that Pitchfork critics tend to privilege …

Promotional Ubiquitous Musics: New Identities And Emerging Markets In The Digitalizing Music Industry, Leslie Meier

Electronic Thesis and Dissertation Repository

This dissertation examines the intensifying relationship between the digitalizing music industry and corporate brands. It analyzes the ‘crisis’ and recuperation of popular music’s commodity form in the digital era; in an increasingly post-CD music marketplace, it argues, ‘artist-brands’ tied to multiple revenue streams and licensed to brand partners constitute the foundation of music’s capitalization. Contemporaneous with key shifts in music marketing and monetization strategies, advertising firms have taken increased interest in branded entertainment strategies that employ popular music. These colliding commercial dynamics have produced a proliferation of what I term ‘promotional ubiquitous musics’: original music by recording artists used by …