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Communication

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Louisiana State University

Theses/Dissertations

Performative writing

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Musicking New Orleans Street Musicians: A Methodology For Writing About Music, Savannah Cadi Rose Ganster Jan 2015

Musicking New Orleans Street Musicians: A Methodology For Writing About Music, Savannah Cadi Rose Ganster

LSU Doctoral Dissertations

This project argues for the use of performative writing as a methodology for writing about musical performances. An analysis of recent scholarship on music and musical performances written by performance studies scholars supports the use of performative writing in texts that address musical performances. In order to further this methodological claim, this study uses performative writing to document both historical and present day accounts of musical performances of street musicians in New Orleans. Utilizing Foucault’s theories on and Roach’s model of genealogy, Bruner’s notion of reflexive ethnography, and Small’s concept of musicking, I theorize, on a meta-methodological level, that performative …


Writing William Burroughs, Performing The Archive, John Lebret Jan 2011

Writing William Burroughs, Performing The Archive, John Lebret

LSU Doctoral Dissertations

Between 1958 and 1972, author William S. Burroughs undertook a series of radical experiments with alternative compositional modes based on the aleatory form of the Cut-up. Burroughs sold the entirety of his work from the period, assembled into an archive, to a collector in 1972. This study uses performative writing to document a year of archival research in Burroughs' collection, currently housed by The Henry W. and Albert A. Berg Collection of English and American Literature at the New York Public Library. Melding Bakhtin's theories of the chronotope and the grotesque body with creative writing and experimental modes of scholarly …


Method And Madness At The Isabella Stewart Gardner Museum, Gretchen Stein Rhodes Jan 2010

Method And Madness At The Isabella Stewart Gardner Museum, Gretchen Stein Rhodes

LSU Doctoral Dissertations

The Isabella Stewart Gardner museum in Boston, Massachusetts is unique in history and design. Originating as a privately held collection, the Gardner Museum reflects its namesake’s eccentricities and stands in stark contrast to the backdrop of contemporary Boston. Although much has been written about the individual masterpieces held within the Gardner collection and there are numerous biographies of “Mrs. Jack,” as Gardner was sometimes called, little work has been done to investigate the museum in light of contemporary research in museology and the practices of collecting and display. Understanding collecting and curating as modes of knowledge production, this study seeks …


Methodological Lagniappe: A Walk In Representations Of The Red Stick Farmers Market, Jesica Eileen Speed Jan 2007

Methodological Lagniappe: A Walk In Representations Of The Red Stick Farmers Market, Jesica Eileen Speed

LSU Master's Theses

In this thesis, I take you on a walk – a walk in the making of representations – around the Red Stick Farmers Market in Baton Rouge, Louisiana. This thesis is written at a moment of instability, or crisis, in this discipline. In a “crisis of representation,” how do we represent anything? Experimenting with various methodologies of writing, representation, dialogic performance, history, and ethnographic inquiry, this thesis provides a walk over various terrains. We begin by building the framework for the walk, then tour three areas of ethnographic expansions and alternatives: new ethnography, performative writing, and historicity. John VanMaanen calls …


Cultural Performance Of Roadside Shrines: A Poststructural Postmodern Ethnography, Rebecca Marie Kennerly Jan 2005

Cultural Performance Of Roadside Shrines: A Poststructural Postmodern Ethnography, Rebecca Marie Kennerly

LSU Doctoral Dissertations

Marking the site of death on the road with a shrine, an increasingly popular cultural practice in the United States, is a deeply personal, private affair, however, because shrines are placed in the public right-of-way, they attract attention and invite participation, comment, and criticism. These sites, the materials that mark them, how people come to build them, the messages that those who build them hope to convey, and the accumulative force these sites bring to bear in various contexts offer unique insights into our complex, fragmented, and often confounding relationships with death, living memory, and selective forgetting. This project takes …


Audiating The Lsu Drumline: An Ethnographic Performance, Andrew Michael Causey Jan 2004

Audiating The Lsu Drumline: An Ethnographic Performance, Andrew Michael Causey

LSU Master's Theses

This is an ethnographic study of the drumline of the LSU Marching Band and the mock-fraternity they created called Phi Boota roota (ΦBr). I argue that ΦBr was created as a site to flesh out the various tensions members experience as members of the LSU drumline; they create a rite of passage ritual that functions as a carnivalesque and celebratory inversion of the system they find themselves submerged within. Phi Boota roota marks a created articulation of the transition members make when they become part of the larger ritual of Tigerband; it is a voluntary or liminoid ritual that allows …