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Articles 1 - 17 of 17
Full-Text Articles in Entire DC Network
Faience Goddesses And Ivory Bull-Leapers: The Aesthetics Of Sexual Difference At Late Bronze Age Knossos, Benjamin Alberti
Faience Goddesses And Ivory Bull-Leapers: The Aesthetics Of Sexual Difference At Late Bronze Age Knossos, Benjamin Alberti
Benjamin Alberti
In the figurative art of Late Bronze Age Knossos one recognizes a singular form to the human body which cuts across all other distinctions. Contrary to popular and academic interpretations, sexed differences are not marked in a clearly binary fashion. Drawing on this observation, the current paper analyses the relationship between two sets of figurines from the Bronze Age Palace site of Knossos: the faience figurines from the 'Temple Repositories' and the ivory bull-leaper figurines from the 'Domestic Quarter'. The interpretation of these figurines elucidates: a) how the appearance of sexual characteristics is context specific and not a general feature …
Greek Bronze: Holding A Mirror To Life, Expanded Reprint From The Irish Philosophical Yearbook 2006: In Memoriam John J. Cleary 1949-2009, Babette Babich
Greek Bronze: Holding A Mirror To Life, Expanded Reprint From The Irish Philosophical Yearbook 2006: In Memoriam John J. Cleary 1949-2009, Babette Babich
Babette Babich
To explore the ethical and political role of life-sized bronzes in ancient Greece, as Pliny and others report between 3,000 and 73,000 such statues in a city like Rhodes, this article asks what these bronzes looked like. Using the resources of hermeneutic phenomenological reflection, as well as a review of the nature of bronze and casting techniques, it is argued that the ancient Greeks encountered such statues as images of themselves in agonistic tension in dynamic and political fashion. The Greek saw, and at the same time felt himself regarded by, the statue not as he believed the statue divine …
On Nietzsche’S Judgment Of Style And Hume’S Quixotic Taste: On The Science Of Aesthetics And ‘Playing’ The Satyr, Babette Babich
On Nietzsche’S Judgment Of Style And Hume’S Quixotic Taste: On The Science Of Aesthetics And ‘Playing’ The Satyr, Babette Babich
Articles and Chapters in Academic Book Collections
This essay reviews Nietzsche’s discussion of scholarly judgments of style beginning with his own inaugural lecture at Basel together with David Hume’s stylistic reflections in Hume's “On the Standard of Taste.” This casts light both on the context and the substance of Nietzsche’s own scholarly concern with the question of style and taste in terms of what Nietzsche called the “science of aesthetics” and consequently of scholarly judgment in both classics (or classical philology, here including archaeology and historiography) and philosophy. I also include a brief discussion of Nietzsche’s phenomenological performance practice of dance or playing the “satyr.”
Persephone And Hades: A Study Of Representation In Art And Culture, Sara Buckley
Persephone And Hades: A Study Of Representation In Art And Culture, Sara Buckley
Student Scholarship
Ancient artworks which represent classical Greek myths most commonly depict the story's climax. Their subjects reveal that the ancient Greeks' taste for dramatic storytelling matched their reverence for each divine entity's embodiment, whether it was a natural phenomenon or an abstract concept. The former of these traits dominate the visual portrayals of the Pluto and Persephone myth, as can be seen in many artworks where the ancient Greeks chose to depict the moment where Pluto theatrically abducts Persephone and sweeps her away to the underworld. In fact, in visual art, it was characteristic of the Greeks to stress the exciting …
Un Modo Più Chiaro: Francesco Scannelli, Guercino And The Physiology Of Style, James Hutson
Un Modo Più Chiaro: Francesco Scannelli, Guercino And The Physiology Of Style, James Hutson
Faculty Scholarship
The mid-seicento in Italy witnessed a sustained proliferation of writers on art scattered throughout more regions than had been common in the previous century, leading to an era defined by arguments over the qualities and values of style.1 In the Preface for his Vite de 'pittori, scultori ed architetti of ca.1673-79, Giovanni Battista Passeri lamented the fact that: «Today it is fashionable for painters to do nothing but squabble among themselves about manner, taste, and style, and this arose because the reasoning is not established according to solid principles ».2 The querulous nature of the age has made it difficult …
Ceci N'Est Pas Un David, Andrea Roberts
Ceci N'Est Pas Un David, Andrea Roberts
Student Scholarship
It is a peculiar fact that almost every piece of artwork ever created has attached to it a piece of text.' Originally, at least, most works are given a title for the purpose of referring to what it is. Later, this body of text begins to grow as critical work is written and attached to it by the use of the title. A consequence of this is that text connected to a piece of artwork becomes significant to the piece itself and can even be reinterpreted and critiqued as though it were part of the original work. For example, there …
Constructing Gender: Female Architectural Patronage In Roman Asia Minor And Syria In The First Through Sixth Centuries Ce, Grace K. Erny
Constructing Gender: Female Architectural Patronage In Roman Asia Minor And Syria In The First Through Sixth Centuries Ce, Grace K. Erny
Classical Mediterranean and Middle East Honors Projects
The patronage of architectural projects was a major way that prominent citizens of the Roman Empire shaped urban landscapes. These acts of patronage constituted a series of performances through which categories such as “male,” “female,” “public,” and “private” were constructed. In this paper, I use architectural, epigraphical, and literary evidence to analyze examples of female architectural patronage in the cities of Roman Asia Minor and Syria in the first through sixth centuries CE. I explore how these architectural performances contributed to an ongoing discourse about gender and the allocation of space.
Nationalism, Archaeology, And The Antiquities Trade In Turkey And Iraq, Miranda Pettengill
Nationalism, Archaeology, And The Antiquities Trade In Turkey And Iraq, Miranda Pettengill
Classical Mediterranean and Middle East Honors Projects
The illicit antiquities trade is a vast and complex network comprising a large number of participants across the globe. This paper focuses specifically on looters and illegal excavators, those who first retrieve ancient objects from the ground to be traded on the black market. My research examines the reasoning and motivation behind looting; specifically, I evaluate how nationalistic ideologies in Turkey and Iraq affect the choices and actions of illegal excavators living there. I also discuss the benefits of community archaeology, an approach that includes local people in the practice and presentation of excavation, as a strategy to minimize the …
All Roads Lead Through Rome: Imperial Armatures On The Triumphal Route, Machal E. Gradoz
All Roads Lead Through Rome: Imperial Armatures On The Triumphal Route, Machal E. Gradoz
Classical Mediterranean and Middle East Honors Projects
The cityscape of ancient Rome was filled with opulent buildings that created armatures— fluid, connective thoroughfares throughout the city. These armatures came together to form narrative pathways. The triumphal route, the memorialized, celebratory course of victorious generals, is one such narrative pathway. Among other strategies to legitimize his sole rule, Augustus constructed a self-promoting armature along the triumphal route, thereby linking him with the triumph. This paper examines how the construction of the Augustan armature along the triumphal route promoted Augustus and how the Flavians responded to it in advertising their own legitimacy in the wake of a civil war. …
Plato The Poet, Francis James Flanagan
Plato The Poet, Francis James Flanagan
Honors Bachelor of Arts
Plato’s dialogue genre contains within it literary elements not normally associated with a philosophical work. In the creation of his dialogue, Plato combined the literary aspects of drama—specifically setting and characterization—and rhetoric with the Socratic Method to create a genre that was new to philosophy. An examination of the usage of these elements in a Platonic dialogue, specifically Symposium, in comparison to Xenophon’s Symposium reveals the unique nature of Plato’s dialogue.
Genius Loci. Zu Nietzsche, Lou Und Dem Sacro Monte, Bzw. Den Sacri Monti, Babette Babich
Genius Loci. Zu Nietzsche, Lou Und Dem Sacro Monte, Bzw. Den Sacri Monti, Babette Babich
Research Resources
No abstract provided.
Roman Mater The Etruscan Influence On The Role Of Roman Women, Elizabeth Davis
Roman Mater The Etruscan Influence On The Role Of Roman Women, Elizabeth Davis
Honors Bachelor of Arts
Comparing the common grave monuments for women of Athenian society which were primarily stele and kore, to the grave monuments for Etruscan women, which were family tomb paintings and sarcophagi, will expose the large differences between the two societies’ views on women. Looking into the Roman culture, specifically the monuments and laws created by Augustus during the early Empire, will reveal the Etruscan influence on Roman society concerning women.
A Contract For The Advance Sale Of Wine, Scott Gallimore
A Contract For The Advance Sale Of Wine, Scott Gallimore
Archaeology and Heritage Studies Faculty Publications
Edition of a sale of wine in advance from Byzantine Egypt (P.Vindob. inv. G 40267). Notable features include the guarantee clause and the supply of jars by the seller, both of which are put in a wider context.
Museo De Aguas De Alicante El Agua En El Origen De Alicante Una Visión Histórico-Arqueológica Desde La Prehistoria Hasta La Época Moderna, Pablo Rosser
pablo rosser
A partir de restos arqueológicos, de documentación de archivo y de cartografía histórica, se hace una evolución sobre cómo el agua y su uso permitió el asentamiento de población en Alicante desde el neolítico hasta época contemporánea.
Anthropological Perspectives On Colonialism, Globalization And Rural Lifeways: Expanding The Limits Of Archaeological Interpretation In The Lower Rhineland., Karim Mata
karim mata
No abstract provided.
A Bronze Kline From Lydia, Elizabeth P. Baughan, İlknur Özgen
A Bronze Kline From Lydia, Elizabeth P. Baughan, İlknur Özgen
Classical Studies Faculty Publications
In 1982, the J. Paul Getty Museum purchased an ancient kline made mostly of bronze (pl. 9, I)1. It replicates, at full scale, a wooden couch with lathe-turned legs, comparable to those attested in the Greek world in the sixth and fifth centuries B.C.E2. As one of only four known bronze beds or couches that pre-date the Hellenistic period3, it is an important artifact that can contribute much to our understanding of ancient furniture and metallurgy, and adhering fragments and pseudomorphs of linen cloth add to the corpus of preserved ancient textiles. …
Pliny The Pessimist, Thomas E. Strunk