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A Virtual Reality Educational Game For The Ethics Of Cultural Heritage Repatriation, James Hutson, Ben Fulcher
A Virtual Reality Educational Game For The Ethics Of Cultural Heritage Repatriation, James Hutson, Ben Fulcher
Faculty Scholarship
The technology of virtual reality and the gamification of education has had proven educational benefits and has the ability to immerse students in a participatory learning experience. To capitalize on the strengths of the new digital medium, including immersion, engagement, and presence, a new educational game aims to teach the ethics of cultural heritage repatriation through the lens of art history. The use of games to address current issues and conceptualize a framework for understanding the complexities of geopolitics is not new but aligning these considerations with the pressing need to protect cultural heritage as seen in modern-day Ukraine is. …
Li Pittori Parlano Con L’Opere: Visualizing Poetry In Practice In Early Modern Italian Art, James Hutson
Li Pittori Parlano Con L’Opere: Visualizing Poetry In Practice In Early Modern Italian Art, James Hutson
Faculty Scholarship
The relative sophistication of artists in the early modern era is contested, especially with regards to their educational backgrounds. On one hand, Dempsey-esque intellectual history is vested in touting the structured, literary curricula in art-educational institutions; while on the other, a complete rejection of the “artist-philosopher” as historical fiction seeks to undermine this hegemonic construct. This study argues that the lack of early formal education in the cases of artist like Annibale Carracci and Nicolas Poussin, who, unlike Peter Paul Rubens, did not have a firm foundation in the classics and languages that would allow them to engage directly with …
Gallucci's Commentary On Dürer’S 'Four Books On Human Proportion': Renaissance Proportion Theory, James Hutson
Gallucci's Commentary On Dürer’S 'Four Books On Human Proportion': Renaissance Proportion Theory, James Hutson
Faculty Scholarship
In 1591, Giovanni Paolo Gallucci published his Della simmetria dei corpi humani, an Italian translation of Albrecht Dürer’s Four Books on Human Proportion. While Dürer’s treatise had been translated earlier in the sixteenth-century into French and Latin, it was Gallucci’s Italian translation that endured in popularity as the most cited version of the text in later Baroque treatises, covering topics that were seen as central to arts education, connoisseurship, patronage, and the wider appreciation of the studia humanitatis in general.
The text centres on the relationships between beauty and proportion, macrocosm and microcosm: relationships that were not only essential to …
Rape And Revolution: Tacitus On Livia And Augustus, Thomas E. Strunk
Rape And Revolution: Tacitus On Livia And Augustus, Thomas E. Strunk
Faculty Scholarship
No abstract provided.
Domitian's Lightning Bolts And Close Shaves In Pliny, Thomas E. Strunk
Domitian's Lightning Bolts And Close Shaves In Pliny, Thomas E. Strunk
Faculty Scholarship
Pliny's portrayal of his public life under Domitian has often come under fire from both those who approach Pliny'sLettersfrom a historical perspective and those who study them as a literary production. This article reevaluates Pliny's experiences in five significant areas: public speaking,amicitia, political promotion, threats of political persecution, and survival and reconciliation. In all of these circumstances, Pliny is found to be an honest narrator of his own political struggles under Domitian and an eloquent voice for his generation's endurance.
Un Modo Più Chiaro: Francesco Scannelli, Guercino And The Physiology Of Style, James Hutson
Un Modo Più Chiaro: Francesco Scannelli, Guercino And The Physiology Of Style, James Hutson
Faculty Scholarship
The mid-seicento in Italy witnessed a sustained proliferation of writers on art scattered throughout more regions than had been common in the previous century, leading to an era defined by arguments over the qualities and values of style.1 In the Preface for his Vite de 'pittori, scultori ed architetti of ca.1673-79, Giovanni Battista Passeri lamented the fact that: «Today it is fashionable for painters to do nothing but squabble among themselves about manner, taste, and style, and this arose because the reasoning is not established according to solid principles ».2 The querulous nature of the age has made it difficult …
Pliny The Pessimist, Thomas E. Strunk
A Philology Of Liberation: Dr. Martin Luther King Jr. As A Reader Of The Classics, Thomas E. Strunk
A Philology Of Liberation: Dr. Martin Luther King Jr. As A Reader Of The Classics, Thomas E. Strunk
Faculty Scholarship
This paper explores the intellectual relationship between Dr. Martin Luther King, Jr. and the classics, particularly the works of Plato, Sophocles, and Aeschylus. Recognizing Dr. King as a reader of the classics is significant for two reasons: the classics played a formative role in Dr. King's development into a political activist and an intellectual of the first order; moreover, Dr. King shows us the way to read the classics. Dr. King did not read the classics in a pedantic or even academic manner, but for the purpose of liberation. Dr. King's legacy, thus, is not merely his political accomplishments but …
Renaissance Proportion Theory And Cosmology: Giovanni Paolo Gallucci’S Della Simmetria And Dürerian Neoplatonism, James Hutson
Renaissance Proportion Theory And Cosmology: Giovanni Paolo Gallucci’S Della Simmetria And Dürerian Neoplatonism, James Hutson
Faculty Scholarship
In 1591 Giovan Paolo Gallucci (1538-1621) published his Della simmetria def carpi humani (FIG. I), an Italian translation of the Four Books on Human Proportion, or Proportionslehre (1528), by Albrecht Durer (1471-1528).1 Though passed over in modem scholarship, and not as well-known as other publications from the last two decades of the Cinquecento, the encyclopedic treatment on human proportion theory in the new edition was widely read by artists and writers on art. A. Blunt demonstrated that Nicholas Poussin (1594-1665) made extensive use of Chapter LVII in the Libra quinto of Gallucci 's publication in his Osservazioni sopra la pittura …
Saving The Life Of A Foolish Poet: Tacitus On Marcus Lepidus, Thrasea Paetus, And Political Action Under The Principate, Thomas E. Strunk
Saving The Life Of A Foolish Poet: Tacitus On Marcus Lepidus, Thrasea Paetus, And Political Action Under The Principate, Thomas E. Strunk
Faculty Scholarship
This paper explores Tacitus' representation of Thrasea Paetus. Preliminary to analyzing this portrayal, I discuss two passages often cited when exploring Tacitus' political thought, Agricola 42.4 and Annales 4.20. I reject the former's validity with regard to Thrasea and accept the latter as a starting point for comparing Tacitus' depictions of Marcus Lepidus and Thrasea. Tacitus' characterizations of Thrasea and Lepidus share the greatest resemblance in the trials of Antistius Sosianus and Clutorius Priscus, both of whom wrote verses offensive to the regime. Thrasea and Lepidus both came to the defense of their respective poet in an attempt to spare …
Subverting The Secret Of Herculaneum: Archaeological Espionage In The Kingdom Of Naples, Alden R. Gordon
Subverting The Secret Of Herculaneum: Archaeological Espionage In The Kingdom Of Naples, Alden R. Gordon
Faculty Scholarship
No abstract provided.