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Review Of: Lara, Jaime. City, Temple, Stage : Eschatological Architecture And Liturgical Theatrics In New Spain, Barbara E. Mundy

Art History and Music Faculty Publications

No abstract provided.

Centum Homines: The Prototype Of The Alexander Mosaic And The Military Museum In The Hellenistic World, Peter Nulton

Peter E. Nulton Ph.D.

Although it is generally accepted that the Alexander Mosaic copies a painting of the 4th Century BCE, the attribution of this prototype has never been settled. Numerous attempts have been made to associate it with painters recorded in Pliny's Natural History, notably Philoxenos of Eretria, and Alexander's court painter, Apelles.

If the painting were the work of any artist whose name survives, as strong a case can be made for Aristeides of Thebes as for Apelles or Philoxenos. Since Pliny's comment that Aristeides painted a battle against the Persians follows his treatment of the works of Apelles, he is likely …

Reflections On Greek Bronze And 'The Statue Of Humanity'. Heidegger's Aesthetic Phenomenology And Nietzsche's Agonistic Politics, Babette Babich

Articles and Chapters in Academic Book Collections

No abstract provided.

Social Networks And Cross-Cultural Interaction: A New Interpretation Of The Female Terracotta Figurines Of Hellenistic Babylon, Stephanie Langin-Hooper

Art History Research

In the study of the Hellenistic period in Babylon, cross-cultural interactions between Greeks and native Babylonians have been primarily interpreted using colonialist theories of Hellenisation, domination, and cultural isolation. This paper finds, however, that such theories cannot adequately explain the types of cross-cultural combinations seen in the archaeological record of female Hellenistic Babylonian terracotta figurines. The forms and functions of these terracotta figurines were substantially altered and combined throughout the Hellenistic period, resulting in Greek- Babylonian multicultural figurines as well as figurines that exhibited new features used exclusively in Hellenistic Babylonia. In order to facilitate a greater understanding of the …

El Patrimonio Cultural De La Ciudad De Alicante: Avance Para Un Catálogo. Bienes Inmuebles., Pablo Rosser

pablo rosser

Primer avance de fichas patrimoniales sobre el patrimonio cultural de Alicante, en su aspecto de Bienes inmuebles.

Beyond The Desert And The Sown: Settlement Intensification In Late Prehistoric Southeastern Arabia, Peter Magee

Classical and Near Eastern Archaeology Faculty Research and Scholarship

Arabia lies outside the focus of most archaeologists working in western Asia and is considered to have been a periphery in the past and therefore peripheral to contemporary research interests. The reasons for this include generalized assumptions about human-environmental dynamics and a belief in the necessity of foreign intervention as a spur for innovation and change in arid environments. In this paper, these two assumptions are examined, and a case study from southeastern Arabia is presented which details evidence for indigenous adaptation and a concomitant emergence of political and economic complexity in the early first millennium B.C.

Summary Report For The 2007 Season, Mark Schuler

Excavation Reports

In 2007, excavation work continued on areas surrounding the domus of the North-East Church complex, exposed the west street south to the Decumanus Maximus, continued conservation, cleaning, and documentation of the nave mosaic carpets (F544 and F589), and concluded study of the human remains from the masonry tomb. This report will address work done in the following areas:

• The Masonry Tomb
• The South Hall and Related Chambers
• The Chambers West of the Portico
• The Western Street (“Via Sacra”) and Related Buildings
• The Eastern Street and Related Buildings
• The Nave Mosaics
• Conservation

Subverting The Secret Of Herculaneum: Archaeological Espionage In The Kingdom Of Naples, Alden R. Gordon

Faculty Scholarship

No abstract provided.

The Unsettling Landscape: Landscape And Anxiety In The Garden Of The House Of Octavius Quartio, Sarah Brutesco

Inquiry: The University of Arkansas Undergraduate Research Journal

Ancient Roman houses (domus) were both public and private spaces and were used by the homeowner (dominus) to send messages of power to his guests and family members. Scholarly analysis of the rhetorical power of the architecture and decoration of the domus has largely overlooked the role of the garden within this context. It is generally assumed that the purpose of the garden was to provide a calm green space in the center of an urban home. The purpose of this paper is to challenge this overly simplistic reading of Roman gardens and to explore how the dominus might have …