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Remembering Radical Black Dissent: Traumatic Counter-Memories In Contemporary Documentaries About The Black Power Movement, Kristen Hoerl Jul 2015

Remembering Radical Black Dissent: Traumatic Counter-Memories In Contemporary Documentaries About The Black Power Movement, Kristen Hoerl

Kristen Hoerl

Contemporary rhetoric about race and racism has been shaped, in part, by popular films. Since the late 1980s and 1990s, Hollywood has provided a variety of what Kelly Madison refers to as "anti-racist-white-hero" films.1 Movies including Amistad, Cry Freedom, The Long Walk Home, Mississippi Burning, and Ghosts of Mississippi have routinely positioned white protagonists as civil rights heroes who win justice for the black community by punishing or humiliating white antagonists. Each film frames racial injustice as the consequence of closed-minded individuals, rather than as the outcome of the U.S. economic and political system. More recently, the motion pictures The …


Depoliticizing Pregnancy And The Post-Nuclear Family In Juno, Knocked Up, And Waitress, Kristen Hoerl, Casey Kelly Aug 2011

Depoliticizing Pregnancy And The Post-Nuclear Family In Juno, Knocked Up, And Waitress, Kristen Hoerl, Casey Kelly

Kristen Hoerl

This essay explores three films from 2007, Knocked Up, Juno, and Waitress, which foreground young women's unplanned pregnancies. These movies depoliticize women's reproduction and motherhood through narratives that rearticulate the meaning of choice. Bypassing the subject of abortion, the women's decisions revolve around their choice of heterosexual partners and investment in romantic relationships. Although they question the viability of the nuclear family for single pregnant women, these films represent new iterations of post-feminism that ultimately restore conservative ideas that valorize pregnancy and motherhood as women's imperatives. We conclude by addressing how these movies present a distorted and short-sighted depiction of …


Pain And Public Deliberation: Citizens, Victims, Advocates, Activists., Kristen Hoerl Apr 2011

Pain And Public Deliberation: Citizens, Victims, Advocates, Activists., Kristen Hoerl

Kristen Hoerl

This paper revisits the limits and possibilities for the idealsof participatory democracy in the contemporary United States by examiningnews media coverage of the Columbine High School shootings.


Mario Van Peebles’S Panther And Popular Memories Of The Black Panther Party, Kristen Hoerl Apr 2011

Mario Van Peebles’S Panther And Popular Memories Of The Black Panther Party, Kristen Hoerl

Kristen Hoerl

The 1995 movie Panther depicted the Black Panther Party for Self-Defense as a vibrant but ultimately doomed social movement for racial and economic justice during the late 1960s. Panther’s narrative indicted the white-operated police for perpetuating violence against African-Americans and for undermining movements for black empowerment. As such, this film represented a rare source of filmic counter-memory that challenged hegemonic memories of U.S. race relations. Newspaper reports and reviews of Panther, however, questioned this film’s veracity as a source of historical information. An analysis of these reviews and reports indicates the challenges counter-memories confront in popular culture.


The Post-Nuclear Family And The Depoliticization Of Unplanned Pregnancy In Juno, Knocked Up, And Waitress, Kristen Hoerl, Casey R. Kelly, Kristen Hoerl, Casey R. Kelly Dec 2009

The Post-Nuclear Family And The Depoliticization Of Unplanned Pregnancy In Juno, Knocked Up, And Waitress, Kristen Hoerl, Casey R. Kelly, Kristen Hoerl, Casey R. Kelly

Kristen Hoerl

This essay explores three films from 2007, Knocked Up, Juno, and Waitress, which foreground young women's unplanned pregnancies. These movies depoliticize women's reproduction and motherhood through narratives that rearticulate the meaning of choice. Bypassing the subject of abortion, the women's decisions revolve around their choice of heterosexual partners and investment in romantic relationships. Although they question the viability of the nuclear family for single pregnant women, these films represent new iterations of post-feminism that ultimately restore conservative ideas that valorize pregnancy and motherhood as women's imperatives. We conclude by addressing how these movies present a distorted and short-sighted depiction of …


Remembering And Forgetting Black Power In Mississippi Burning, Kristen Hoerl Dec 2007

Remembering And Forgetting Black Power In Mississippi Burning, Kristen Hoerl

Kristen Hoerl

No abstract provided.