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Divine Deliverance A New Look At Euripidean Tragedy Through Audience Interpretation, Samantha Pukys
Divine Deliverance A New Look At Euripidean Tragedy Through Audience Interpretation, Samantha Pukys
Honors Bachelor of Arts
This study consists of a literary analysis of two Euripidean plays to explore audience reception. Hippolytus is the first tragic work I will examine, and it was performed in 428 BCE, three years after the start of the war; the final work I will examine, the Bacchae, which was also Euripides’ final play, was performed in 405 BCE, one year before the end of the war. A literary, specifically semiotic, analysis of the divine characters can provide insight into the audience’s reception of the plays. That is, by examining the symbols within the text, one can begin to understand …
Lift, Eat, Compete: Athletics In Ancient Greece And Modern America, Jensen Grey Kolaczko
Lift, Eat, Compete: Athletics In Ancient Greece And Modern America, Jensen Grey Kolaczko
Honors Bachelor of Arts
No abstract provided.
The Effect Of Misogyny On The Persecution Of Women As Practitioners Of Magic In Ancient Greece, Rome, Medieval And Early Modern Europe, Mark J. Mangione
The Effect Of Misogyny On The Persecution Of Women As Practitioners Of Magic In Ancient Greece, Rome, Medieval And Early Modern Europe, Mark J. Mangione
Honors Bachelor of Arts
This paper will look at the history of magic from the time of the ancient Greeks, to its development and integration into the culture of the Romans, and finally its evolution, downfall, and outlawing in the Medieval and Early Modern Europe. More specifically, this paper intends to focus upon the gender of practitioners of magic. There is a discrepancy between classical literature and non-literary sources of who actually were practitioners of magic. Women prevail as practitioners in Greek and Roman literature but non-literary sources say that men too were practitioners of magic. Glimpses of misogynistic thoughts can be found in …