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Ek Tou Homerou Ad Homerum: A Survey Of The Roman Imperial Iconography Of Homer, Juan Dopico

Arts & Sciences Electronic Theses and Dissertations

This thesis evaluates the imagery of Homer in Roman imperial mosaics stemming from the 2^nd century AD to the 5^th century AD. In doing so, it will show that the Romans perhaps transformed the image of Homer in order that the patron may identify himself as an erudite and intellectual elite. This practice might have strong parallels with literary treatments with Homer during the Second Sophistic, especially among the Platonic philosophical tradition in the imperial period.

As a tool for those wishing to do a systematic analysis of figures in Roman art, mosaics contain some advantages that other …

The Comic Grotesque: Troubling The Body Politic In American Graphic Satire From World War I To The Great Depression, Bryna Rae Campbell

Arts & Sciences Electronic Theses and Dissertations

This dissertation examines the comic grotesque as a strategy of critical engagement within the thriving field of U.S. graphic satire from World War I through the Great Depression. During this period, artists across the political spectrum were using disruptive bodily forms, along with references to pain, vulgar associations and crude techniques, to challenge political authority, undermine attempts to smooth over political turbulence, and address communal anxieties about social tensions and the direction of the nation. Emerging in the context of record unemployment rates, the explosion of political radicalism, dramatic shifts of gender and class power dynamics, and emerging threats of …

Michelangelo And Pope Paul Iii, 1534-49: Patronage, Collaboration And Construction Of Identity In Renaissance Rome, Erin Christine Sutherland

Arts & Sciences Electronic Theses and Dissertations

For his greatest patron, Pope Paul III Farnese (1534-49), Michelangelo painted the Last Judgment in the Sistine Chapel, two monumental frescoes in the Pauline Chapel, and managed the design and reconstruction of St. Peter's Basilica. The pope and artist maintained a harmonious and remarkably productive association for the entirety of Paul's fifteen-year pontificate. The artist's projects at the Vatican defined the most important sacred spaces of Renaissance Rome and helped construct the identity of the papacy at the inception of the Counter-Reformation. At the same time, these are the finest examples of Michelangelo's mature painting and architecture. Following Giorgio Vasari's …